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# Gerrish Fine Art

Founded in 1972, Gerrish Fine Art is one of the leading dealers in 19th and 20th century British printmaking. We hold one of the largest stocks of etchings by David Hockney.

## Sitemaps

- [XML Sitemap](https://gerrishfineart.com/sitemap.xml): Contains all public & indexable URLs for this website.

## Journals

- [Journal](https://gerrishfineart.com/journal/)
- [David Hockney Swimming Pools](https://gerrishfineart.com/journal/david-hockney-swimming-pools/) - This article delves into the history of two iconic works of swimming pools by David Hockney. The subject of the swimming pool is inextricably linked with David Hockney, and appears countless times in his paintings, prints, drawings and photographs, from the sixties onwards.
- [Hockney's Visual References](https://gerrishfineart.com/journal/hockneys-visual-references/) - In this article we will explore some of the visual sources Hockney drew upon and quoted in his Grimm's Fairytale etchings of 1969.
- [Collecting Prints](https://gerrishfineart.com/journal/collection-prints-4/) - A useful Q & A detailing all the essential things to consider when starting to collect prints.
- [A-Z of Printmaking](https://gerrishfineart.com/journal/collection-prints-5/) - An illustrated guide to the key terminology you should know when buying an original print.
- [Caring for Prints](https://gerrishfineart.com/journal/collection-prints-3/) - Advice on how to care for your collection from leading conservator Heather Norville-Day.

## Pages

- [Home](https://gerrishfineart.com/) - Founded in 1972, Gerrish Fine Art is a leading dealer of British 19th & 20th century original prints and paintings. Specialists in David Hockney.
- [Events](https://gerrishfineart.com/exhibitions/events/)
- [Viewing Rooms](https://gerrishfineart.com/exhibitions/viewing-rooms/)
- [Catalogues](https://gerrishfineart.com/exhibitions/catalogues/)
- [About Us](https://gerrishfineart.com/about-us/) - About Us Hilary Gerrish started his career in art dealing in 1972, as a partner in N.W. Lott and H.J. Gerrish. He worked from their gallery in St. James’s until 1985, at which point he went independent and created Gerrish Fine Art. The company has since developed into a family business; first with the addition
- [Delivery](https://gerrishfineart.com/delivery/) - Delivery PICK UP IN PERSON Clients are always welcome to collect works of art from St James’s in person. Please contact us to make an appointment. FREE SHIPPING ON ALL DOMESTIC ORDERS OVER £500 We aim to dispatch works within one week. If you need to receive your artwork by a specific date please call
- [Contact](https://gerrishfineart.com/contact/) - Contact VISIT By appointment Davies Street, Mayfair, London W1K 4LT Nearest Tubes: Bond Street (0.1 miles), Oxford Circus (0.3 miles), Green Park (0.5 miles), Piccadilly Circus (0.6 miles) GENERAL ENQUIRIES gallery@gerrishfineart.com+44 (0) 207 871 3089 We aim to respond to all enquiries within 24 hours THE TEAM Hilary Gerrishhilary@gerrishfineart.com / +44 (0) 7966 809 205Georgie
- [Notable Sales](https://gerrishfineart.com/about-us/notable-sales/) - NICHOLSON, BEN (1894-1982) Abstract with Red Circle, 1937 Linocut printed in black ink with a red circle hand-coloured in gouache by Nicholson ‘Abstract with Red Circle’ was executed at the height of Nicholson’s Constructivist phase and the same year that ‘Circle’ was published. This print is the only linocut to include a second colour, apart
- [The Team](https://gerrishfineart.com/the-team/) - The Team HILARY GERRISHDirector Hilary Gerrish has been an art dealer since 1971. For the first fifteen years of his career he worked in partnership with Nick Lott. Whilst countless, unimagined, treasures were to be found in country sales, the international art market, under the influence of Sotheby’s and Christie’s, had a new-found vibrancy and
- [Artists](https://gerrishfineart.com/artists/) - David Hockney, Gordon House, Paul Nash, C.R.W.Nevinson, Samuel Palmer, Eduardo Paolozzi, Victor Pasmore, J.M.W.Turner, Edward Wadsworth, Jonas Wood
- [Services](https://gerrishfineart.com/services/) - Services ADVICE ON BUYING We are aware that the art market may appear opaque and complex. We, at Gerrish Fine Art, offer advice to guide you through the acquisition process informed by 50 years experience in the industry. Our mission statement is to help our clients to build collections of both enduring quality and value,
- [Privacy Policy](https://gerrishfineart.com/privacy-policy/) - Privacy Policy This policy applies to information held about customers and prospective customers, suppliers and prospective suppliers, contacts and all other persons about whom HOG Enterprises Limited holds information. By ‘information,’ we mean personal information about you that we collect, use, share, and store. In this policy, “we,” “us,” and “our” means HOG Enterprises Limited,
- [Terms & Conditions](https://gerrishfineart.com/terms-conditions/) - Terms & Conditions The document below constitutes a legally binding agreement between you and HOG Enterprises Ltd T/A Gerrish Fine Art, which operates the website with the domain name, www.gerrishfineart.com (the “site”). It documents your rights and responsibilities and ours with regards to (a) your access to the site; (b) your use of the site;
- [Payment](https://gerrishfineart.com/payment/) - Payment Payment is in British pound sterling. The currency conversions on our website are for reference only. ACCEPTED FORMS OF PAYMENT Bank transfer Debit or credit card: Visa / Mastercard / Maestro / American Express Paypal PAYING IN INSTALLMENTS We offer interest free payment plans on a case-by-case basis. To discuss what works for you
- [Guarantee](https://gerrishfineart.com/guarantee/) - Guarantee All works of art come with a certificate of authenticity from Gerrish Fine Art. This guarantees that, to our knowledge, all cataloguing is accurate, and that the work of art is genuine. If the artwork is a gift, please let us know the recipient's name so that we can assign the certificate to them.
- [Museums & Institutions](https://gerrishfineart.com/museums-institutions/) - Museums & Institutions Gerrish Fine Art is proud to have placed numerous works of outstanding quality and rarity into the permanent collections of over 50 international museums and institutions. UNITED KINGDOM Tate Gallery, LondonBritish Museum, LondonVictoria and Albert Museum, LondonArchive of Modern Conflict, LondonRoyal Institution, LondonGuildhall Art Gallery, LondonTurner’s House Trust, TwickenhamNational Maritime Museum, GreenwichReading
- [Print](https://gerrishfineart.com/print/) - This page is used to create the printout for products, please do not edit this page
- [Exhibitions](https://gerrishfineart.com/exhibitions/)
- [Wishlist](https://gerrishfineart.com/wishlist/)
- [Shop](https://gerrishfineart.com/shop/)

## Artists

- [Hockney, David](https://gerrishfineart.com/artist/david-hockney/) - David Hockney is widely acknowledged to be Britain's greatest practitioner of the graphic arts. He began with lithography in 1954, as a sixteen-year-old student at the Bradford College of Art, and has gone on to master etching and even the fax machine, producing continuously experimental and vital graphic work for over 6 decades.
- [Turner, J.M.W.](https://gerrishfineart.com/artist/j-m-w-turner/) - Joseph Mallord William Turner was an English Romantic painter and printmaker. Championed by the great art critic John Ruskin, he was renowned for having elevated the subject of landscape to an eminence rivalling history painting.
- [Nicholson, William](https://gerrishfineart.com/artist/william-nicholson/) - William Nicholson is widely admired for his work as a painter, printmaker and theatre designer. William Newzam Prior Nicholson was born on the 5th of February 1872 in Newark-on-Trent, Nottinghamshire. Nicholson’s talent for art was noticed early on, and from the age of twelve he enjoyed private drawing lessons from his school drawing master William
- [Sutherland, Graham](https://gerrishfineart.com/artist/graham-sutherland/) - One of a generation of students who, influenced by Samuel Palmer, revived the art of etching with a romantic vision of the English landscape. The Pembrokeshire coast was a lifelong source of inspiration. His acclaimed painting of the writer Somerset Maugham (1949) began a revival in the art of portraiture. Sutherland contributed to the International
- [Sugimoto, Hiroshi](https://gerrishfineart.com/artist/hiroshi-sugimoto/)
- [Tunnicliffe, C.F.](https://gerrishfineart.com/artist/c-f-tunnicliffe/) - Charles Tunnicliffe’s upbringing on a small farm in Cheshire instilled in him a deep appreciation of nature and the countryside. As a youth he spent hours sketching all aspects of farm life. His prodigious talent was quickly recognised and resulted in a scholarship to the local Macclesfield School of Art and later, to the Royal
- [Pasmore, Victor](https://gerrishfineart.com/artist/victor-pasmore/) - Victor Pasmore was a pioneer in the development of post-war abstraction in Britain in the 1940s and 50s and today is considered to be one of the key abstract artists of the twentieth century. These 34 prints by the artist together represent an almost complete archive of the graphic work Pasmore produced at the White
- [Roussel, Theodore](https://gerrishfineart.com/artist/theodore-roussel/) - The Gerrish Fine Art collection was purchased in the 1980s from Théodore Roussel’s descendants who inherited it from the artist’s studio. As a collection it represents a cross-section of Roussel's oeuvre and is significant in its holding of rare proofs.Artist BiographyBorn in Lorient, Brittany, Théodore Roussel spent most of his childhood between the French countryside
- [Allin, John](https://gerrishfineart.com/artist/john-allin/) - John Allin was born into a Jewish family in Hackney, in 1934, in the heart of London’s bustling East End. The ‘London Lowry’ or ‘Pied Painter of Hackney’, as he was affectionately known in the press, showed natural artistic flair as a child, it was however during a brief stint in prison, for a minor
- [Royds, Mabel](https://gerrishfineart.com/artist/mabel-royds/) - Mabel Allington Royds was born in 1874 in Bedfordshire and grew up in Liverpool. At the age of fifteen Royds won a scholarship to study at the Royal Academy in London but instead decided on the Slade School where she studied under Henry Tonks. After an apprenticeship in Paris, working in the studio of Walter
- [Constable, John](https://gerrishfineart.com/artist/john-constable/) - John Constable is recognised as one of England’s greatest romantic landscape artists. Born in Suffolk he is principally known for his paintings of Dedham Vale, the area surrounding his home, now affectionately referred to as ‘Constable Country’. He once famously wrote ‘I should paint my own places best’.
- [Bawden, Edward](https://gerrishfineart.com/artist/edward-bawden/) - Edward Bawden was one of the most significant graphic designers of the 20th Century. He was a watercolourist, printmaker, muralist, commercial artist, designer, illustrator and teacher. His distinctive style was not influenced by the vagaries of fashion or trends.Edward Bawden was born in 1903, the same year as Graham Sutherland, Ceri Richards, John Piper, Barbara
- [Takato  Yamamoto](https://gerrishfineart.com/artist/takato-yamamoto/) - Takato Yamamoto
- [Wadsworth, Edward](https://gerrishfineart.com/artist/edward-wadsworth/) - During eight years from 1913, Wadsworth produced over 50 woodcuts, and, from 1919, five lithographs, a couple of etchings, and 23 copper engravings for the book Sailing-ships and Barges of the Western Mediterranean and Adriatic Seas. The woodcuts are of great interest in themselves and also because of the variety of subjects that caught Wadsworth's
- [Ramos, Mel](https://gerrishfineart.com/artist/mel-ramos/) - Mel Ramos’s paintings and prints of 1950s-era pin-up girls—variously popping out of Snickers bars, leaning on packets of Lucky Strike or caressing giant Coca Cola bottles—offer a humorous, overblown take on that age-old advertising adage: sex sells. The West Coast counterpart to Manhattan’s Warhol and Lichtenstein, Ramos was among the artists that defined pop art
- [Griggs, F.L.](https://gerrishfineart.com/artist/frederick-landseer-maur-griggs/) - Frederick Landseer Maur Griggs, was an influential English etcher and illustrator. Born in Hertfordshire, in 1876 Griggs studied at the Slade School of Art and worked for two years as an architectural draughtsman before devoting his career to the visual arts. In 1912 Griggs committed himself to etching and established a reputation as a leader
- [Nevinson, C.R.W.](https://gerrishfineart.com/artist/c-r-w-nevinson/) - Christopher Richard Wynne Nevinson was born in London on the 13th of August 1889. As a student at the Académie Julian, Paris, in 1912–13 Nevinson met several of the Futurists and he became the outstanding British exponent of their style. His work included landscapes, urban scenes, figure compositions, and flowers, but he found his ideal
- [Rops, Felicien](https://gerrishfineart.com/artist/felicien-rops/) - Belgian artist, Felicien Rops, achieved international acclaim as a painter and printmaker in the second half of the 19th century. He founded journals and artist societies, and frequently collaborated with his artistic and literary contemporaries, from Baudelaire to Péladan, eventually becoming the highest-paid illustrator in Paris. The esteem in which he was held is marked
- [Mai 68](https://gerrishfineart.com/artist/mai-68/) - The protest posters produced during the Mai 68 movement in France, icons of rebellion and civil disorder, are the forerunners of today’s thriving street art movement. As monuments to the intense power of the image to bring about change, they represent one of the most potent and striking graphic revolutions in history - fierce symbols
- [Nash, Paul](https://gerrishfineart.com/artist/paul-nash/) - Paul Nash was a British surrealist painter and war artist, as well as a photographer, printmaker, writer and designer of applied art. Nash was among the most important landscape artists of the first half of the twentieth century. He played a key role in the development of Modernism in English art.
- [Riley, Bridget](https://gerrishfineart.com/artist/bridget-riley/) - Bridget Riley is an abstract painter and printmaker who came to prominence in the American Op Art movement of the 1960s, after her inclusion in the 1965 exhibition “The Responsive Eye” at The Museum of Modern Art. There, her black-and-white paintings - which created illusions of movement - were shown alongside works by Victor Vasarely,
- [Spare, Austin Osman](https://gerrishfineart.com/artist/austin-osman-spare/) - Austin Osman Spare was an English artist and occultist who worked as both a draughtsman and a painter. Influenced by Symbolism and Art Nouveau his art was known for its clear use of line, and its depiction of monstrous and sexual imagery. In an occult capacity, he developed idiosyncratic magical techniques including automatic writing, automatic
- [House, Gordon](https://gerrishfineart.com/artist/gordon-house/) - Early Years Gordon House was born on the 22nd of June 1932 in Pontardawe, South Wales. Early exposure to art on trips to the Glynn Vivian Art Gallery as a young boy inspired House towards creative endeavors and at the age of fourteen he was awarded a grant to enter art school which he readily
- [Baj, Enrico](https://gerrishfineart.com/artist/enrico-baj/) - Baj, Enrico (1924-2003)
- [2549](https://gerrishfineart.com/artist/2549-2/)
- [Whistler, James McNeill](https://gerrishfineart.com/artist/james-mcneill-whistler/) - Born in the United States, living in Saint Petersburg Russia as a child, and growing up to split his adult life between Paris and London, James McNeill Whistler (1834-1903) led a peripatetic lifestyle that exposed him to several cultural environments and enriched his artistic practice. At the age of eight Whistler and his family moved
- [Ackroyd, Norman](https://gerrishfineart.com/artist/norman-ackroyd/) - Norman Ackroyd (RA) is one of Britain's most celebrated living landscape artists. He is renowned for his evocative and atmospheric visions of the British Isles. Working in both etching and watercolour, he is equally as adept at capturing the calm of a Summer's daybreak as he is the ferocity of a winter sea.Born in 1938
- [Blake, Peter](https://gerrishfineart.com/artist/peter-blake/) - Well-known as a leading figure of British Pop Art, Sir Peter Blake’s career spans decades. His paintings, drawings, prints, and collages draw upon popular culture often blurring the lines between history and fantasy.Blake graduated from the Royal College of Art in 1956 and studied with many of the key British artists of his day, including
- [Duchamp, Marcel](https://gerrishfineart.com/artist/marcel-duchamp/) - As a painter, sculptor, and writer, Marcel Duchamp revolutionised conceptual approaches to the art-making process in the twentieth century. Duchamp’s early experiments with Cubism beginning in 1910, as well as his association with Dada and Surrealism, challenged the very notion of what constitutes the art object.
- [Pistoletto, Michelangelo](https://gerrishfineart.com/artist/michelangelo-pistoletto/) - Pistoletto, Michelangelo
- [Diebenkorn, Richard](https://gerrishfineart.com/artist/richard-diebenkorn/) - Painter and printmaker, Richard Diebenkorn is one of the best-known of his generation of Postwar West Coast American artists. In his early career he defined the California version of Abstract Expresssionism, before making a return to figuration in 1955, and alongside artists such as Wayne Thiebaud, he was part of the first generation of the
- [Lumsden, Ernest Stephen](https://gerrishfineart.com/artist/ernest-stephen-lumsden/) - A gifted printmaker and painter, Ernest Lumsden was largely self-taught as an etcher, learning the craft from a technical guide written by the 19th century French printmaker Maxime Lalanne. He soon became adept in the medium and established a considerable reputation as a printmaker. His earliest work as an etcher dates to 1902, when the
- [Williams, Aubrey](https://gerrishfineart.com/artist/aubrey-williams/) - Williams, Aubrey
- [Matta, Roberto](https://gerrishfineart.com/artist/roberto-matta/) - Matta, Roberto
- [Armfield, Maxwell Ashby](https://gerrishfineart.com/artist/maxwell-ashby-armfield/) - Armfield, Maxwell Ashby
- [Fröbe-Kapteyn, Olga](https://gerrishfineart.com/artist/olga-frobe-kapteyn/) - Fröbe-Kapteyn was born in London in 1881 to Albertus Kapteyn, a Dutch engineer, and his wife, Truus Muysken, who was involved in women’s emancipation and social renewal movements. In 1900 she moved to Zurich where she attended the School of Applied Arts, excelling in tailoring, embroidery and jewellery making. She continued her education at the
- [Young, Emily](https://gerrishfineart.com/artist/emily-young/) - Emily Young is 'Britain’s greatest living stone sculptor' - Financial Times, September, 2013 She was born in London to a family which includes writers, artists, politicians, naturalists and explorers. Her grandmother was the sculptor Kathleen Scott, a colleague of Auguste Rodin, and her uncle Peter Scott, started the WWF in 1961. As a
- [Hodgkin, Howard](https://gerrishfineart.com/artist/howard-hodgkin/) - One of England’s most celebrated contemporary artists, Howard Hodgkin was deeply attuned to the interplay of gesture, colour, and texture.
- [Nash, John](https://gerrishfineart.com/artist/john-nash/) - John Nash was born in London in 1893. He never formally trained at art school but from an early age he pursued his artistic interests, first in drawing and watercolour and later in wood-engraving. The Nash family moved from urban London to the Buckingham countryside while John was young so he gained a keen appreciation
- [Sickert, Walter Richard](https://gerrishfineart.com/artist/walter-richard-sickert/) - Walter Richard Sickert was an English painter and printmaker who was a member of the Camden Town Group in London. He was an important influence on distinctively British styles of avant-garde art in the 20th century. Sickert was a cosmopolitan and eccentric who often favoured ordinary people and urban scenes as his subjects. His oeuvre
- [Picard, Lil](https://gerrishfineart.com/artist/lil-picard/) - Picard, Lil (1899-1994)
- [Egonu, Uzo](https://gerrishfineart.com/artist/uzo-egonu/) - Nigerian-born artist Uzo Egonu settled in Britain in the 1940s. He studied at Camberwell School of Arts and Crafts from 1949-1952. Working primarily in painting and printmaking, Egonu combined influences from his Igbo heritage with European cultural traditions to form a unique modernist language, characterised by strong colour, pattern and simplicity of form.
- [De La Beche, Henry](https://gerrishfineart.com/artist/henry-de-la-beche/) - Sir Henry Thomas De la Beche was an English geologist and palaeontologist. He spent his younger years living with his mother in Lyme Regis, where he acquired a love for geology through his friendship with Mary Anning.
- [Bill, Max](https://gerrishfineart.com/artist/max-bill/) - Max Bill was a Swiss architect, artist, painter, typeface designer, industrial designer and graphic designer.
- [Picasso, Pablo](https://gerrishfineart.com/artist/pablo-picasso/) - Pablo Picasso was a Spanish painter, sculptor, printmaker, ceramicist, stage designer, poet and playwright who spent most of his adult life in France. Regarded as one of the most influential artists of the 20th century, he is known for co-founding the Cubist movement, the invention of constructed sculpture, the co-invention of collage, and for the
- [Paolozzi, Eduardo](https://gerrishfineart.com/artist/eduardo-paolozzi/) - Eduardo Paolozzi was a key figure in the history of postwar British art, both as co-founder of the Independent Group and father of the sixties Pop Art movement.As a boy Paolozzi spent many hours working in the family shop where customers would give the young Eduardo cards from their cigarette packets featuring Hollywood stars, aircraft
- [Warhol, Andy](https://gerrishfineart.com/artist/andy-warhol/) - "I’m for mechanical art. When I took up silkscreening, it was to more fully exploit the preconceived image through commercial techniques of multiple reproduction" - Andy WarholPrintmaking was a vital artistic practice for Andy Warhol. Prints figure prominently throughout his career from his earliest work as a commercial illustrator in the 1950s, to the collaborative
- [Reitkopf, Nancy](https://gerrishfineart.com/artist/nancy-reitkopf/) - Reitkopf, Nancy (b.1938)
- [Oldenburg, Claes](https://gerrishfineart.com/artist/claes-oldenburg-2/) - Oldenburg, Claes (b.1929)
- [Jacquet, Alain](https://gerrishfineart.com/artist/alain-jacquet/) - Jacquet, Alain (1939-2008)
- [Herscovitz, Marcia](https://gerrishfineart.com/artist/marcia-herscovitz/) - Herscovitz, Marcia (1945-1974)
- [Hamilton, Richard](https://gerrishfineart.com/artist/richard-hamilton/) - One of the most influential British artists of the 20th century, Richard Hamilton (1922–2011) is widely regarded as a founding figure of Pop Art, who continued to experiment and innovate over a career of 60 years.
- [Calas, Nicolas](https://gerrishfineart.com/artist/nicolas-calas/) - Calas, Nicolas (1907-1988)
- [Byars, James Lee](https://gerrishfineart.com/artist/james-lee-byars/) - Byars, James Lee (1932-1997)
- [Young, La Monte & Zazeela, Marian](https://gerrishfineart.com/artist/marian-young-la-monte-zazeela/) - Young, La Monte & Zazeela, Marian
- [Westermann, H.C.](https://gerrishfineart.com/artist/h-c-westermann/) - Westermann, H.C. (1922-1981)
- [Copley, John](https://gerrishfineart.com/artist/john-copley/) - Painter and printmaker John Copley was born in Manchester in 1875. He trained at Manchester School of Art and in the studio of Nicol and Cope before entering the Royal Academy in London.Copley took up lithography in 1906 and in 1910 helped Joseph Pennell set up the Senefelder Club for the revival of lithography as
- [Lynch, David](https://gerrishfineart.com/artist/david-lynch/) - Lynch, David
- [Kruger, Barbara](https://gerrishfineart.com/artist/barbara-kruger/) - Between the late 1970s and the early 1980s, Barbara Kruger, working as a graphic designer for popular magazines, gained recognition in the art world for her photo-based images overlaid with blocks of text in a signature colour scheme of black, white, and red. Her practice of culling and editing found photographs and of pairing them
- [Tingueley, Jean](https://gerrishfineart.com/artist/jean-tingueley/) - Swiss sculptor, Jean Tingueley, is best known for his playful kinetic sculptures, which incorporate a vast array of materials, from wood and industrial machine parts to musical instruments or other found objects. He was a leading exponent of the French Nouveau Réalisme movement, alongside Yves Klein, Arman, César, Christo, and Daniel Spoerri.
- [Saint Phalle, Niki](https://gerrishfineart.com/artist/niki-saint-phalle/) - Franco-American sculptor, painter, filmmaker, and author of hand-illustrated books, Niki de Saint Phalle, first became known in the 1960s for her shooting paintings or ‘Tirs’, complex assemblages conceived as performances. Her best known subjects are the ‘Nanas’ that she started to create in 1965; brightly-coloured exuberant female personages designed to liberate women from the oppressive forces of society. Her
- [Smith, Richard](https://gerrishfineart.com/artist/richard-smith/) - Richard Smith rose to the forefront of the emerging avant-garde scene in London in the 1960s, standing apart from the burgeoning Pop Art movement by melding the slick and vibrant imagery found in advertising billboards and consumer packaging with an abstract painterly style very much his own.Born in Hertfordshire in 1931, Richard Smith studied at
- [Christo](https://gerrishfineart.com/artist/christo/) - Christo
- [Mednick, Sol](https://gerrishfineart.com/artist/sol-mednick/) - Mednick, Sol (1916-1970)
- [Man Ray](https://gerrishfineart.com/artist/man-ray/) - Man Ray's career is distinctive above all for the success he achieved in both the United States and Europe. First maturing in the centre of American modernism in the 1910s, he made Paris his home in the 1920s and 1930s, and in the 1940s he crossed the Atlantic once again, spending periods in New York
- [Palmer, Samuel](https://gerrishfineart.com/artist/samuel-palmer/) - Samuel Palmer (1805-81) was one of Britain's greatest artists. In 1850, at the age of forty-five, he took up etching. In the same year he was elected to membership of the Etching Club, and he continued to work in this medium for the rest of his life. Palmer worked his plates elaborately, achieving rich and
- [Gaudier-Brzeska, Henri](https://gerrishfineart.com/artist/henri-gaudier-brzeska/) - Henri Gaudier was born in St. Jean de Braye, near Orleans, in France. He first came to Britain in 1908. He met Sophie Brzeska while working as a student in the evenings at Ste. Genevieve Library in Paris in 1910. In the same year he left France under a cloud of social hostility and settled
- [Lichtenstein, Roy](https://gerrishfineart.com/artist/roy-lichtenstein/) - Roy Lichtenstein was one of the most influential and innovative artists of the second half of the twentieth century. He is preeminently identified with Pop Art, a movement he helped originate, and his first fully achieved paintings were based on imagery from comic strips and advertisements and rendered in a style mimicking the crude printing
- [Ravilious, Eric](https://gerrishfineart.com/artist/eric-ravilious/) - Born in 1903, Ravilious was an English painter, illustrator and printmaker. Ravilious attended the Royal College of Art, where he studied under Paul Nash. He began his working life as a muralist, first coming to notice as an artist in 1924. He went on to become one of the best-known artists of the 1930s. He
- [Grimwood, Brian](https://gerrishfineart.com/artist/brian-grimwood/) - Brian Grimwood is one of the most influential illustrators of the last 50 years. In 1983 Grimwood founded The Central Illustration Agency and he is also a founder member of the Association of Illustrators. Grimwood was praised by Print Magazine for having 'changed the look of British illustration'.
- [Julio Gonzales](https://gerrishfineart.com/artist/julio-gonzales/) - Julio González was a Spanish painter, sculptor and metalworker, whose career spanned the birth and development of French and Spanish Cubism. González’s father was a part-time sculptor and his grandfather had been a goldsmith in Galicia. From a young age, he and his eldest brother, Joan, learnt decorative metal work techniques in their father’s workshop
- [Frink, Elisabeth](https://gerrishfineart.com/artist/elisabeth-frink/) - Gerrish Fine Art’s holding of Elisabeth Frink includes etchings and original works on paper produced during her time at the ‘White Ink’ etching studio where she worked in the seventies. Works include etchings from the following series: ‘The Canterbury Tales’ (1972), ‘Birds of Prey’ (1974) & ‘Six Owls’ (1977). As well as an extensive archive
- [Fedden, Mary](https://gerrishfineart.com/artist/mary-fedden/) - The artist Mary Fedden brought to perfection a style that married a very English sensibility to a modern European one, a sensibility that, with a little imagination, can be seen to reach back to the Elizabethan miniaturist Nicholas Hilliard. More immediately, she drew on the aesthetic of Ben Nicholson and Christopher Wood. Despite the vogue
- [Anderson, Stanley](https://gerrishfineart.com/artist/stanley-anderson/) - Stanley Anderson was born in Bristol in 1884. At the age of fifteen he became an apprentice to his father and worked as a decorative engraver of ornamental silver, learning to engrave on metal with exacting precision. The artist’s first recorded etching is dated 1906. In 1909 Anderson won the British Institute Scholarship in etching
- [Manet, Edouard](https://gerrishfineart.com/artist/edouard-manet/) - Manet, Edouard
- [Greer, Fergus](https://gerrishfineart.com/artist/fergus-greer/) - Fergus Greer studied at St Martin's School of Art in London. He began his photographic career as an assistant for various photographers, including Richard Avedon, and later worked as studio manager to Terence Donovan. He has taken photos for many magazines, and is best known for his series of portraits of the Australian performance artist
- [Conner, Bruce](https://gerrishfineart.com/artist/bruce-conner/) - Conner, Bruce (1933-2008)
- [Kawara, On](https://gerrishfineart.com/artist/on-kawara/) - Kawara, On (1932-2014)
- [Matisse, Henri](https://gerrishfineart.com/artist/henri-matisse/) - Henri Matisse was a French artist, known for his use of colour and his fluid and original draughtsmanship.
- [Wood, Jonas](https://gerrishfineart.com/artist/jonas-wood/) - LA-based artist Jonas Wood’s signature style incorporates flattened forms, intricate patterns and bright, seductive colours. His paintings and prints source their subjects from his personal life and memories, as well as art history and found items.
- [Krushenick, Nicholas](https://gerrishfineart.com/artist/nicholas-krushenick/) - Krushenick, Nicholas
- [Peyton, Elizabeth](https://gerrishfineart.com/artist/elizabeth-peyton/)
- [Miller, Harland](https://gerrishfineart.com/artist/harland-miller/) - Miller, Harland
- [Ruscha, Ed](https://gerrishfineart.com/artist/ed-ruscha/) - Pop artist Edward Ruscha (American, b.1937) was born in Nebraska and moved to Los Angeles in 1956 to study at the Chouinard Art Institute, intending to become a commercial artist. Quickly recognized in the 1960s as an important representative of the thriving Pop Art movement and a successor of the Beat Generation for his collages
- [Calvert, Edward](https://gerrishfineart.com/artist/edward-calvert/) - British printmaker and painter Edward Calvert was born on the 22nd of September 1799 in Appledore, Devon. After a period of service in the navy, Calvert decided to dedicate himself to art, first studying at Plymouth before moving to London and joining the Royal Academy Schools in 1824.Calvert was a great admirer of William Blake,
- [Jones, Allen](https://gerrishfineart.com/artist/allen-jones/) - Jones, Allen
- [Gabain, Ethel](https://gerrishfineart.com/artist/ethel-gabain/) - Born in Le Havre in 1883, half French and half Scottish, Ethel Gabain began her artistic career at the turn of the century and developed a distinctive feminine voice. Trained at the Slade School of Art and the Central School in London her skill as a lithographer allowed her to create subtle yet dynamic depictions
- [Tanner, Robin](https://gerrishfineart.com/artist/robin-tanner/) - Robin Tanner was an English artist, etcher and printmaker. He followed in the visionary tradition of Samuel Palmer and English neo-romanticism. He lived in London, at Kington Langley, in Wiltshire, and Bath.His etchings began following night-school classes at Goldsmiths College in London. He had been inspired by the major Samuel Palmer retrospective exhibition organised by
- [Wifredo Lam](https://gerrishfineart.com/artist/wifredo-lam/) - Wifredo Lam
- [Lewis, Martin](https://gerrishfineart.com/artist/martin-lewis/) - A master of intaglio, Martin Lewis’s prints are characterised by the interplay of dark and light, evoking a film noir style that radiates an authentic New York City energy. The Australian-born artist spent much of his life in the United States, working as a commercial artist before devoting himself full-time to printmaking. Lewis incorporated elements
- [Indiana, Robert](https://gerrishfineart.com/artist/robert-indiana/) - Robert Indiana, one of the preeminent figures in American art since the 1960s, has played a central role in the development of assemblage art, hard-edge painting and Pop art. A self proclaimed “American painter of signs,” Indiana has created a highly original body of work that explores American identity, personal history and the power of
- [Piper, John](https://gerrishfineart.com/artist/john-piper/) - John Piper was an English painter, printmaker and designer of stained-glass windows and both opera and theatre sets. His work often focused on the British landscape, especially churches and monuments, and included tapestry designs, book jackets, screen-prints, photography, fabrics and ceramics. He was educated at Epsom College and trained at the Richmond School of Art,
- [Jones, David](https://gerrishfineart.com/artist/david-jones/) - David Jones is regarded as one of Britain's most important 20th Century artists. He was one of the finest British watercolourists and printmakers of his generation and a gifted poet.
- [Holloway, Edgar](https://gerrishfineart.com/artist/edgar-holloway/) - Holloway was a central figure of the Etching Revival of the 1920s and 1930s and the last surviving artist of a unique period in the history of British printmaking.
- [Hitchens, Ivon](https://gerrishfineart.com/artist/ivon-hitchens/) - Ivon Hitchens was an English painter who started exhibiting during the 1920s. He became part of the 'London Group' of artists and exhibited with them during the 1930s. His house was bombed in 1940 during the Second World War, at which point he moved to a caravan on a patch of woodland near Petworth in
- [Freud, Lucian](https://gerrishfineart.com/artist/lucian-freud/) - Freud, Lucian
- [Locke, Donald](https://gerrishfineart.com/artist/donald-locke/) - Guyanese artist Donald Locke (1930–2010) was born and raised in Guyana and first moved to the UK in the 1950s to study at Bath Academy of Art and Edinburgh School of Art. He then lived between London and Georgetown for the next twenty years, before settling in the United States in the late 1970s. Though
- [Schumacher, Emil](https://gerrishfineart.com/artist/emil-schumacher/) - Schumacher, Emil
- [Freedman, Barnett](https://gerrishfineart.com/artist/barnett-freedman/) - Barnett Freedman was a British painter, lithographer, commercial designer, book illustrator and typographer.
- [Chillida, Eduardo](https://gerrishfineart.com/artist/eduardo-chillida/) - Chillida, Eduardo
- [Corneille](https://gerrishfineart.com/artist/corneille/) - Corneille
- [Jones, Barbara](https://gerrishfineart.com/artist/barbara-jones/) - Jones, Barbara
- [Hope, Polly](https://gerrishfineart.com/artist/polly-hope/) - Polly Hope was a true polymath: painter, sculptor, writer, set designer, salon hostess and composer. Hope studied at the Heatherley School of Fine Art, the Chelsea Polytechnic and the Slade School of Fine Art. She held her first exhibition in Milan in 1968, which was followed by others in London, America, Australia and other cities
- [Lanyon, Peter](https://gerrishfineart.com/artist/peter-lanyon/) - Peter Lanyon was born in St Ives. He studied at Penzance School of Art, and briefly attended the Euston Road School. During the war he served in the RAF, and was a founder member of the Crypt Group in St Ives. He taught at Bath Academy of Art from 1950 - 1957. The landscape of
- [Butler, Reg](https://gerrishfineart.com/artist/reg-butler/) - Butler, Reg
- [Rie, Lucie](https://gerrishfineart.com/artist/lucie-rie/) - Lucie Rie was an Austrian-born, independent, British studio potter. Born and educated in Vienna, she studied pottery under Michael Powolny at the Vienna Kunstgewerbeschule, a school of arts and crafts associated with the Wiener Werkstätte, in which she enrolled in 1922. In 1938 Rie fled Nazi Austria and emigrated to England, where she settled in
- [Kitaj, R.B.](https://gerrishfineart.com/artist/r-b-kitaj/)
- [Auerbach, Frank](https://gerrishfineart.com/artist/frank-auerbach/) - Frank Auerbach was born in Berlin and moved to Britain as a child in 1939 to escape Nazi persecution. Studying art in London, first at St Martin's School of Art from 1948 to 1952, then at the Royal College of Art from 1952 to 1955, today Auerbach is one of Britain's most celebrated artists. His
- [Chagall, Marc](https://gerrishfineart.com/artist/marc-chagall/) - Marc Chagall was a Russian-French artist of Belarusian Jewish origin. An early modernist, he was associated with several major artistic styles and created works in virtually every artistic format, including painting, printmaking, book illustration, stained glass, stage sets, ceramics and tapestry.
- [Moore, Henry](https://gerrishfineart.com/artist/henry-moore/) - Moore found that printmaking facilitated a departure from his sculptural interests, allowing more freedom to experiment with colour, light and subtleties of tone. His exploration in printmaking techniques can be traced from woodblock prints of 1931 through vividly coloured collographs and major graphic albums including the Elephant Skull etchings and Stonehenge lithographs.Print-making formed an increasingly
- [Steadman, Ralph](https://gerrishfineart.com/artist/ralph-steadman/) - British-born cartoonist and caricaturist Ralph Steadman was born on the 15th of May 1936. After training at East Ham Technical College and the London College of Printing he began doing freelance work for magazines and newspapers such as Punch, Private Eye, the Daily Telegraph, New York Times and Rolling Stone. He went on to diversify
- [Marini, Marino](https://gerrishfineart.com/artist/marino-marini/) - Marino Marini was an Italian sculptor, painter and printmaker. Marino's equestrian groups are his best-known subjects and the vehicle through which he expressed himself and interpreted reality. He said "the entire history of humanity and nature can be found in the figure of the horse and rider, whatever the era. It is my way of
- [Arman](https://gerrishfineart.com/artist/arman/) - French-born American artist, Arman, is best known for his 'Accumulations' and destruction/recomposition of objects. He was a leading figure of the Nouveau Réalisme movement, the European counterpart to Pop Art.
- [Bevan, Robert Polhill](https://gerrishfineart.com/artist/robert-polhill-bevan/) - Robert Polhill Bevan was an English painter, draughtsman and lithographer. He was a founding member of the Camden Town Group, the London Group, and the Cumberland Market Group.
- [Cameron, D.Y.](https://gerrishfineart.com/artist/david-young-cameron/) - Sir David Young Cameron is regarded as one of the great masters of landscape and architectural etching and was considered a leading light in the British ‘Etching Revival’. Over his 45 year career as a printmaker, from 1887 to 1932, he produced over 500 etchings and drypoints. His works can be found in museum collections
- [Davie, Alan](https://gerrishfineart.com/artist/alan-davie/) - Davie, Alan
- [Fahlström, Öyvind](https://gerrishfineart.com/artist/öyvind-fahlström/) - Fahlström, Öyvind
- [Bryant, William](https://gerrishfineart.com/artist/william-bryant/) - Bryant, William (b.1946)
- [Rauschenberg, Robert](https://gerrishfineart.com/artist/robert-rauschenberg/) - Robert Rauschenberg was a painter, printmaker, photographer and performance artist. His body of work as a printmaker continually pushed the boundaries of what a print could be, “he challenged the limits of methods and materials: rethinking customary approaches to lithography, screenprint, and intaglio; adopting new processes such as digital imaging; and printing on unconventional papers,
- [Stubbs, George](https://gerrishfineart.com/artist/george-stubbs/) - Stubbs, George (1724-1806)
- [Nicholson, Ben](https://gerrishfineart.com/artist/ben-nicholson/) - Ben Nicholson was one of the most influential and important British artists whose work paved the way for abstraction in the U.K. He was born in 1894 and between 1910-11 studied at the Slade School of Art, London. In 1933 he co-founded Unit One with Henry Moore, Paul Nash and Barbara Hepworth whom he later
- [Ting, Walasse](https://gerrishfineart.com/artist/walasse-ting/) - Ting, Walasse
- [Mondrian, Piet](https://gerrishfineart.com/artist/piet-mondrian/) - Piet Mondrian, one of the founders of the Dutch modern movement De Stijl, is recognised for the purity of his abstractions and methodical practice by which he arrived at them. He radically simplified the elements of his paintings to reflect what he saw as the spiritual order underlying the visible world, creating a clear, universal
- [Miro, Joan](https://gerrishfineart.com/artist/joan-miro/) - Joan Miro was an influential 20th century painter, sculptor, ceramicist and printmaker, who was born in 1893 in the Catalan region of Spain, near Barcelona.
- [Kapolka, Kajetan](https://gerrishfineart.com/artist/kajetan-kapolka/) - The Polish-born Kapolka, was a respected name in architecture. He completed his architectural education in England in 1951 and specialised in airports, notably working on the main Gatwick terminal building. He took up painting in the late 1950s as a creative form of self expression, experimenting in texture, form and colour. “His work is dominated
- [Johnston, Arnrid](https://gerrishfineart.com/artist/arnrid-johnston/) - Born in Sweden, Arnrid Johnston came to London where she studied at the Slade School of Art. Johnston was a prolific artist who carved in marble and wood as well as being a painter. A reoccurring theme in Johnston's work was a love of animals. Her London Transport posters include several for the Zoo, showcasing
- [Heron, Patrick](https://gerrishfineart.com/artist/patrick-heron/) - British artist Patrick Heron is renowned for his work in paint, print, and design as well as his art criticism and writing. in 1956 he moved to Zennor, in Cornwall; it was here that he began to make abstract work inspired by both Tachisme and Abstract Expressionism, influenced by the light, colour and shapes he
- [Hartung, Hans](https://gerrishfineart.com/artist/hans-hartung/) - Hans Hartung was a German-French painter, known for his gestural abstract style. He was a major figure in Art Informel and Tachisme.
- [Hermes, Gertrude](https://gerrishfineart.com/artist/gertrude-hermes/) - Gertrude Hermes was a British wood-engraver and sculptor. Hermes was a member of the English Wood Engraving Society (1925–31) and exhibited with the Society of Wood Engravers, the Royal Academy and The London Group during the 1930s.
- [Brockhurst, Gerald Leslie](https://gerrishfineart.com/artist/gerald-leslie-brockhurst/) - Gerald Leslie Brockhurst was an English painter and etcher. During the 1930s and 1940s he was celebrated as a portraitist, painting society figures such as Marlene Dietrich and the Duchess of Windsor. Today he is best known for his small etched prints of beautiful, idealised women - many of them modelled by his first and
- [Mack, Heinz](https://gerrishfineart.com/artist/heinz-mack/) - Mack, Heinz
- [Motherwell, Robert](https://gerrishfineart.com/artist/robert-motherwell/) - Robert Motherwell was an American painter, printmaker, and editor. He was one of the youngest of the New York School, which also included Philip Guston, Willem de Kooning, Jackson Pollock, and Mark Rothko.
- [Judd, Donald](https://gerrishfineart.com/artist/donald-judd/) - Over the course of four decades, Donald Judd created hundreds of prints using aquatint, etching, and screenprint techniques though the woodcut was his primary print medium. As a printmaker, Judd investigated many of the same issues of form and color that are found in his paintings and three-dimensional works. Judd’s long-term work with prints as
- [Dine, Jim](https://gerrishfineart.com/artist/jim-dine/) - Dine, Jim
- [Stella, Frank](https://gerrishfineart.com/artist/frank-stella/) - Stella, Frank
- [Twombly, Cy](https://gerrishfineart.com/artist/cy-twombly/) - Twombly, Cy
- [Arakawa, Shusaku](https://gerrishfineart.com/artist/shusaku-arakawa/) - Arakawa, Shusaku
- [Bellmer, Hans](https://gerrishfineart.com/artist/hans-bellmer/) - Hans Bellmer is best known for his surreal and erotic photos of dolls and mannequins as well as his etchings, such as his illustrations for 'Histoire de l’œil' by Georges Bataille.
- [Blake, William](https://gerrishfineart.com/artist/william-blake/) - Blake, William (1757-1827)
- [Vasarely, Victor](https://gerrishfineart.com/artist/victor-vasarely/) - Victor Vasarely was a Hungarian–French artist, who is widely accepted as the grandfather and leader of the op art movement.
- [Belleroche, Albert de](https://gerrishfineart.com/artist/albert-de-belleroche/) - Although born in Wales, he was the son of the Marquis de Belleroche, of one of the most ancient French noble families who, being Huguenots, had fled to England in 1685. In 1871, following the death of his father, he moved back to Paris with his family. After he had finished school there, he studied
- [Badmin, Stanley Roy](https://gerrishfineart.com/artist/stanley-roy-badmin/) - Stanley Roy Badmin was born in London and studied at the Camberwell School of Art and the Royal College of Art from 1922 to 1927. Badmin began his career as an illustrator but soon progressed to be elected to the Royal Society of Painter-Etchers and Engravers in 1931 and the Royal Society of Painters in
- [Arp, Jean](https://gerrishfineart.com/artist/jean-arp/) - Jean Arp, or Hans Arp, was a German-French sculptor, painter, poet, and abstract artist in other media such as torn and pasted paper. When Arp spoke in German he referred to himself as Hans, and when he spoke in French he referred to himself as Jean.
- [Ardizzone, Edward](https://gerrishfineart.com/artist/edward-ardizzone/) - Edward Ardizzone studied drawing at the Westminster School of Art before becoming an official war artist between 1940-1945. Stationed with the army Ardizzone drew and recorded the campaign in North Africa, the Blitz, and the war in Italy. Regarded as the most influential illustrator of modern times, after the war Ardizzone illustrated over 200 books.
- [Andrews, Sybil](https://gerrishfineart.com/artist/sybil-andrews/) - After working as an airline welder in the First World War, Sybil Andrews made a strong contribution to the Grosvenor School of Modern Art in the 1920s. In 1926 Claude Flight began teaching a weekly linocut class and introduced Andrews to the relief printing process that utilised linoleum as the matrix. The inexpensive materials allowed
- [Arms, John Taylor](https://gerrishfineart.com/artist/john-taylor-arms/) - John Taylor Arms (1887–1953) is one of the foremost American printmakers of the first half of the 20th century. Trained as an architect, he spent the majority of his 50-year career documenting Europe’s great Gothic churches. Arms believed that art could be a tool for the spiritual and moral improvement of mankind and that Gothic
- [Hunt, William Holman](https://gerrishfineart.com/artist/william-holman-hunt/) - Born in London in 1827, English artist William Holman Hunt, a co-founder of the Pre-Raphaelite Brotherhood, was known for his deeply naturalistic works depicting both themes from modern urban and rural life and religious subject matter.
- [Chadwick, Lynn](https://gerrishfineart.com/artist/lynn-chadwick/) - Chadwick, Lynn
- [Alechinsky, Pierre](https://gerrishfineart.com/artist/pierre-alechinsky/) - Alechinsky, Pierre
- [Altenbourg, Gerhard](https://gerrishfineart.com/artist/gerhard-altenbourg/) - Altenbourg, Gerhard
- [Beuys, Joseph](https://gerrishfineart.com/artist/joseph-beuys/) - Beuys, Joseph
- [Kolár, Jiri](https://gerrishfineart.com/artist/jiri-kolár/) - Kolár, Jiri
- [Tàpies, Antoni](https://gerrishfineart.com/artist/antoni-tàpies/) - Tàpies, Antoni
- [Tilson, Joe](https://gerrishfineart.com/artist/joe-tilson/) - Joe Tilson was born in London in 1928. From 1944 to 1946 he worked as a carpenter and cabinet maker before serving in the R.A.F between 1946 and 1949. After leaving military service, he studied at St. Martin's School of Art (1949 to 1952) and then at the Royal College of Art, London (1952 to
- [Guttuso, Renato](https://gerrishfineart.com/artist/renato-guttuso/) - Guttuso, Renato
- [Masson, André](https://gerrishfineart.com/artist/andré-masson/) - Masson, André
- [Grieshaber, Helmut](https://gerrishfineart.com/artist/helmut-grieshaber/) - Grieshaber, Helmut
- [Gunther Uecker](https://gerrishfineart.com/artist/gunther-uecker/) - Gunther Uecker
- [Hrdlicka, Alfred](https://gerrishfineart.com/artist/alfred-hrdlicka/) - Hrdlicka, Alfred
- [Wewerka, Stefan](https://gerrishfineart.com/artist/stefan-wewerka/) - Wewerka, Stefan
- [Lipchitz, Jacques](https://gerrishfineart.com/artist/jacques-lipchitz/) - Lipchitz, Jacques
- [Télémaque, Hervé](https://gerrishfineart.com/artist/hervé-télémaque/) - Télémaque, Hervé
- [Voss, Jan](https://gerrishfineart.com/artist/jan-voss/) - Voss, Jan
- [Pignon, Edouard](https://gerrishfineart.com/artist/edouard-pignon/) - Pignon, Edouard
- [Castillo, Jorge](https://gerrishfineart.com/artist/jorge-castillo/) - Castillo, Jorge
- [Bury, Pol](https://gerrishfineart.com/artist/pol-bury/) - Bury, Pol
- [Wotruba, Fritz](https://gerrishfineart.com/artist/fritz-wotruba/) - Wotruba, Fritz
- [Sugaï, Kumi](https://gerrishfineart.com/artist/kumi-sugaï/) - Sugaï, Kumi
- [Henri Laurens](https://gerrishfineart.com/artist/henri-laurens/) - Henri Laurens was a French sculptor, interdisciplinary artist and designer, who predominantly worked in the Cubist style. Known for blurring the boundaries of artistic mediums and having a diverse artistic practice, Laurens defies categorisation. He helped to move the two dimensional planes of Cubism into three dimensional configurations and later shifted those same hard geometric
- [Clark, Larry](https://gerrishfineart.com/artist/larry-clark/) - Larry Clark is a cult figure in the worlds of film and photography. He is celebrated for his unflinching portrayals of American youth culture, especially subcultures, sexuality and drugs.
- [Azzawi, Dia](https://gerrishfineart.com/artist/dia-azzawi/) - Azzawi, Dia
- [Buckland Wright, John](https://gerrishfineart.com/artist/john-buckland-wright/) - Noted wood engraver and artist John Buckland Wright was born in Dunedin, New Zealand, and moved to England in 1908. He initially studied architecture but decided instead to pursue a career in art. He lived in Brussels during the 1920s and immersed himself in the flourishing arts community there, moving to Paris in 1929 he
- [Craig, Edward Gordon](https://gerrishfineart.com/artist/edward-gordon-craig/) - Edward Gordon Craig was an English modernist theatre practitioner; he worked as an actor, director and set designer, as well as being an artist and developing an influential body of theoretical writings. Craig was the son of actress Dame Ellen Terry.
- [Kandinsky, Wassily](https://gerrishfineart.com/artist/wassily-kandinsky/) - Wassily Kandinsky was born on December 4, 1866, in Moscow. From 1886 through 1892 he studied law and economics at the University of Moscow, where he lectured after graduation. In 1896 he declined a teaching position in order to study art in Munich with Anton Azbe from 1897 to 1899 and at the Kunstakademie with
- [Gill, Eric](https://gerrishfineart.com/artist/eric-gill/) - Arthur Eric Rowton Gill was an English sculptor, typeface designer, and printmaker, who was associated with the Arts and Crafts movement.
- [Serra, Richard](https://gerrishfineart.com/artist/richard-serra/) - Richard Serra is best known for his site-specific, monumental sculptures made of steel. He believed "Process is equally as important as the end result."
- [Moriyama, Daido](https://gerrishfineart.com/artist/daido-moriyama/) - Daidō Moriyama is a Japanese photographer. He received the Infinity Award for Lifetime Achievement from the International Center of Photography in New York in 2004 and the Hasselblad Award in 2019.
- [Oldenburg, Claes](https://gerrishfineart.com/artist/claes-oldenburg/) - Claes Oldenburg is a Swedish-born American sculptor, best known for his public art installations typically featuring large replicas of everyday objects. Another theme in his work is soft sculpture versions of everyday objects.
- [Ernst, Max](https://gerrishfineart.com/artist/max-ernst/) - German-born Max Ernst was a provocateur, a shocking and innovative artist who mined his unconscious for dreamlike imagery that mocked social conventions. A soldier in World War I, Ernst emerged deeply traumatized and highly critical of western culture. These charged sentiments directly fed into his vision of the modern world as irrational, an idea that
- [Renlund, Lukas](https://gerrishfineart.com/artist/lukas-renlund/) - Lukas Renlund was born in 1984 in Vasa, Finland. In 2005 he moved to London where he studied photography at the London College of Fashion. His editorial work has been featured in a number of distinguished publications including ELLE, Zoot Magazine, Euroman and Ud & Se. Other recent clients include Lexus, Copenhagen (MLA) and Warner
- [Johns, Jasper](https://gerrishfineart.com/artist/jasper-johns/) - Widely known for his iconic images of flags, targets, numbers, maps and light bulbs, Jasper Johns has occupied a central position in American art since his first solo exhibition in New York in 1958. His treatment of iconography and appropriation of objects, symbols and words makes the familiar unfamiliar. Through his ground-breaking paintings, prints and
- [Bonnard, Pierre](https://gerrishfineart.com/artist/pierre-bonnard/) - Bonnard, Pierre
- [Vuillard, Edouard](https://gerrishfineart.com/artist/edouard-vuillard/) - Vuillard, Edouard
- [Smit, Guy Richards](https://gerrishfineart.com/artist/guy-richards-smit/) - Born and raised in New York City, Guy Richards Smit is a painter, video artist, performer, and musician whose work has been seen at biennials as well as at the Museum of Modern Art in New York City and the Hirshhorn Museum in Washington, DC. He was included in the exhibition “Stand Up” at The
- [Hirst, Damien](https://gerrishfineart.com/artist/damien-hirst/) - After studying at Goldsmiths College in London, Damien Hirst first made his mark in 1988 when he conceived and curated the Freeze exhibition. Typically using a range of media, Hirst continues to challenge conventional notions of high art and aesthetic value. His installations, paintings, and prints are compelled by the fundamental dilemmas of human existence.
- [William, Turnbull](https://gerrishfineart.com/artist/turnbull-william/) - William, Turnbull
- [Frost, Terry](https://gerrishfineart.com/artist/terry-frost/) - Sir Terry Frost RA was an English abstract artist, who worked in Newlyn, Cornwall. Frost is known for his geometric abstractions using bright colour, inspired by the Cornish light.
- [Braque, Georges](https://gerrishfineart.com/artist/georges-braque/) - Georges Braque was a major 20th century French painter, collagist, draughtsman, printmaker and sculptor. His most important contributions to the history of art were in his alliance with Fauvism from 1906, and the role he played in the development of Cubism.
- [Bellows, George](https://gerrishfineart.com/artist/george-bellows/) - George Bellows moved to New York City in 1904 and established a reputation in the art world by capturing subjects of the urban landscape. Recognised as a key member of the first group of American avant-garde artists, Bellows was accomplished as a painter, graphic artist, and lithographer and depicted themes integral to American culture. Following
- [Ayrton, Michael](https://gerrishfineart.com/artist/michael-ayrton/) - Michael Ayrton was an English artist and writer, renowned as a painter, printmaker, sculptor and designer, and also as a critic, broadcaster and novelist. His varied output of sculptures, illustrations, poems and stories reveals an obsession with flight, myths, mirrors and mazes.
- [Webb, Joseph](https://gerrishfineart.com/artist/joseph-webb/) - Joseph Webb was a printmaker, muralist and teacher of etching and sculpture. Born in 1908 in Ealing, West London, Webb studied at Ealing and Chiswick Schools of Art and in 1925 won a scholarship to the Patrick Allan-Fraaser School of Art, Hospitalfield, Arbroath. He began etching in 1927 and returned to London in 1928 continuing
- [Drury, Paul](https://gerrishfineart.com/artist/paul-drury/) - Paul Drury was born in London in 1903 and attended Goldsmiths College of Art. He began to produce etchings in 1922, completing a total of ninety-two plates during his career, almost half of which were portraits and a quarter of which were landscapes. Influenced by Samuel Palmer, Drury remained devoted to landscape etching and it
- [Kelly, Ellsworth](https://gerrishfineart.com/artist/ellsworth-kelly/) - Ellsworth Kelly is an American painter, printmaker and sculptor; he is regarded as one of the key abstract artists of his generation. He produced a substantial body of work in print over six decades, collaborating predominantly with Gemini G.E.L. from 1970 onwards. He drew on forms taken from the natural world, yet filtered through his
- [Nolan, Sidney](https://gerrishfineart.com/artist/sidney-nolan/) - Sir Sidney Nolan was one of Australia's leading artists of the 20th century. His oeuvre is among the most diverse and prolific in all of modern art. He is best known for his series of paintings on legends from Australian history, most famously Ned Kelly, the bushranger and outlaw.The Dust Etchings‘Dust’ was a suite of
- [Makos, Christopher](https://gerrishfineart.com/artist/christopher-makos/) - Makos, Christopher
- [Vaka  Valo](https://gerrishfineart.com/artist/vaka-valo/) - This is an ongoing project that began in 2006 after a chance encounter with the ouija board in a garage.Summer was hot that year and I remember sister yelling for me to keep away from her room.We used to make ouija boards ourselves and we used to share a dream diary.First I would have it
- [Shrigley, David](https://gerrishfineart.com/artist/david-shrigley/) - David Shrigley (1968) is best known for his distinctive drawing style and works that make satirical comments on everyday situations and human interactions. His flat compositions take on the inconsequential, the bizarre, and the disquieting elements of daily life. While drawing is at the centre of his practice, the artist also works across an extensive
- [Urushibara, Yoshijiro](https://gerrishfineart.com/artist/yoshijiro-urushibara/) - Yoshijiro Urushibara (1889-1953), also known as ‘Mokuchu’, was born in Tokyo. He travelled to London as a young man along with several other Japanese woodcut artists to demonstrate printmaking at the 1910 Anglo-Japanese Exhibition. After the exhibition closed he stayed on in London taking a job at the British Museum producing and restoring prints and
- [Dix, Otto](https://gerrishfineart.com/artist/otto-dix/) - Otto Dix was a German painter and printmaker. Volunteering as a machine-gunner during World War I, he served in the German army from 1914 to 1918. Experiencing combat on the front lines, Dix was injured and hospitalised before being discharged. As a war veteran, Dix returned to the brutality he experienced through his art. Desolated
- [Banting, John](https://gerrishfineart.com/artist/john-banting/) - John Banting was an English artist and writer. Born in Chelsea and educated at Emanuel School, Banting was initially attracted to Vorticism and associated with the Bloomsbury Group, before becoming interested in Surrealism in Paris in the 1930s.
- [Tschudi, Lill](https://gerrishfineart.com/artist/lill-tschudi/) - Swiss painter and linocut artist. Her interest in the linocut was brought about by seeing the work of Norbertine Bresslern-Roth and she studied with Claude Flight at the Grosvenor School of Modern Art 1920-30. She also studied in Paris with Andre Lhote, Gino Severini and Fernand Leger. Apart from the time when she was studying
- [Francis, Sam](https://gerrishfineart.com/artist/sam-francis/) - 'One of the twentieth century’s most profound Abstract Expressionists, American artist Sam Francis (1923-1994) is noted as one of the first post-World War II painters to develop an international reputation. Francis created thousands of paintings as well as works on paper, prints and monotypes, housed in major museum collections and institutions around the world. Regarded
- [Le Gray, Gustave](https://gerrishfineart.com/artist/gustave-le-gray/) - Le Gray, Gustave
- [Oppenheim, Meret](https://gerrishfineart.com/artist/meret-oppenheim/) - Oppenheim, Meret (1913-1985)
- [Martin, John](https://gerrishfineart.com/artist/john-martin/) - In the late 1810s and early 1820s Martin had experimented with various printmaking techniques. In 1824 he mastered mezzotint and received an extraordinarily lucrative commission to produce mezzotint illustrations to John Milton’s epic poem Paradise Lost. He now concentrated on printmaking rather than oil painting as a means of making money out of his art.The
- [Calder, Alexander](https://gerrishfineart.com/artist/alexander-calder/) - Alexander Calder was an American sculptor known as the originator of the mobile.
- [Magritte, René](https://gerrishfineart.com/artist/rene-magritte/) - Belgian painter, draughtsman, printmaker, sculptor, photographer and film maker, Magritte was one of the major figures of Surrealism and perhaps the greatest Belgian artist of the 20th century.
- [Wou-Ki, Zao](https://gerrishfineart.com/artist/wou-ki-zao/) - Zao Wou-ki was a Chinese émigré who merged Eastern and Western aesthetic traditions in his abstract paintings and prints, helping to shape avant-garde art in postwar Europe.
- [Knowles, Justin](https://gerrishfineart.com/artist/justin-knowles/) - Justin Knowles, artist and teacher, was born in Exeter in 1935, and was one of the most innovative artists of his generation. Writing in Studio International in 1972 Patrick Heron contended that Knowles's work was "eloquent, fertile, and commands a sheerness of image that is abolutely masterly". This was praise indeed from a leading practitioner
- [Delaunay, Sonia](https://gerrishfineart.com/artist/sonia-delaunay/) - Sonia Delaunay was a multi-disciplinary abstract artist and key figure in the Parisian avant-garde. Alongside her husband, Robert Delaunay, she pioneered the movement Simultanism.
- [Seaby, Allen W.](https://gerrishfineart.com/artist/allen-william-seaby/) - Allen Seaby, Professor of Fine Art at Reading University, was an influential exponent of the Japanese woodcut method; his bird and topographical prints often treated Western fauna and flora in a manner characteristic of so many Ukiyo-e prints of the early 19th century. He was the author of several books on art history and the
- [Rohm, Robert](https://gerrishfineart.com/artist/robert-rohm/) - Rohm, Robert (b.1934)
- [Princess Winifred](https://gerrishfineart.com/artist/princess-winifred/) - Princess Winifred
- [Nauman, Bruce](https://gerrishfineart.com/artist/bruce-nauman/) - Nauman, Bruce (b.1941)
- [Maclise, Angus](https://gerrishfineart.com/artist/angus-maclise/) - Maclise, Angus (1938-1979)
- [Lozano, Lee](https://gerrishfineart.com/artist/lee-lozano/) - Lozano, Lee (1930-1999)
- [Lord, Elyse Ashe](https://gerrishfineart.com/artist/elyse-ashe-lord/) - Lord's distinctive artistic style grew out of her fascination with oriental art and culture as well as Art Deco and early 1920s fashion. Although she never actually travelled to the East, she gleaned source material for her work from oriental paintings, tapestries, prints, manuscripts and other objects that she saw in museums and private collections.Elyse
- [Landfield, Ronnie](https://gerrishfineart.com/artist/ronnie-landfield/) - Landfield, Ronnie (b.1947)
- [Kosuth, Joseph](https://gerrishfineart.com/artist/joseph-kosuth/) - Kosuth, Joseph (b.1945)
- [Higgins, Dick](https://gerrishfineart.com/artist/dick-higgins/) - Higgins, Dick (1938-1998)
- [Dubuffet, Jean](https://gerrishfineart.com/artist/jean-dubuffet/) - Jean Dubuffet, French painter, sculptor, and printmaker, was best known for his development of Art Brut.
- [De Maria, Walter](https://gerrishfineart.com/artist/walter-de-maria/) - De Maria, Walter (1935-2013)
- [De Chirico, Giorgio](https://gerrishfineart.com/artist/giorgio-de-chirico/) - Giorgio de Chirico was an Italian artist and writer, he wrote, “What is especially needed is great sensitivity: to look upon everything in the world as enigma….To live in the world as in an immense museum of strange things.” De Chirico made paintings of classical piazzas populated with spectral figures and shadows, knitting together purposefully
- [Chapman, Jake & Dinos](https://gerrishfineart.com/artist/jake-dinos-chapman/) - The Chapman brothers first came to prominence as part of the Young British Artists movement of the 1990s. They featured in the Royal Academy’s seminal 1997 exhibition ‘Sensation’, showing a sculptural rendering of Goya’s ‘Disasters of War’. They returned to the work of Goya in 2003 – painting their own ghoulish imagery over an original
- [Carlu, Jean](https://gerrishfineart.com/artist/jean-carlu/) - Jean Carlu was a renowned, modernist graphic designer who created advertising posters during the interwar and postwar years.
- [Batterton, Wall](https://gerrishfineart.com/artist/wall-batterton/) - Batterton, Wall (b.1932)
- [Aftograf](https://gerrishfineart.com/artist/aftograf/) - Aftograf
- [Mackenzie, Alexander](https://gerrishfineart.com/artist/alexander-mackenzie/) - Mackenzie, Alexander
- [Rowntree, Kenneth](https://gerrishfineart.com/artist/kenneth-rowntree/) - Rowntree, Kenneth
- [Hepworth, Barbara](https://gerrishfineart.com/artist/barbara-hepworth/) - Barbara Hepworth is considered one of the most significant British sculptors of the 20th century. Her work is influenced by her lifelong association with Henry Moore, another of Britain’s notable modernist sculptors, who she met while attending the Leeds School of Art in 1920. She was awarded a diploma from the Royal College of Art
- [Wells, John](https://gerrishfineart.com/artist/john-wells/) - Wells, John
- [McWilliam, Frederick](https://gerrishfineart.com/artist/frederick-mcwilliam/) - McWilliam, Frederick
- [Meadows, Bernard](https://gerrishfineart.com/artist/bernard-meadows/) - Bernard Meadows was born in Norwich in 1915 and after briefly training as an accountant in 1931 eventually changed moving to study painting at Norwich School of Art from 1934-6. From 1936-9 and again in 1946-8 Meadows worked as an assistant for Henry Moore, who became a great mentor to the young artist. In 1936
- [Reynolds, Alan](https://gerrishfineart.com/artist/alan-reynolds/) - Reynolds, Alan
- [Underwood, Leon](https://gerrishfineart.com/artist/leon-underwood/) - Underwood, Leon
- [Bell, Vanessa](https://gerrishfineart.com/artist/vanessa-bell/) - Bell, Vanessa
- [Degas, Edgar](https://gerrishfineart.com/artist/edgar-degas/) - The French Impressionist artist Edgar Degas, is best known for his portrayals of ballet dancers. He was equally as talented as a painter and draughtsman as he was as a sculptor and printmaker.
- [Reavey, Jean (unknown)](https://gerrishfineart.com/artist/jean-reavey/) - Reavey, Jean (unknown)
- [Giorno, John](https://gerrishfineart.com/artist/john-giorno/) - Giorno, John (1936-2019)
- [Lewis, Percy Wyndham](https://gerrishfineart.com/artist/percy-wyndham-lewis/) - Percy Wyndham Lewis was an English writer, painter and critic. He was a co-founder of the Vorticist movement in art, and edited the literary magazine of the Vorticists, BLAST.
- [Weiner, Lawrence](https://gerrishfineart.com/artist/lawrence-weiner/) - Weiner, Lawrence (b.1942)
- [Weiner, Hannah](https://gerrishfineart.com/artist/hannah-weiner/) - Weiner, Hannah (1928-1997)
- [Webb, Clifford](https://gerrishfineart.com/artist/clifford-webb/) - Clifford Webb was born in London, after service in the First World War during which he was wounded, he studied at Westminster School of Art. Webb later taught there, and at Birmingham School of Art and St Martin’s School of Art, London. In the mid-1920s he was associated with the Artist’s Craftsman’s Group and Modern
- [Watts, Robert](https://gerrishfineart.com/artist/robert-watts/) - Watts, Robert (1923-1988)
- [Wakoski, Diane](https://gerrishfineart.com/artist/diane-wakoski/) - Wakoski, Diane (b.1937)
- [Villon, Jacques](https://gerrishfineart.com/artist/jacques-villon/) - Jacques Villon, brother of Marcel Duchamp, was a French cubist and abstract painter and printmaker.
- [Trouille, Clovis](https://gerrishfineart.com/artist/clovis-trouille/) - Trouille, Clovis (1889-1975)
- [Tillyer, William](https://gerrishfineart.com/artist/william-tillyer/) - William Tillyer is a celebrated British painter and watercolourist, whose work has been shown frequently in London and New York since the 1970s. Tillyer was born in Middlesbrough, and studied painting at Middlesbrough College of Art. He then went on to study at the Slade in London. He began to make radically experimental work which
- [Braden, Su](https://gerrishfineart.com/artist/su-braden/) - Braden, Su
- [Spencer, Stanley](https://gerrishfineart.com/artist/stanley-spencer/) - Stanley Spencer (1891-1959) explored fundamental issues of life with an urgency and persistence unique among British artists of his generation. His art comments on religion, love, sexuality, fraternity and community.
- [Pryse, Gerald Spencer](https://gerrishfineart.com/artist/gerald-spencer-pryse/) - British artist and lithographer.
- [Soulages, Pierre](https://gerrishfineart.com/artist/pierre-soulages/) - Pierre Soulages is a French painter, printmaker, and sculptor. Naming his own practice 'Outrenoir' (Beyond Black), Soulages has said, "My instrument is not black but the light reflected from the black".
- [Smith, Percy Delf](https://gerrishfineart.com/artist/percy-delf-smith/) - Smith, Percy Delf (1882-1948)
- [Sleigh, Bronwen](https://gerrishfineart.com/artist/bronwen-sleigh/) - Bronwen Sleigh is a multi-disciplinary artist who takes inspiration from industrial architecture, unused and forgotten urban spaces, and environments at the edge of the city. Her work provokes an extended and considered dialogue with these spaces, which she transforms through the processes of her practice. Sleigh’s work explores space rather than describing it, challenging perceptions
- [Shepperson, Claude](https://gerrishfineart.com/artist/claude-shepperson/) - Claude Allin Shepperson worked widely as a painter, book illustrator, etcher and lithographer. His work is characterised by a distinct elegance and his figures invariably display an air of aristocratic refinement. After Shepperson’s untimely death, his plates were printed under the directions of his executors until the intended editions of 75 impressions of each were
- [Schwedler, William](https://gerrishfineart.com/artist/william-schwedler/) - Schwedler, William (1942-1982)
- [Sargent, John Singer](https://gerrishfineart.com/artist/john-singer-sargent/) - John Singer Sargent was the premiere portraitist of his generation, well-known for his depictions of high society figures in Paris, London, and New York. He updated a centuries-old tradition by using vibrant Impressionistic brushstrokes and untraditional compositional solutions in order to capture his sitters' character and even reputation. Sargent's oeuvre was not limited to portraiture
- [Rothenstein, Michael](https://gerrishfineart.com/artist/michael-rothenstein/) - Michael Rothenstein was a popular and brilliant print-maker as well as an excellent painter, and one of the central figures in the renaissance in British print-making that took place just after the Second World War and through the Fifties and Sixties.
- [Rotella, Mimmo](https://gerrishfineart.com/artist/mimmo-rotella/) - Rotella, Mimmo (1918-2006)
- [Rosenquist, James](https://gerrishfineart.com/artist/james-rosenquist/) - James Rosenquist (November 29, 1933 – March 31, 2017) became well known in the 1960s as a leading American Pop artist alongside contemporaries Andy Warhol, Roy Lichtenstein, Claes Oldenburg, and other figurative artists. As with his contemporaries, Rosenquist’s background in commercial art deeply influenced his nascent fine-art career and radically changed the face of the
- [Riley, Terry](https://gerrishfineart.com/artist/terry-riley/) - Riley, Terry (b.1935)
- [Richmond, George](https://gerrishfineart.com/artist/george-richmond/) - George Richmond RA was an English painter, printmaker, and portraitist. In his youth he was a member of The Ancients, a group of followers of William Blake. Later in life he established a career as a portrait painter, which included painting the portraits of the British gentry, nobility and royalty.
- [Redon, Odilon](https://gerrishfineart.com/artist/odilon-redon/) - Redon is one of the most important and original of all the Symbolist artists. His visionary works concern the world of dreams, fantasy, and the imagination. He first became famous for his noirs series, monochromatic compositions that exploit the expressive and suggestive powers of the color black. His lithographs, which often reworked earlier drawings, became
- [Reavey, George](https://gerrishfineart.com/artist/george-reavey/) - Reavey, George (1907-1976)
- [Price, David](https://gerrishfineart.com/artist/david-price/) - After completing his degree in painting at Edinburgh College of Art, David Price undertook MA’s in sculpture (at Newcastle University) and printmaking (at the Royal College of Art). His paintings thus understandably employ a synthesis of different skills and techniques – fusing methods from etching and lithography into dense and intricate compositional works in oil
- [Power, Cyril](https://gerrishfineart.com/artist/cyril-power/) - Cyril Power was an English artist best known for his linocut prints, long-standing artistic partnership with artist Sybil Andrews and for co-founding The Grosvenor School Of Modern Art in London in 1925. He was also a successful architect and teacher.
- [Potter, Mary](https://gerrishfineart.com/artist/mary-potter/) - Mary Potter was a painter of still lifes and landscape. Born in Beckenham, Kent, she studied at the Beckenham School of Art before being awarded a scholarship to the Royal College of Art. Potter declined and instead, in 1918, took the Orpen bursary and began her studies at the Slade. After gaining a full scholarship
- [Platt, John Edgar](https://gerrishfineart.com/artist/john-edgar-platt/) - John Edgar Platt was an English painter, woodcut artist and designer of stained glass.
- [Pissarro, Orovida](https://gerrishfineart.com/artist/orovida-pissarro/) - Orovida Pissarro was a British painter and etcher. For most of her career she distanced herself from the Impressionist and Post-Impressionist styles of her father, Lucien Pissarro and grandfather, Camille Pissarro, in favour of a technique influenced by Chinese and other Asiatic art; but in the last quarter of her career developed a manner which
- [Phillips, Walter J.](https://gerrishfineart.com/artist/walter-joseph-phillips/) - Walter Joseph Phillips was an English-born Canadian painter and printmaker. He is credited with popularising the colour woodcut in the style of the Japanese, in Canada.
- [Pfriem, Bernard](https://gerrishfineart.com/artist/bernard-pfriem/) - Pfriem, Bernard (1916-1996)
- [Petrov, Mischa](https://gerrishfineart.com/artist/mischa-petrov/) - Petrov, Mischa (b.1927)
- [Perry, Grayson](https://gerrishfineart.com/artist/grayson-perry/) - Perry studied at Braintree College of Further Education from 1978 to 1979 and graduated from Portsmouth Polytechnic in 1982. He was awarded the Turner Prize in 2003.He works in a variety of mediums but is best known as a ceramicist. There is a dissonance between the conventional forms of his vessels and the depictions that
- [Penrose, Roland](https://gerrishfineart.com/artist/roland-penrose/) - Penrose, Roland (1900-1984)
- [Ono, Yoko](https://gerrishfineart.com/artist/yoko-ono/) - Ono, Yoko (b.1933)
- [Munch, Edvard](https://gerrishfineart.com/artist/edvard-munch/) - Edvard Munch was one of the most important pioneers of 20th century expressionist art, delving deep into the realms of subjectivism and existentialism to create deeply personal commentaries on modern humanity. The majority of Munch's output revolves around suffering, death, love, passion, loneliness and sorrow, themes that he returned to again and again. He was
- [Mitchell, Joan](https://gerrishfineart.com/artist/joan-mitchell/) - Joan Mitchell was born in Chicago in 1925. After graduating from the School of the Art Institute of Chicago in 1947, she was awarded a James Nelson Raymond Foreign Traveling Fellowship, which took her to France for a year in 1948-49, and it was there that her paintings moved toward abstraction. Returning to New York,
- [Massouras, Alex](https://gerrishfineart.com/artist/alex-massouras/) - Artist, bookmaker and academic, Alexander Massouras creates work that is deeply influenced by critical and historical narrative. Ranging from large paintings to small architectural etchings, the artist challenges visual realities, drawing on reference to contextualize his compositions. One of his most well known publications, Three Moderately Cautionary Tales is a series of 50 small etchings
- [Mackey, Haydn Drake Reynolds](https://gerrishfineart.com/artist/haydn-drake-reynolds-mackey/) - Mackey trained at the Slade before the First World War, in which he served with the Royal Army Medical Corps on the Western Front, as an Official War Artist. After the war he worked principally as a book illustrator and printmaker, but he also exhibited paintings in France and from the 1930s taught at Walthamstow
- [Levy, Julien](https://gerrishfineart.com/artist/julien-levy/) - Levy, Julien (1906-1981)
- [Legrand, Louis](https://gerrishfineart.com/artist/louis-legrand/) - Printmaker Louis Legrand was born in Dijon in 1863. He studied at the Ecole des Beaux-Arts in Dijon while working as a bank clerk and subsequently moved to Paris where he worked as a caricaturist and satirist for La Journee, Le Journal Amusant, and Courrier Francais. Two of his satirical drawings precipitated an obscenity lawsuit
- [Léger, Fernand](https://gerrishfineart.com/artist/fernand-leger/) - Though French artist Fernand Léger built his reputation as a Cubist, his style varied considerably from decade to decade, fluctuating between figuration and abstraction and showing influence from a wide range of sources. Léger worked in a variety of media including paint, ceramic, film, theatre and dance sets, glass, print, and book arts. While his
- [Krasner, Lee](https://gerrishfineart.com/artist/lee-krasner/) - Born in Brooklyn, Lee Krasner declared her intention to be an artist as a child. She began studying at Cooper Union in 1926, and continued her work at the National Academy of Design in 1929. In 1937, she entered the studio of the painter Hans Hofmann, who encouraged her focus on colour and lyrical abstraction.
- [Koening, Kaspar](https://gerrishfineart.com/artist/kaspar-koening/) - Koening, Kaspar (b.1940)
- [Kauffer, Edward McKnight](https://gerrishfineart.com/artist/edward-mcknight-kauffer/) - Edward McKnight Kauffer was one of Britain’s most influential 20th Century graphic designers. Beginning his professional life as a painter, Kauffer soon embraced poster art as a form of visual communication, enabling the public to view modern art through the display of his posters on the streets.
- [Johnson, Ray](https://gerrishfineart.com/artist/ray-johnson/) - Johnson, Ray (1927-1995)
- [John, Augustus](https://gerrishfineart.com/artist/augustus-john/) - Augustus John was a Welsh painter, draughtsman, and etcher. For a short time around 1910, he was an important exponent of Post-Impressionism in the United Kingdom. He was the brother of the painter Gwen John.
- [Jenney, Neil](https://gerrishfineart.com/artist/neil-jenney/) - Jenney, Neil (b.1945)
- [Hughes-Stanton, Blair](https://gerrishfineart.com/artist/blair-hughes-stanton/) - Blair Hughes-Stanton was a major figure in the English wood engraving revival in the twentieth century. He exhibited with the Society of Wood Engravers, but was more in sympathy with the philosophy of the English Wood Engraving Society, of which he was a founding member in 1925. He co-directed the Gregynog Press from 1930 to
- [Hayter, Stanley William](https://gerrishfineart.com/artist/stanley-william-hayter-2/) - English printmaker and painter, Stanley William Hayter remains a pioneering figure of Modernism. Associated with Surrealism and Abstract Expressionism, Hayter developed innovative printmaking techniques, including an intaglio colour printing process. The establishment of Atelier 17, his printing studio and workshop, introduced a range of artists to printmaking for more than three decades in Europe and
- [Haring, Keith](https://gerrishfineart.com/artist/keith-haring/) - Keith Haring was an American artist and social activist whose work responded to the New York City street culture of the 1980s through his explorations into concepts such as birth, death, sexuality, and war, in his signature animated visual language. During a brief, but intense career that spanned the 80s, Haring's work was included in
- [Gutsche, Claas](https://gerrishfineart.com/artist/claas-gutsche/) - Claas Gutsche, born in East Germany seven years before the Berlin Wall fell, makes two kinds of work—bronze sculptures and meticulous linocuts—of two kinds of subjects: the bits of nature that city dwellers encounter (trees, birds’ nests, broken branches, spider webs) and urban vistas in the former German Democratic Republic. His monumental and disquieting black-and-white
- [Grant, Duncan](https://gerrishfineart.com/artist/duncan-grant/) - Duncan Grant, a central figure of the Bloomsbury Group, was born in Scotland, then spent most of his childhood in India, before returning to Britain in 1893. In 1902 Grant entered the Westminster School of Art to study painting, finishing his formal education at the Slade School of Art. As a student he traveled throughout
- [Frank, Hans](https://gerrishfineart.com/artist/hans-frank/) - Twin brothers Hans Frank and Leo Frank were born in Vienna on 13 May 1884. They were both students of Anton von Kenner at the School of Applied Arts in Vienna and Franz Rumpler at the Vienna Academy. Hans Frank was a painter and printmaker, working in both aquatint and colour woodcut and he exhibited
- [Frampton, Hollis](https://gerrishfineart.com/artist/hollis-frampton/) - Frampton, Hollis (1936-1984)
- [Fontana, Lucio](https://gerrishfineart.com/artist/lucio-fontana/) - Lucio Fontana was an Italian painter, sculptor and theorist of Argentine birth. He is mostly known as the founder of Spatialism and his ties to Arte Povera.From 1949 he started his so-called Spatial Concept or slash series, consisting of holes or slashes in the surface of monochrome paintings. He chose the generic title Concetto spaziale
- [Flight, Claude](https://gerrishfineart.com/artist/claude-flight/) - Claude Flight was a British artist who pioneered and popularised the linocut technique. He also painted, illustrated and made woodcuts. Flight was a fervent promoter of the linoleum cut technique from the time he first used it in 1919. He felt by promoting the use of the cheap and easily obtained new material he was
- [Fitzgerald, Edward](https://gerrishfineart.com/artist/edward-fitzgerald/) - Fitzgerald, Edward (b.1927)
- [Detmold, Edward Julius](https://gerrishfineart.com/artist/edward-julius-detmold/) - Edward Detmold was born in London; with twin brother Charles he first exhibited at the Royal Academy of Art at the age of 13. Their first print portfolio was published in 1898. In 1908 his brother committed suicide and it was not until 1910 that the next Detmold print was published. Much of his work,
- [Curry, John Steuart](https://gerrishfineart.com/artist/john-steuart-curry/) - John Steuart Curry was a painter, lithographer and teacher. Curry worked as a WPA muralist and is famous as one of The Regionalists, along with Thomas Hart Benton and Grant Wood.
- [Copley, William](https://gerrishfineart.com/artist/william-copley/) - Copley, William (1919-1996)
- [Chadwick, Tom](https://gerrishfineart.com/artist/tom-chadwick/) - Tom Chadwick was trained by the Scottish artist Iain Macnab at the famous Grosvenor School of Modern Art. Macnab always spoke of him as an outstanding artist-engraver and his most brilliant student. Tragically Chadwick’s career was cut short by the Second World War – he was killed when fighting for the 3rd Hussars at the
- [Cage, John](https://gerrishfineart.com/artist/john-cage/) - Cage, John (1912-1992)
- [Buhot, Félix](https://gerrishfineart.com/artist/felix-buhot/) - Félix Hilaire Buhot was a French painter and illustrator who is credited with having produced some of the most original prints made in France during the last quarter of the nineteenth century. Along with artists like Charles Jacque, Louis Monziès and Félix Bracquemond, he revived seventeenth-century etching techniques in late nineteenth-century art. However, he was
- [Bresslern-Roth, Norbertine](https://gerrishfineart.com/artist/norbertine-bresslern-roth/) - Norbertine Bresslern-Roth was an Austrian artist and one of the pre-eminent linocut artists of the 20th century. Her linocuts of animals gained her worldwide fame and from 1921 onwards her success spread far beyond Europe to both Australia and the USA.
- [Brangwyn, Frank](https://gerrishfineart.com/artist/frank-brangwyn/) - Sir Frank William Brangwyn RA RWS RBA was an Anglo-Welsh artist, painter, watercolourist, engraver, illustrator and progressive designer.
- [Bouverie Hoyton, Edward](https://gerrishfineart.com/artist/edward-bouverie-hoyton/) - Edward Bouverie Hoyton was born in Lewisham and studied etching under Stanley Anderson at Goldsmiths' College. He was one of a small group of talented etchers of pastoral landscapes, that included Graham Sutherland and Paul Drury, who sought inspiration in William Blake, Samuel Palmer and the densely etched plates of F. L. Griggs. In 1926
- [Bone, Muirhead](https://gerrishfineart.com/artist/muirhead-bone/) - Sir Muirhead Bone was a Scottish etcher and watercolourist who became known for his depiction of industrial and architectural subjects and his work as a war artist in both the First and Second World Wars. Bone was an active member of both the British War Memorials Committee in the First World War and the War
- [Bomberg, David](https://gerrishfineart.com/artist/david-bomberg/) - David Bomberg was a British painter best known for his brash, angular avant-garde works. The artist was commonly associated with his machine-like depictions of the human figure, a motif prevalent in his early work, which appeared as though they were leaping off the pictorial plane. However, the artist was severely impacted by World War I
- [Blow, Sandra](https://gerrishfineart.com/artist/sandra-blow/) - During the 1950s, Sandra Blow was one of the pioneering abstract painters who introduced into British art a new expressive informality, using cheap, discarded materials such as sawdust, sackcloth and plaster alongside the more familiar material of paint. A tactile as well as visual emphasis on surface resulted in powerful and complex images, exuding a
- [Blampied, Edmund](https://gerrishfineart.com/artist/edmund-blampied/) - Edmund Blampied is one of the most significant artists to have hailed from the Channel Islands. Greatly versatile, he worked as a painter, illustrator, and occasional sculptor, though is best remembered as a printmaker and, especially, an etcher.
- [Bergtold, Paul](https://gerrishfineart.com/artist/paul-bergtold/) - Bergtold, Paul (b.1942)
- [Benton, Thomas Hart](https://gerrishfineart.com/artist/thomas-hart-benton/) - Thomas Hart Benton was an American painter and muralist. Along with Grant Wood and John Steuart Curry, he was at the forefront of the Regionalist art movement. The fluid, sculpted figures in his works showed everyday people in scenes of daily life in the United States. Though his work is strongly associated with the Midwest,
- [Phillips, Tom](https://gerrishfineart.com/artist/tom-phillips/) - Phillips, Tom
- [Cohen, Bernard](https://gerrishfineart.com/artist/bernard-cohen/) - Cohen, Bernard
- [Holloway, Edgar](https://gerrishfineart.com/artist/edgar-holloway-2/) - Holloway, Edgar
- [Warhol, Andy (1928-1987)](https://gerrishfineart.com/artist/warhol-andy-1928-1987/)
- [Ackroyd, Norman](https://gerrishfineart.com/artist/norman-ackroyd-2/) - Ackroyd, Norman (b. 1938)
- [Hayter, Stanley William (1901-88)](https://gerrishfineart.com/artist/stanley-william-hayter/) - Hayter, Stanley William (1901-88)
- [SMS Multiples](https://gerrishfineart.com/artist/sms-multiples/)

## Exhibitions

- [J.M.W. TURNER: Where Lines Become the Language of Colour](https://gerrishfineart.com/exhibition/j-m-w-turner-where-lines-become-the-language-of-colour/) - Although the general public know of Turner’s fame as a painter and watercolourist, they may well be unaware that he was also one of England’s most productive printmakers, creating over seven hundred works. He regarded them as of great significance, and realised that by devoting so much time and effort to harnessing the various printmaking processes he could display his genius to a much wider audience. 'J.M.W. TURNER: Where Lines Become the Language of Colour' is the first commercial exhibition, for over eighty years, to exhibit the variety of the artist’s graphic oeuvre.
- [J.M.W. TURNER: Where Lines Become the Language of Colour](https://gerrishfineart.com/exhibition/j-m-w-turner-where-lines-become-the-language-of-colour-2/) - Although the general public know of Turner’s fame as a painter and watercolourist, they may well be unaware that he was also one of England’s most productive printmakers, creating over seven hundred works. He regarded them as of great significance, and realised that by devoting so much time and effort to harnessing the various printmaking processes he could display his genius to a much wider audience. 'J.M.W. TURNER: Where Lines Become the Language of Colour' is the first commercial exhibition, for over eighty years, to exhibit the variety of the artist’s graphic oeuvre.
- [London Original Print Fair 2022](https://gerrishfineart.com/exhibition/london-original-print-fair-2022/) - A digital viewing room of the works we will be bringing to the London Original Print Fair 2022. Held at Somerset House for the first time in its 37 year history. We will be exhibiting works by William Blake, Edward Calvert, Samuel Palmer, James McNeil Whistler, Theodore Roussel, Muirhead Bone, Edward Wadsworth, Paul Nash, C.R.W. Nevinson, Olga Fröbe-Kapteyn, Mai 68, Richard Hamilton, David Hockney, Howard Hodgkin and others.
- [LONDON ART FAIR 2026](https://gerrishfineart.com/exhibition/london-art-fair-3/) - Gerrish Fine Art opens 2026 with the London Art Fair. Visit us on stand 7, where highlights will include a 1927 oil by Paul Nash, paintings by Sixties abstract artist and designer to the Beatles, Gordon House, and an extensive selection of original prints by David Hockney following our museum show in Austria in 2025.
- [Gordon House at Morchella](https://gerrishfineart.com/exhibition/gordon-house-at-morchella/) - A collaboration between Morchella and Gerrish Fine Art. This selling exhibition of paintings and prints by the Sixties visionary, Gordon House, opens December 2025 at Morchella, 84-86 Rosebery Avenue, EC1R 4QY, exclusively for clients of the restaurant. "Restaurants are built on the little stories that make them unique, the people who bring them to life, the memories behind the dishes, and the artwork that hangs on the walls. As we all admire and cherish my grandfather’s artwork, it adds yet another layer of individuality, authenticity and character to the restaurant." - Ben Marks, Executive Chef of Morchella and grandson of Gordon House GORDON HOUSE (1932-2004) Gordon House, painter, printmaker and graphic designer, is internationally recognised for his dynamic compositions that feature clean geometric shapes, sharp lines, grids, and distinctive colour. His unique abstract language drew from a broad range of sources, from historical design, such as Art Nouveau and Charles Rennie Mackintosh chairs, to the urban environment of road signs and lettering. House’s expertise in the field of graphic design found expression in many of his paintings, which can be read as a play on the typographer’s grid and division of surface. Central to his practice were elements of serial working, systems, and permutation of form. Later in life, House translated his signature abstract forms into intensely personal canvases, that recalled the Welsh landscapes of his childhood in the mining town of Pontardawe. Straddling the dual worlds of fine art and design, House both exhibited at, and created design work for, all the key West End galleries and art institutions of swinging 60s London. He exhibited at New Vision, Marlborough, Waddingtons and the Art Council, and held a major print retrospective in the US in 1981, with a double venue show at the Carnegie Institute and Brooklyn Museum of Art. Alongside his design work on iconic album covers for the Beatles, he revolutionised the fine art printmaking field, creating the first fine art screenprint at Kelpra, and introducing the medium to contemporaries such as Eduardo Paolozzi and Richard Hamilton. In the 1970s, he established his own printmaking studio, White Ink, where he pioneered the use of photography to transfer images onto the etching plate. House lived and worked in Islington for most of his adult life, buying a large townhouse in Highbury, in 1967. In 1987, architect M J Long designed a purpose-built studio for him within the grounds. His work is held in the permanent collections of over 50 museums and continues to be exhibited in exhibitions internationally.
- [THEODORE ROUSSEL: Observations on Nature](https://gerrishfineart.com/exhibition/theodore-roussel-observations-on-nature/) - This viewing room is dedicated to Theodore Roussel's depictions of nature. Included are his great masterpiece of printmaking 'L'Agonie des Fleurs', alongside one of his colour prints of 'Anemonies'. Other works included show the artist's skill as landscape artist. A large number of the his landscape etchings were made 'en plein air', allowing him to capture the subtlety of natural light and the effects of the weather with great skill.
- [THEODORE ROUSSEL: Portraits](https://gerrishfineart.com/exhibition/theodore-roussel-portraits/) - This viewing room explores Theodore Roussel's portraits. With the exception of Jean Swinburn, all of Roussel's printed portraits were of his social circle and family. Included in this group are: his gallerist Walter Dowdeswell, Basil Giotto, Lady Archibald Campbell, fellow artist Mrs Cyprian Williams, his preferred model Hetty Pettigrew and numerous members of the artist's extended family.
- [THEODORE ROUSSEL: Nudes](https://gerrishfineart.com/exhibition/theodore-roussel-nudes/) - This viewing room explores Theodore Roussel's nudes. The predominant sitter for this subject matter was the model and sculptor Hetty Pettigrew (1867-1953) who posed along with her sisters Rose and Lily, for artists like John Everett Millais, James McNeill Whistler and Walter Sickert. Hetty Pettigrew met Roussel in 1884, and they became partners. She continued to model for Roussel until he married another woman in 1914.
- [DAVID HOCKNEY: Illustrations for Six Fairy Tales from the Brothers Grimm](https://gerrishfineart.com/exhibition/david-hockney-six-fairy-tales-from-the-brothers-grimm/) - Our latest viewing room presents all 39 etchings from the rare portfolio edition of David Hockney’s ‘Six Fairytales from the Brothers Grimm’ (1969).
- [DAVID HOCKNEY: Illustrations for Six Fairytales from the Brothers Grimm](https://gerrishfineart.com/exhibition/david-hockney-illustrations-for-six-fairytales-from-the-brothers-grimm-1969/) - Gerrish Fine Art is delighted to present a group of etchings from David Hockney’s Grimm's Fairytales suite. Hockney created 39 etchings for the series 'Six Fairy Tales from the Brothers Grimm'. The etching plates were hand-drawn by David Hockney in London between May and November 1969, proofed by Maurice Payne and printed by Piet Clement on W.S.Hodgkinson paper. Published by the Petersburg Press in association with the Kasmin Gallery in 1970.
- [DAVID HOCKNEY: 30 Etchings](https://gerrishfineart.com/exhibition/david-hockney-30-etchings/) - This November, we are pleased to offer you 30 signed etchings by Britain's greatest living artist, David Hockney. Created over a period of ten years, the selection comprises works from three of the artist's key series: 'Illustrations for Fourteen Poems for Constatine Cavafy', 'Six Fairy Tales from the Brothers Grimm' and 'The Blue Guitar'.
- [THEODORE ROUSSEL: Colour Printmaker](https://gerrishfineart.com/exhibition/theodore-roussel-colour-printmaker-2/) - We are pleased to offer a collection of rare colour prints by Theodore Roussel. Examples of his colour etchings on their original backing sheets are extremely scarce, as are his 'Medium' prints, examples of both are included in this offering. In 1909, Theodore Roussel became the first president of the Society of Graver Printers in
- [THE S.M.S. MULTIPLES, 1968: Pop, Surrealism and Minimalism through the mail](https://gerrishfineart.com/exhibition/sms-multiples-1968-pop-art-surrealism-and-conceptual-art-in-the-mail/) - William Copley, the famed painter, dealer and collector, and his artist friend, Dimitri Petrov, founded ‘The Letter Edged in Black Press’ in 1968. The two would spearhead an innovative artist’s magazine known as S.M.S. (short for ‘Shit Must Stop’). Issues of S.M.S. arrived to subscribers through the mail, in printed boxed envelopes that contained a folio brimming with painstakingly produced artist multiples. Inspired in part by Duchamp’s Boîte-En-Valise, S.M.S. sought to circumvent mainstream publishing and commercial art models by supplying high-quality art for a modest price through the mail. In a letter to Joseph Cornell, dated June 26, 1968, Copley described S.M.S.’s mission: “As you will see it is a mixture of many things. We are not trying to push any kind of art but rather to suggest how many different ways ideas can go. So we include the old and the new in a context that is meant above all to surprise and make of the box itself a sort of adult joy.” A total of six issues were produced and distributed bi-monthly in 1968, each with around a dozen artist multiples by upwards of sixty artists in total. A veritable ‘who’s who’ of the New York Sixties art world, participants included luminaries from the Surrealist, Pop, Conceptual and Minimalist circles: Roy Lichtenstein, Marcel Duchamp, Man Ray, Christo, Meret Oppenheim, Yoko Ono, Bruce Nauman, On Kawara, Claes Oldenburg, Terry Riley, La Monte Young, Joseph Kosuth, Mel Ramos and Richard Hamilton. The Edition size was c.1500-2000. The S.M.S. portfolios are in the permanent collections of The British Museum (London), MOMA (NY), The Metropolitan Museum of Art (NY), Art Institute of Chicago (IL), MFA Boston, National Gallery (DC), Art Gallery of New South Wales, and M+ (Hong Kong) among many others.
- [OLGA FRÖBE-KAPTEYN: The 'Meditation Plates'](https://gerrishfineart.com/exhibition/the-meditation-plates-olga-frobe-kapteyn/)
- [LONDON ART FAIR 2025](https://gerrishfineart.com/exhibition/london-art-fair-2/) - Gerrish Fine Art opens 2025 with the London Art Fair. Visit us on stand 7, where highlights will include some rare early ceramics by Guyanese artist Donald Locke, an oil painting by Aubrey Williams, an important collection of Paul Nash watercolours, ceramics by Lucie Rie and a selection of original prints by David Hockney.
- [HOMAGE TO PICASSO](https://gerrishfineart.com/exhibition/homage-to-picasso/) - Gerrish Fine Art is delighted to announce our new exhibition HOMAGE TO PICASSO, taking place at Willoughby Gerrish, 16 Savile Row, London, 1-20 August. The centrepiece of our show is a very rare early Picasso portrait in linocut, of his muse and second wife, Jacqueline. This stunning work will be accompanied by over fifty prints from the 1973 portfolio ‘Homage à Picasso’, planned to celebrate Picasso’s 90th birthday. The portfolio features a vast array of international artists who each contributed works that in some way pay tribute to this great giant of 20th century art. Artists include Lichtenstein, Hamilton, Hockney, Pistoletto, Twombly, Stella, Chillida, Judd, Saint Phalle, Christo, and Motherwell, among others. We will also be exhibiting a group of Cubist influenced sculpture by Lipchitz and Laurens as well as two sculptures by Julio Gonzales who famously taught Picasso how to make sculpture in iron, with the two collaborating closely for a period in the late 1920s. Opening Hours: Monday – Friday 11 am – 5pm , or by appointment.
- [WILLIAM NICHOLSON: Lithographs](https://gerrishfineart.com/exhibition/william-nicholson-lithographs/) - British artist William Nicholson (1872-1949) is one of the most recognisable printmakers of the Victorian era. Celebrated for his striking designs, employing bold outlines and flat areas of colour, he created several iconic series of woodcuts and lithographs with the publisher William Heinemann. His lithographs can be found in major museum collections including Tate, National Portrait Gallery, V & A, Fitzwilliam Museum and the Metropolitan Museum of Art (New York). We are delighted to offer works from all seven of his key series of graphic works: An Alphabet, 1897 An Almanac of Twelve Sports, 1897 London Types, 1898 Twelve Portraits (First Series), 1899 The Square book of Animals, 1899 Characters of Romance, 1900 Twelve Portraits (Second Series), 1902
- [OLGA FRÖBE-KAPTEYN: The 'Meditation Plates'](https://gerrishfineart.com/exhibition/olga-frobe-kapteyn-the-meditation-plates/) - OLGA FRÖBE-KAPTEYN: The ‘Meditation Plates’ - Gerrish Fine Art Gerrish Fine Art is proud to present the first UK solo exhibition of OLGA FRÖBE-KAPTEYN (1881-1962), artist, researcher and founder of Eranos.
- [F. L. GRIGGS: Lost England](https://gerrishfineart.com/exhibition/f-l-griggs-lost-england-2/) - Featuring a previously unpublished essay about Griggs, by the great Samuel Palmer scholar Raymond Lister, this catalogue offers for sale forty-nine works by the artist, making it the largest commercial exhibition dedicated to him since his death, in 1938. The Lister essay was previously commissioned by my father, and his former business partner Nick Lott,
- [JOHN PIPER: Brighton Aquatints](https://gerrishfineart.com/exhibition/john-pipers-brighton-aquatints/) - JOHN PIPER: Brighton Aquatints This May, we are pleased to present a complete set of John Piper’s Brighton Aquatints, first published in 1939 by Gerald Duckworth. The series captures some of Brighton’s most iconic architecture: Regency squares with their stuccoed facades, the exotic Royal Pavilion, and the intricate silhouette of the West Pier. Each aquatint is from the rare edition of impressions hand coloured by Piper, with occasional assistance friends, including the poet John Betjeman who watercoloured the entire edition of 'Brighton from the Station Yard'. It was him who originally proposed the project as an attempt to stop the redevelopment of the Georgian Brighton Seafront. Betjeman, then a journalist and poet, was among several key figures Piper encountered in the 1930s, through the magazine The Architectural Review. Another was James Richards, who that same year wrote the text for Eric Ravilious’s High Street. In 1938, Richards and Piper toured England, documenting what they felt were overlooked examples of English vernacular architecture. They brought the same spirit of discovery to Brighton, exploring both celebrated and overlooked aspects of the town. Some of the more unusual views—such as the hybrid styles of houses near Brunswick Terrace, or the station-yard vista—were suggested by Richards. Like High Street, the Brighton Aquatints are marked by a shared eye for quirky charm and detail. Stylistically, Piper’s fine, delicate lines echo Bawden’s early etchings, contrasting beautifully with the grainy texture of the aquatint. (Bawden, incidentally, had already etched a view of the Palace Pier and later revisited Brighton in a series of linocuts in the 1950s.) The Brighton Aquatint series was Piper’s first use of aquatint, executed with support from the technicians at the Royal College of Art, whom he went to for instruction out of hours. He made the sketches in the winter of 1938, but coloured the limited edition of 55 sets, nearly eight months later; thus, the prevailing tone is one of winter, a windswept and empty coastal town. The format of the images closely resembles the 18th-century topographical guidebooks by artists like William Gilpin.
- [WE ARE THE POWER: Posters from Paris, May 68](https://gerrishfineart.com/exhibition/we-are-the-power-posters-from-paris-may-68-2/) - Gerrish Fine Art is delighted to collaborate with TANK and Carl Williams Rare Books on an exhibition of original material from the May and June 1968 protests across France. We have been collecting these iconic posters for over 20 years, and are thrilled to be able to share almost the entirety of our collection in this landmark exhibition, alongside hand-painted placards and other material from the vaults of the legendary Mr Carl Williams. Based in London, TANK is a quarterly print magazine, covering fashion, art, politics, literature, travel, architecture, technology and everything else - keep an eye out for their Summer issue launching soon.
- [DAVID HOCKNEY: Das Grafische Werk](https://gerrishfineart.com/exhibition/david-hockney-das-grafische-werk/) - Gerrish Fine Art is delighted to be loaning our personal collection of works by David Hockney for the inaugural exhibition at the new Kunsthaus Gmünd in Austria.
- [F. L. GRIGGS: Prints and Drawings From a Private Collection](https://gerrishfineart.com/exhibition/f-l-griggs-prints-and-drawings-from-a-private-collection/) - This March, we are pleased to offer an important collection of prints and drawings by F.L. Griggs (1876-1938). Amassed over the last thirty years, the collection comprises examples of the artist's work, from his time training under the architect C.E. Mallows, to his exquisite pen and ink drawings for the ‘Highways and Byways’ series of
- [DAVID HOCKNEY: Etchings from 'The Blue Guitar'](https://gerrishfineart.com/exhibition/david-hockney-the-blue-guitar/) - Gerrish Fine Art is delighted to be offering all twenty of David Hockney's Blue Guitar etchings for sale, to coincide with the opening of his new exhibition at London's Royal Academy of Arts. The frontispiece to the portfolio clearly enunciates Hockney’s dual inspirations for his ‘Blue Guitar’ suite: ‘Etchings by David Hockney who was inspired
- [PAUL NASH: Wood Engravings](https://gerrishfineart.com/exhibition/paul-nash-wood-engravings/) - Open by appointment. Please email us at gallery@gerrishfineart.com to arrange a viewing. This Spring, we are excited to showcase a remarkable collection of wood engravings by the renowned British artist Paul Nash. Featuring fourteen carefully selected wood engravings, this exhibition provides an extensive insight into Nash's artistic journey within this captivating medium. Paul Nash (1889-1946)
- [HOMAGE TO PICASSO](https://gerrishfineart.com/exhibition/homage-to-picasso-2/) - Gerrish Fine Art is delighted to announce our new exhibition HOMAGE TO PICASSO, taking place at Willoughby Gerrish, 16 Savile Row, London, from 1-20 August. The centrepiece of our show is a very rare early Picasso portrait in linocut, of his muse and second wife, Jacqueline. This stunning work will be accompanied by over fifty prints from the 1973 portfolio ‘Hommage à Picasso’, planned to celebrate Picasso’s 90th birthday. The portfolio features a vast array of international artists who each contributed works that in some way pay tribute to this great giant of 20th century art. Artists include Lichtenstein, Hamilton, Hockney, Pistoletto, Twombly, Stella, Chillida, Judd, Saint Phalle, Christo, and Motherwell, among others. We will also be exhibiting a group of Cubist influenced sculpture by Lipchitz and Laurens as well as two sculptures by Julio Gonzales who famously taught Picasso how to make sculpture in iron, with the two collaborating closely for a period in the late 1920s.
- [FUTURLIBERTY: Avant-Garde and Style](https://gerrishfineart.com/exhibition/futurliberty-avant-garde-and-style/) - We are delighted to have arranged the loan of several important Vorticist works, sold to private British collectors by Gerrish Fine Art, to the groundbreaking exhibition 'FUTURLIBERTY - Avant-garde and style' at the Museo del Novecento and Palazzo Morando in Milan, Italy.
- [GORDON HOUSE (1932-2004)](https://gerrishfineart.com/exhibition/gordon-house-1932-2004/) - We are delighted to partner with Mayfair gallery Shapero Modern on an exhibition of paintings, works on paper and prints by British abstract artist Gordon House. This will be his first major London exhibition in twenty years and represents a return to his sixties & seventies stomping ground around Bond Street, where he exhibited at Marlborough and Waddington Galleries and worked on graphic design for the Beatles, at their offices on Saville Row.
- [PRINT WEEK AT GERRISH FINE ART, 2024](https://gerrishfineart.com/exhibition/print-week-2024/) - After the success of last year's Print Week, we are once again opening our doors at Jermyn Street, in the heart of London's Piccadilly. To coincide with the London Original Print Fair, for four days we will be celebrating all things print at our viewing space, presenting an exciting exhibition of printmaking from the 18th century to the present day. We will have works by many of the greatest artists of the 19th and 20th century available and you can peruse our solander boxes and browsers to your heart's content.
- [MAI 68: Art at the Service of Rebellion](https://gerrishfineart.com/exhibition/mai-68-art-at-the-service-of-rebellion/) - On the 45th anniversary of the Mai 68 French riots, Gerrish Fine Art, Imagination in Space & 1OAF present an installation of original protest posters in the gritty depths of the 14 Warren Street basement. These icons of rebellion and civil disorder are the forerunners of today's thriving street art movement. As monuments to the
- [DAVID HOCKNEY: Six Fairy Tales from the Brothers Grimm](https://gerrishfineart.com/exhibition/david-hockney-six-fairy-tales-from-the-brothers-grimm-2/) - DAVID HOCKNEY: Six Fairy Tales from the Brothers Grimm - “They’re fascinating, the little stories, told in a very very simple, direct, straightforward language and style; it was this simplicity that attracted me. They cover quite a strange range of experience, from the magical to the moral. My choice of stories was occasionally influenced by how I might illustrate them … I included other stories simply because they were strange.” - David Hockney Our latest catalogue presents all 39 etchings from the rare portfolio edition of David Hockney's 'Six Fairytales from the Brothers Grimm' (1969). Delve into the history of one of Hockney's greatest print projects and read about the individual stories behind each etching.
- [HENRI MATISSE: A series of 40 Lithographs inspired by the Paper Cut-outs](https://gerrishfineart.com/exhibition/henri-matisse-a-series-of-40-lithographs-inspired-by-the-paper-cut-outs/) - Matisse was confined to bed or a wheelchair for the best part of his final years. In this frail state Matisse needed to find a fresh technique that was less strenuous than painting, so he embarked on a new kind of highly original work, his paper cut-outs or gouaches découpées.
- [LONDON ART FAIR 2024](https://gerrishfineart.com/exhibition/london-art-fair-2024/) - Gerrish Fine Art opens 2024 with the London Art Fair. Visit us on stand 7 where highlights will include a rare dinner service by Austrian-born Lucie Rie (1902-1995), one of the most significant potters of the 20th century. We will also be exhibiting a selection of rare early prints by David Hockney (b.1937) from the Cavafy (1966) and Grimms Fairytale (1969) suites, as well as his early masterpiece 'Jungle Boy' (1964) and two of his infamous swimming pool prints. We are delighted to be showing several rare Paul Nash watercolours, fresh to the market from an important private collection, as well as a group of Post War American and British printmaking from such luminaries as Warhol, Judd and Freud. Inspired by London Art Fair’s partnership with Charleston, the modernist home of painters Vanessa Bell and Duncan Grant, the 2024 Platform section of the fair brings together art that shines a light on Queer love and life selected by guest curator Gemma Rolls-Bentley. We are delighted to be showing a selection of David Hockney's etchings inspired by the poetry of the Greek writer C. P. Cavafy. Visit stand P1.
- [JOHN ALLIN PAINTINGS: Memories of the East End](https://gerrishfineart.com/exhibition/john-allin-paintings-memories-of-the-east-end-3/) - John Allin was born into a Jewish family in Hackney, in 1934, in the heart of London’s bustling East End. The ‘London Lowry’ or ‘Pied Painter of Hackney’, as he was affectionately known in the press, showed natural artistic flair as a child, it was however during a brief stint in prison, for a minor offence receiving stolen shirts, that he attended art classes and began painting in earnest. His mentor, the artist Sotirakis Charalambou, remarked that after prison John was keen to continue with his painting, and that he supported him in this endeavour, with the pair often painting side-by-side: “I never taught him because I don’t believe in teaching but I encouraged him, I thought he was extremely talented and it was just a question of finding the confidence in his talent”.
- [JOHN ALLIN PAINTINGS: Memories of the East End](https://gerrishfineart.com/exhibition/john-allin-paintings-memories-of-the-east-end/) - John Allin was born into a Jewish family in Hackney, in 1934, in the heart of London’s bustling East End. The ‘London Lowry’ or ‘Pied Painter of Hackney’, as he was affectionately known in the press, showed natural artistic flair as a child, it was however during a brief stint in prison, for a minor offence receiving stolen shirts, that he attended art classes and began painting in earnest. His mentor, the artist Sotirakis Charalambou, remarked that after prison John was keen to continue with his painting, and that he supported him in this endeavour, with the pair often painting side-by-side: “I never taught him because I don’t believe in teaching but I encouraged him, I thought he was extremely talented and it was just a question of finding the confidence in his talent”.
- [C. F. TUNNICLIFFE: Wood Engravings from the Collection of author Henry Williamson](https://gerrishfineart.com/exhibition/c-f-tunnicliffe-wood-engravings-from-the-collection-of-author-henry-williamson/) - This important collection includes over 100 original wood engravings designed by C. F. Tunnicliffe as illustrations for five of Williamson’s books: ‘Tarka The Otter’ (1932), ‘The Old Stag and Other Hunting Stories’ (1933), ‘The Star-born’ (1933), ‘The Lone Swallows and Other Essays of Boyhood and Youth’ (1933) and ‘The Peregrine’s Saga and Other Wild Tales’ (1934). These prints are among the first impressions taken from the blocks and are from the collection of the author. Impressions of these prints are extremely rare, and although in some cases editions of 50 were declared, these were not fulfilled. These prints provide a fascinating insight into English country life between the wars, and demonstrate Tunnicliffe’s expertise at capturing the birds and animals for which he is best known, as well as his mastery of the wood engraving medium.
- [GORDON HOUSE](https://gerrishfineart.com/exhibition/gordon-house/) - Gerrish Fine Art, in association with Willoughby Gerrish and Thirsk Hall Sculpture Garden, is delighted to present an exhibition of paintings by British abstract artist Gordon House (1932-2004).
- [GRAHAM SUTHERLAND](https://gerrishfineart.com/exhibition/8117/) - Gerrish Fine Art is proud to have arranged the loan of Graham Sutherland's 1923 etching 'The Black Rabbit' to Pallant House’s exhibition: 'Sussex Landscape: Chalk, Wood and Water'.
- [LONDON ART FAIR 2023](https://gerrishfineart.com/exhibition/london-art-fair/) - Gerrish Fine Art is delighted to be opening 2023 with the London Art Fair. It will be our first time exhibiting at this long-running fair held at Islington's Business Design Centre in London. You can find us at Stand 7, at the very front of the fair, where we will be exhibiting highlights from our recent Modern British catalogue, including paintings by Paul Nash, John Nash, Alan Reynolds and John Wells, alongside sculpture by Barbara Hepworth, F.E. McWilliam, Reg Butler, Bernard Meadows and Leon Underwood. We will have a section dedicated to the early prints of David Hockney as well as an area showcasing Modern British printmaking, with works by C.R.W. Nevinson, Elisabeth Frink, Howard Hodgkin, Ben Nicholson, and Richard Hamilton among others. We will also have a painting by British artist/designer Gordon House (1932-2004) to celebrate our ongoing show of his work at Thirsk Hall Sculpture Garden, open until the 27th of March. https://www.londonartfair.co.uk/galleries/gerrish-fine-art-7/
- [PRINT WEEK 2023](https://gerrishfineart.com/exhibition/print-week-2023/) - This March, instead of seeing you at the London Original Print Fair, we would be delighted to welcome you into our home on Jermyn Street, London. For five days we will be celebrating all things print, presenting an exciting exhibition of printmaking from the 18th century to the present day, alongside various talks. We will allow you to peruse our solander boxes and browsers to your heart's content. With works by J. M. W. Turner and John Constable to the giants of the 20th century: David Hockney and Andy Warhol, all tastes and interests will be provided for. You can request to see any work of art on our website in person, and we will be on hand to talk you through everything on display. Please email us to let us know what you would like to see, final date for requests is Friday the 24th of March.
- [GORDON HOUSE: Prints & Watercolours](https://gerrishfineart.com/exhibition/gordon-house-prints/) - Gerrish Fine Art is delighted to share a catalogue of prints and watercolours, by British artist Gordon House, dating from 1978-1986. "Gordon House was one of the artists principally responsible for the renaissance in printmaking that developed in Great Britain during the 1960s. He was the best of guides, particularly for painters and sculptors entering the printmaking field for the first time. Not only did he understand thoroughly the technical side of printing but he was able to formulate important visual ideas in terms solely of print. He avoided reproducing images from drawing or from other artistic media and instead thought directly and integrally through ink and presses." - Gene Baro
- [VAKA VALO: Dream Diary](https://gerrishfineart.com/exhibition/vaka-valo-dream-diary/) - This is an ongoing project that began in 2006 after a chance encounter with the ouija board in a garage. Summer was hot that year and I remember sister yelling for me to keep away from her room. We used to make ouija boards ourselves and we used to share a dream diary. First I would have it for several weeks, recording what I remember from the fever dreams during that time of my illness, then sister would borrow it and record her dreams, then I, and so forth. One day, I saw a few of the pages were missing, but she said she did not take them. I believed her. She could lie, but she wouldn't lie about this. It was too serious of a matter. To both of us.
- [NEW CODES TO FOLLOW: Prints by Gordon House](https://gerrishfineart.com/exhibition/new-codes-to-follow-prints-by-gordon-house/) - This exhibition at the LeRoy Neiman Gallery at Columbia University in New York, considers the career of British artist Gordon House (1932–2004) through a focused survey of the artist’s screenprints, etchings, and lithographs. Gordon House was born in Pontardawe, South Wales in 1932. His achievements in graphic design have had a lasting impact on twentieth century British visual identity. Breaking boundaries between typography and fine art compelled House to collaborate with artists—including Peter Blake and Richard Hamilton—when designing iconic album covers for the Beatles. His radical approach to printmaking continued throughout his life as he expanded upon the concept of the screen or matrix.
- [GUSTAVE LE GRAY (1820-1884): The Seascapes](https://gerrishfineart.com/exhibition/gustave-le-gray-1820-1884-the-seascapes/) - Gustave Le Gray is one of the most celebrated pioneers of nineteenth century photography, renowned for both his influential technical innovations and his artistic ambitions within the field. The seascapes are among his most acclaimed public successes and made his reputation. Le Gray’s marine views were produced between 1856 and 1858, in three different locations: The coast of Normandy (1856), the Mediterranean (1857) and Brittany (1858). Our collection comprises masterpieces from the first two years and includes three of his great icons: ‘The Brig’ (1856), ‘The Breaking Wave’ (1857) and ‘The Great Wave, Sète’ (1857).
- [SAMUEL PALMER: Going to Evening Church](https://gerrishfineart.com/exhibition/samuel-palmer-going-to-evening-church/) - In this watercolour, Palmer depicts a breathtaking landscape, basking in the warm glow of a late summer evening. Dreamlike in its conception, this rural idyll forms the backdrop to a bucolic scene of country folk making their way across a bountiful cornfield towards a church, the spire of which can be seen towering above the trees. The sea below reflects the last glories of sunset. In the background, a cliff line rises to meet with wispy clouds and a phantasmagorical evening sky, whose pinks, vermilions, yellows and purples contrast harmoniously with the calm sea, which stretches below into the distance.
- [J. M. W. TURNER: Rare Proofs & Touched Engravings](https://gerrishfineart.com/exhibition/j-m-w-turner-rare-proofs-touched-engravings/) - In the early 1970s I became interested in original artist’s printmaking. I was aware of the great Turner as a painter, and watercolourist, but had no idea that he was a prolific printmaker. The very first example I purchased was from Craddock and Barnard, the famous Museum Street dealership in London. Little did I imagine that I would end up having accumulated an array of such significance, in all likelihood to be the largest privately held collection in the world, comprising over a thousand works, and comparable to many of the museum print holdings, of Turner.
- [A BRAVE NEW WORLD: British Art in the 20th Century](https://gerrishfineart.com/exhibition/a-brave-new-world-british-art-in-the-20th-century/) - We are delighted to share with you our latest catalogue of 20th Century British Art, presenting 72 works from two major European private collections, which have been built up over the past fifty years. The catalogue features many of the great names of Modern British Art: Henri Gaudia-Brzeska, David Bomberg, Edward Wadsworth, Percy Wyndham Lewis, Paul Nash, Edward Mcknight Kauffer, C R W Nevinson, Claude Shepperson, Gerald Spencer Pryse, Eric Gill, Edward Gordon Craig, Sybil Andrews, Claude Flight, Cyril Power, John Buckland Wright, John Banting, Edward Bawden, Eric Ravilious, Barnett Freedman, Stanley William Hayter, Ben Nicholson, Graham Sutherland, Frank Auerbach and Henry Moore.
- [VICTOR PASMORE: Etchings from the 'White Ink' Studio](https://gerrishfineart.com/exhibition/victor-pasmore-etchings-from-the-white-ink-studio/) - Victor Pasmore was a pioneer in the development of post-war abstraction in Britain in the 1940s and 50s, and today is considered to be one of the key abstract artists of the 20th century. This online exhibition comprises 34 prints by the artist which together represent an almost complete archive of the graphic work Pasmore
- [PASTORAL VISIONS: Samuel Palmer & his followers](https://gerrishfineart.com/exhibition/pastoral-visions-samuel-palmer-his-followers/) - 'Pastoral Visions' follows the development of British pastoral printmaking from Samuel Palmer to Paul Drury, looking at the work of Edward Calvert, Frederick Landseer Maur Griggs, Roy Stanley Badmin and Graham Sutherland. Samuel Palmer (1805-1881) Born in 1805, the son of a bookseller, Samuel Palmer spent much of his youth immersed in romantic and pastoral
- [BARNETT FREEDMAN: Designs for Modern Britain](https://gerrishfineart.com/exhibition/barnett-freedman-designs-for-modern-britain/) - Gerrish Fine Art is proud to have arranged the loan of Barnett Freedman's 1944 watercolour 'Christmas Party' to Pallant House's exhibition: 'Barnett Freedman - Designs for Modern Britain'. A peer of Eric Ravilious and Edward Burra, Barnett Freedman was one of Britain’s most sought-after commercial designers in the mid-20th century. People were at the heart
- [WILLIAM TURNER: Der Künstler auf Reisen](https://gerrishfineart.com/exhibition/william-turner-der-kunstler-auf-reisen/) - Gerrish Fine Art is delighted to have loaned a large group of engravings by J.M.W. Turner to the Stadtturmgalerie Gmünd's exhibition 'Wiliam Turner: The Artist on the the Road'. As a major exhibition space in the south of Austria, the Stadtturmgalerie Gmünd presented a fantastic selection of watercolours and etchings by probably the most famous
- [A LIFE IN PRINTS: The Collection of Bernard Cook](https://gerrishfineart.com/exhibition/a-life-in-prints-the-collection-of-bernard-cook-2/) - This catalogue is a tribute to the extraordinary career of master screenprinter Bernard Cook. It represents his personal archive of the editions he collaborated on at the White Ink and Serigraphic studios, as well as works he was gifted by the many artists he encountered on his journey. Bernard commenced his printing career at the young age of 16; straight from school he entered a print studio in Islington, where he began learning the ropes of his trade. He went on to join the pioneering printers G&B Arts, formed in 1950 by John Gorman and Lionel Bart. Based in Shelford Place in Stoke Newington, it was at G&B that Bernard started to specialise in screenprinting.
- [PAUL NASH](https://gerrishfineart.com/exhibition/paul-nash/) - Gerrish Fine Art is delighted to have loaned Paul Nash's 1935 pencil, chalk and watercolour 'Comment on Leda' to Tate Britain's 'Paul Nash' exhibition. Paul Nash was fascinated with Britain’s ancient past and spent time in southern England exploring the Downs and coastal areas. Equally inspired by the equinox and the phases of the moon,
- [PAUL NASH](https://gerrishfineart.com/exhibition/paul-nash-2/) - Gerrish Fine Art is delighted to have loaned Paul Nash's 1935 pencil, chalk and watercolour 'Comment on Leda' to the Sainsbury Centre's 'Paul Nash' exhibition. A key figure of Modern Art in Britain, Paul Nash (1889-1946) is regarded as one of the most important British artists of the first half of the twentieth century. Renowned
- [NEW CODES TO FOLLOW: Prints by Gordon House, 1957-1986](https://gerrishfineart.com/exhibition/new-codes-to-follow-prints-by-gordon-house-1957-1986/) - This exhibition at the LeRoy Neiman Gallery at Columbia University in New York, considers the career of British artist Gordon House (1932–2004) through a focused survey of the artist’s screenprints, etchings, and lithographs. Gordon House was born in Pontardawe, South Wales in 1932. His achievements in graphic design have had a lasting impact on twentieth
- [GORDON HOUSE: Paint to Print](https://gerrishfineart.com/exhibition/gordon-house-paint-to-print/) - Gordon House (1932-2004) was an influential artist and graphic designer who was brought up in Letchworth Garden City. Broadway Gallery will be exhibiting a selection of his paintings and prints focussing on the 1960s, an era when House made significant contributions to contemporary painting and printmaking, established the practice of graphic identity for London galleries,
- [DAVID HOCKNEY: Etchings for Cavafy](https://gerrishfineart.com/exhibition/https-gerrishfineart-com-hockney-cavafy-catalogue-final-hr-4/) - Gerrish Fine Art is delighted to present a catalogue of the rare set of all thirteen etchings for David Hockney’s ‘Cavafy’ suite, one of only 25 sets on large sheets of vellum paper, along with two unpublished preparatory proofs.
- [WILLIAM NICHOLSON: Wood-Engraver](https://gerrishfineart.com/exhibition/william-nicholson-wood-engraver/) - This January, we are delighted to offer a number of rare wood engravings, hand-coloured by William Nicholson, from four of his most influential series of prints: An Alphabet (1897), The Almanac of Twelve Sports (1897), London Types (1898), and Twelve Portraits (1899).
- [MADE IN THE USA: Post-War Printmaking](https://gerrishfineart.com/exhibition/post-war-printmaking/) - Gerrish Fine Art is delighted to offer an irresistible selection of new works for sale by the greats of Post-War American printmaking: Andy Warhol, David Hockney, Ellsworth Kelly, Richard Diebenkorn, Donald Judd, Sam Francis, Ed Ruscha, Robert Rauschenberg, Niki de Saint Phalle, Barbara Kruger, Jean Tingueley, On Kawara, Keith Haring, and Jasper Johns. From Pop Art to Minimalism, and Conceptual Art to Abstraction, these prints demonstrate the extraordinary experimentation and breadth of expression in American art of the second half of the twentieth century.
- [C. F. TUNNICLIFFE: Wood Engravings from the Collection of author Henry Williamson](https://gerrishfineart.com/exhibition/c-f-tunnicliffe-wood-engravings-from-the-collection-of-author-henry-williamson-2/) - This important collection includes over 100 original wood engravings designed by C. F. Tunnicliffe as illustrations for five of Williamson’s books: ‘Tarka The Otter’ (1932), ‘The Old Stag and Other Hunting Stories’ (1933), ‘The Star-born’ (1933), ‘The Lone Swallows and Other Essays of Boyhood and Youth’ (1933) and ‘The Peregrine’s Saga and Other Wild Tales’ (1934). These prints are among the first impressions taken from the blocks and are from the collection of the author. Impressions of these prints are extremely rare, and although in some cases editions of 50 were declared, these were not fulfilled. These prints provide a fascinating insight into English country life between the wars, and demonstrate Tunnicliffe’s expertise in capturing the birds and animals for which he is best known, as well as his mastery of the wood engraving medium.
- [F. L. GRIGGS: Lost England](https://gerrishfineart.com/exhibition/f-l-griggs-lost-england/) - Featuring a previously unpublished essay about Griggs, by the great Samuel Palmer scholar Raymond Lister, this catalogue offers for sale forty-nine works by the artist, making it the largest commercial exhibition dedicated to him since his death, in 1938. The Lister essay was previously commissioned by my father, and his former business partner Nick Lott, to be included in an earlier catalogue of Griggs’s work, compiled by Michael Gullick, in 1981. Owing to unforeseen circumstances it was never published. This catalogue confirms Gerrish Fine Art’s continued interest in F. L. Griggs, now recognised for having created, what are now regarded as, some of the most potent and magical British Romantic prints of the twentieth century. The present catalogue is dedicated to two Griggs devotees; Ashley Barker and Nick Lott.
- [London Original Print Fair](https://gerrishfineart.com/exhibition/london-original-print-fair-2/) - The London Original Print Fair brings together 51 print specialists from across the globe in London’s favourite boutique art fair. The works on offer span over 500 years of printmaking, from the earliest woodcuts of Dürer, to the latest editions by contemporary masters. To celebrate the 50th Anniversary of the Mai 68 movement in France,
- [London Original Print Fair](https://gerrishfineart.com/exhibition/london-original-print-fair/) - A highlight of our stand this year will be four exceptionally rare mezzotints from J.M.W. Turner's 'Little Liber' series, widely regarded as some of the greatest masterpieces of mezzotint ever made. Only a few trial proofs of each print exist, the few surviving examples are nearly all in museum collections. Three of the mezzotints come
- [London Original Print Fair Online](https://gerrishfineart.com/exhibition/london-original-print-fair-online/) - Celebrating 35 years at the Royal Academy, The London Original Print Fair brings together over 50 top international print dealers, galleries and studios, offering an unparalleled opportunity to buy original prints from a wide selection spanning five centuries of printmaking. It is with great sadness that we will not get to see you all in
- [IFPDA Fair Spring 2021 Online Edition](https://gerrishfineart.com/exhibition/ifpda-fair-spring-2021-online-edition/) - Gerrish Fine Art is delighted to invite you to the IFPDA Fine Art Print Fair - Spring 2021 - Online Edition. To coincide with the Royal Academy's new David Hockney exhibition, Gerrish Fine Art is dedicating our booth to a solo presentation of thirty etchings by the artist, one of Britain’s most celebrated contemporary artists
- [IFPDA Fair Fall 2021 Online Edition](https://gerrishfineart.com/exhibition/ifpda-fair-fall-2021-online-edition/) - ​The IFPDA Fair presents curated collections of fine art prints and editions from old master to contemporary in virtual booths presented by IFPDA members. Established in 1987, the IFPDA is the world’s preeminent organization for fine art prints with 150+ members vetted for the highest level of quality, value, and professionalism. The IFPDA Fair is presented at the Javits Center in New York each October and online each Spring and Fall. Visit www.fineartprintfair.org. Alongside new works by Samuel Palmer, Edward Wadsworth, C.R.W. Nevinson, David Hockney and Howard Hodgkin, Gerrish Fine Art is delighted to present a rare set of 14 screenprints by the Dutch artist, theosophist, spiritualist and scholar, Olga Fröbe-Kapteyn.
- [MODERN BRITISH: Sculpture, Painting & Print](https://gerrishfineart.com/exhibition/modern-british/) - Gerrish Fine Art is proud to present our latest catalogue of Modern British sculpture, painting and printmaking. The catalogue features sculpture by Barbara Hepworth, F.E. McWilliam, Leon Underwood, Reg Butler and Bernard Meadows, alongside paintings by Paul Nash, John Nash, Alan Reynolds, John Wells, Kenneth Rowntree and Alexander Mackenzie, and prints by Edward Wadsworth and C.R.W. Nevinson.
- [David Hockney at Thirsk Hall Sculpture Garden, in association with Gerrish Fine Art](https://gerrishfineart.com/exhibition/david-hockney-at-thirsk-hall-sculpture-garden-in-association-with-gerrish-fine-art-2/) - David Hockney (b.1937) has remained a unique and vital voice on the contemporary art scene for over six decades, celebrated for his playful and witty approach to image making and endless curiosity for new techniques. Ever experimental, the works in this exhibition follow Hockney over a fifteen year period; from youthful beginnings at the Royal College of Art in London, to seminal journeys to New York and Los Angeles, where he relished in the dynamic energy and comparative sexual freedom he discovered in the USA. Together these artworks form a fascinating portrait of the young Hockney’s literary and art historical influences, personal life and artistic evolution. The exhibition will comprise loans and artworks for sale from the collection of Gerrish Fine Art. Opening Hours: Wednesday - Saturday 11am - 5pm
- [London Original Print Fair 37th Edition](https://gerrishfineart.com/exhibition/london-original-print-fair-37th-edition/) - The longest running print fair in the world, founded in 1985 at the Royal Academy of Arts, comes to Somerset House for its 37th edition. The Fair is a celebration of printmaking in all its forms, spanning six centuries from the 15th century works of Dürer and his contemporaries to that of emerging contemporary artists. Highlights include work by Rembrandt, Picasso, Matisse, Hockney, Freud, Warhol, Rego and Emin. 48 internationally renowned print dealers and publishers offer visitors an opportunity to explore and buy works by some of the world’s greatest masters, alongside new work by contemporary artists that's hot off the press.

## Products

- [C for Countess](https://gerrishfineart.com/product/c-for-countess/) - Lithograph from 'An Alphabet'. An Alphabet After being very impressed by the young artist’s work, Whistler arranged an interview for Nicholson with the publisher William Heinemann. Marguerite Steen describes this first meeting in her book: ‘Heinemann received him cordially; it was not every day he received young artists bearing such credentials as an introduction from
- [A Wooded Landscape](https://gerrishfineart.com/product/a-wooded-landscape/) - This is the first illustration for the ‘Fundevogel’ tale, which tells the story of a forester who found a baby in a bird’s nest at the top of a tree, he decided to name him Fundevogel and to bring him home and raise him alongside his daughter Lina. Hockney said that the landscape, with the
- [Martello Towers, Near Bexhill, Sussex](https://gerrishfineart.com/product/martello-towers-near-bexhill-sussex-4/) - Drawn and etched by J.M.W. Turner. Turner classification: M - Marine. The imagery in this plate is of defiance. The Martello towers along the coastline were constructed as artillery emplacements, for defence against the potential invasion by Napoleon’s armies. The threat, symbolised by the squall of wind and rain, would be repelled by the turbulent
- [The Pot Boiling](https://gerrishfineart.com/product/the-pot-boiling-2/) - This is the third illustration for the ‘Fundevogel’ fairytale, and depicts the boiling pot in which the cook planned to cook Fundevogel. This is one of several plates in the series which depicts an isolated object, detached from its surroundings, in order to “stress the magic qualities of objects in themselves”. This is one of
- [St Mary's Hatch](https://gerrishfineart.com/product/st-marys-hatch-2/) - St Mary's Hatch
- [Lammas](https://gerrishfineart.com/product/lammas-2/) - Lammas
- [T'Chackamma](https://gerrishfineart.com/product/tchackamma/) - One of 25 wood engravings designed as illustrations for 'The Old Stag and Other Stories' As the vultures circle, T'Chackamma looks down on the approaching hunting party. The baboon 'crouched on his commanding rock, one foot crossed over the other. His head, which gave him the appearance of having a boar and a dog for
- [Scene in the Campagna](https://gerrishfineart.com/product/scene-in-the-campagna-2/) - Drawn and etched by J.M.W. Turner. Turner classification: EP - Elevated Pastoral. This plate was engraved and published without a title. Rawlinson disliked the adopted titles of Woman at a Tank, and also Hindoo Ablutions, and thus suggested the new title, Scene in the Campagna, for the revised edition of his catalogue. Described as an
- [Windmill and Lock](https://gerrishfineart.com/product/windmill-and-lock-3/) - Drawn and etched by J.M.W. Turner. Turner classification: P - Pastoral. The image is almost identical to the artist’s oil painting Grand Junction Canal at Southall Mill, exhibited in his gallery in 1810. The influence of Rembrandt’s painting, The Mill, is clearly apparent and it is possible that Turner was seeking to rival him with
- [Watercress Gatherers](https://gerrishfineart.com/product/watercress-gatherers-3/) - Drawn and etched by J.M.W. Turner. Turner classification: P - Pastoral. The lettering beneath the plate includes the description, “Railhead Ferry Bridge, Twickenham” which was close to Sandycombe Lodge, a house built on a plot of land purchased by Turner in 1807 and designed by the artist himself. It was to be a home for
- [Linear Motif in Two Movements](https://gerrishfineart.com/product/linear-motif-in-two-movements/) - Linear Motif in Two Movements
- [Picturesque Views on the Southern Coast of England](https://gerrishfineart.com/product/picturesque-views-on-the-southern-coast-of-england/) - In addition to the forty line engravings in the first state, printed on India paper, this album also includes fifty-two rare proofs and thirty-one etchings (one hundred and twenty-three works in total). The works are presented, loose, between pages of a red Morocco leather, gold tooled folio album, titled Southern Coast J.M.W. Turner. Secured by
- [Provincial Antiquities and Picturesque Scenery of Scotland](https://gerrishfineart.com/product/provincial-antiquities-and-picturesque-scenery-of-scotland/) - In addition to the twelve engravings in the first state on India paper, these volumes also contain eleven very rare etchings on India paper (twenty-three works in total). These works are in two volumes bound in the original green Morocco leather, with gold tooling and titled Provincial Antiquities of Scotland, Vol I and Vol II,
- [Picturesque Views in England and Wales](https://gerrishfineart.com/product/picturesque-views-in-england-and-wales/) - In addition to the ninety-six engravings in the first state, on India paper, proofs before titles, this album is extra illustrated with three prints: Rawlinson 290, Lyme Regis, first state, Rawlinson 231, Exeter, open etching, and Rawlinson 310, Orfordness, finished state, from the series The Proposed East Coast of England (unpublished). These works are in
- [Portrait of Mrs. Arthur Bull](https://gerrishfineart.com/product/portrait-of-mrs-arthur-bull/) - Trimmed to the plate by the artist. Mrs. Arthur Bull was the wife of Roussel's stepson, Arthur Bull.
- [Penelope, A Doorway, Chelsea](https://gerrishfineart.com/product/penelope-a-doorway-chelsea/) - The woman in the doorway was reputedly a Thames steamer captain's wife who knitted as she waited for him to pass on the river each day. Roussel's title refers to Ulysses' wife Penelope, who occupied the time with weaving while she waited for her husband's return. The composition, with a figure in a darkened doorway,
- [Bank Holiday, Corner of Beaufort Street, Chelsea](https://gerrishfineart.com/product/bank-holiday-corner-of-beaufort-street-chelsea/) - Trimmed to the platemark by the artist. The subject is thought to depict the intersection between Beaufort Street and Chelsea Embankment.
- [Heneage Street](https://gerrishfineart.com/product/heneage-street/) - The Poltava Synagogue, named after a town in Ukraine, was at 2 Heneage Street from about 1935, when it moved there from Spital Square, until it closed in 1972. Allin captures the wonderful diversity of the streets around Brick Lane, with the synogogue rubbing shoulders with Pendora Fashions, and a delivery man on a horse
- [The Sun and the Traveller's Cloak](https://gerrishfineart.com/product/the-sun-and-the-travellers-cloak/) - The Sun and the Traveller's Cloak
- [The Deluge](https://gerrishfineart.com/product/the-deluge/) - Engraved on copper by J.P. Quilley In the late 1820s and early 1830s Turner supervised the production of seven large-scale mezzotints after his oils, chiefly subjects which he had painted earlier in his career. The Deluge, painted c.1805 and exhibited at the Royal Academy in 1813, was destined to be engraved by J.P. Quilley, in
- [Rockets and Blue Lights](https://gerrishfineart.com/product/rockets-and-blue-lights/) - Engraved by R. Carrick. Rockets and Blue Lights, together with Grouse Shooting (Rawlinson 848) and Woodcock Shooting (Rawlinson 849) were the earliest chromolithographs after Turner, and were made fifteen years after George Baxter first patented the process in England (see George Baxter and his patented ‘George Baxter process’). It can be presumed that, with his
- [The Drawing of the Clyde (The Fall of the Clyde)](https://gerrishfineart.com/product/the-drawing-of-the-clyde-the-fall-of-the-clyde/) - Drawn and etched by J.M.W. Turner. Turner classification: EP - Elevated Pastoral. Turner saw the famous Falls of the Clyde during his first Scottish tour in 1801. The four falls had been celebrated as a natural wonder and had been a popular destination for visitors since the mid-eighteenth century. This plate shows Corra Linn, the
- [Salisbury](https://gerrishfineart.com/product/salisbury/) - Mezzotint by David Lucas, as directed by John Constable. Final state before publishing. The painting, on which this engraving is thought to be based, only came to light in 1982. Sketches made by Constable during his visit to Salisbury in 1829 would also have been referred to. In December 1830, in a ‘Draft Arrangement’, Constable
- [Summer Evening (A Homestead, Cattle Reposing)](https://gerrishfineart.com/product/summer-evening-a-homestead-cattle-reposing-2/) - Mezzotint by David Lucas, as directed by John Constable.The subject was begun in September 1829 although not completed until mid 1831, in time for Part III of English Landscape Scenery. The viewpoint is Flatford Lane looking across the grounds of of West Lodge to Langham and Stratford St Mary Church. It is taken from ‘Mrs
- [J.M.W.Turner: Where Lines Become the Language of Colour](https://gerrishfineart.com/product/j-m-w-turner-where-lines-become-the-language-of-colour/) - 132 pages, with 53 images. J.M.W. TURNER: Where Lines Become the Language of Colour is the catalogue for the first commercial exhibition, for over eighty years, to exhibit the variety of the artist’s graphic oeuvre. The first half of the accompanying catalogue comprises a collection of his rare original etchings with a scholarly introduction by
- [The Stork and Aqueduct](https://gerrishfineart.com/product/the-stork-and-aqueduct/) - Drawn and etched by J.M.W. Turner. Turner classification: EP - Elevated Pastoral W.G. Rawlinson thought this to be a view of the Ruabon/Pontcysyllte aqueduct and, although this may be an erroneous observation, there can be no doubt that Turner would have been both aware of, and awestruck, by Telford’s creation; with a width of twelve
- [Sidon](https://gerrishfineart.com/product/sidon/) - Engraved on steel by W. Finden. Heavy pencil touching in the foreground and sky, with scratching out along the beach in front of the crashing waves. Pencil inscription “Corrections - scratched out by J.M.W.”. One of twenty-four engravings produced for Finden’s Landscape Illustrations of the Bible, this view depicts Sidon, which was one of the
- [Portrait of Cavafy in Alexandria](https://gerrishfineart.com/product/portrait-of-cavafy-in-alexandria/) - This portrait of Cavafy is composed of two elements: The background was taken from a 1966 ink drawing Hockney had made of the Beirut seafront, while the portrait itself was taken from an old photo of Cavafy which Hockney was given. Hockney quite literally places Cavafy directly within the realm of his own contemporary experience
- [Hind Head Hill](https://gerrishfineart.com/product/hind-head-hill-4/) - Drawn and etched by J.M.W. Turner. Turner classification: M - Mountainous. Turner scholar and collector, W.G. Rawlinson, regarded Hind Head Hill as being, “one of the notable plates of the Liber, both in Etching and Engraving”. Turner was so moved by the atmosphere of the site that he composed a short verse inside the cover
- [From Spenser’s Fairy Queen](https://gerrishfineart.com/product/from-spensers-fairy-queen-2/) - Drawn and etched by J.M.W. Turner. Turner classification: H - Historical. Although not an illustration to a specific passage in the poem by Spenser, Gillian Forrester suggests Turner’s Liber print portrays the Redcrosse Knight in Book 1, abandoned and weakened before recovering sufficiently to kill the dragon She proceeds to speculate that this may have
- [MILL NEAR GRAND CHARTREUSE](https://gerrishfineart.com/product/mill-near-grand-chartreuse/) - Drawn by J.M.W. Turner, etched by Henry Dawe. Turner classification: M - Mountainous. Although the etching is attributed to Dawe, by Finberg, Rawlinson claimed that it showed evident signs of having been corrected by Turner. Ruskin gave this plate, Turner’s portrayal of the ‘Sublime’, much praise, “He painted the mill in the valley,precipice overhanging it,
- [Sheep Washing (Windsor Castle from Salt Hill)](https://gerrishfineart.com/product/sheep-washing-windsor-castle-from-salt-hill/) - Drawn and etched by J.M.W. Turner. Turner classification: P - Pastoral. This work is one of the preliminary etched outlines, before the addition of the mezzotint to the copper plate, for the Liber Studiorum. These etchings are extremely rare, and the majority of the impressions are now held in public collections. Turner's Liber Studiorum first
- [Aesacus and Hesperie](https://gerrishfineart.com/product/aesacus-and-hesperie/) - Drawn and etched by J.M.W. Turner. Turner classification: H - Historical. The drawing is described by Stopford Brooke as the “most romantic, and perhaps the most beautiful” of the Liber subjects, this can be considered to be one of the finest plates in the series and only rivalled by Ben Arthur. The artist and Turner
- [Inverary Castle and Town](https://gerrishfineart.com/product/inverary-castle-and-town-6/) - Drawn and etched by J.M.W. Turner. Turner classification: M - Mountainous This is the second Inverary subject to appear in the Liber. The early morning calm of Inverary Pier (Finberg 35) has been replaced by a blustery afternoon, suggesting the usual wind-swept nature of the location and attested to by the two scotch firs bending
- [Bonneville, Savoy](https://gerrishfineart.com/product/bonneville-savoy/) - Drawn by J.M.W. Turner, etched by Henry Dawe. Turner classification: M - Mountainous. Another subject inspired by Turner’s first Continental tour in 1802. Bonneville lies on the road between Geneva and Chamonix and the artist has chosen to depict it in the afternoon, with the vastness and solitude of Mont Blanc glowing in the sunlit
- [Tenth Plague of Egypt](https://gerrishfineart.com/product/tenth-plague-of-egypt-2/) - Drawn and etched by J.M.W. Turner. Turner classification: H - Historical. Turner based this print on his large painting of the Tenth Plague of Egypt which, having been exhibited at the Royal Academy in 1802, remained in his studio until after his death and was included in the Turner Bequest. Turner's Preliminary Etched Outlines for
- [Dumblain Abbey](https://gerrishfineart.com/product/dumblain-abbey/) - Drawn and etched by J.M.W. Turner. Turner classification: A - Architectural. Turner’s dramatisation of the Abbey, by slightly exaggerating the height and situation of the building, supports John Ruskin’s suggestion that the artist consciously simplified the subject in his endeavour to capture the nature of the country. He refers to what appears to be an
- [Ville de Thun, Switzerland](https://gerrishfineart.com/product/ville-de-thun-switzerland/) - Drawn and etched by J.M.W. Turner. Turner classification: A - Architectural. Even though Stopford Brooke regarded Turner’s Liber study to be unexceptional, he recognised the successful composition, showing one of the brightest and prettiest places in Switzerland. In February 1802 Turner was elected a Royal Academician, and later that year he was to make his
- [River Wye. (Chepstow Castle)](https://gerrishfineart.com/product/river-wye-chepstow-castle-4/) - Drawn and etched by J.M.W. Turner. Turner classification: EP - Elevated Pastoral. The original title, Chepstow Castle, on the etchings and proofs, was altered to River Wye in the published states. The subject of numerous topographical watercolours and prints, Chepstow was the highlight of the latter part of the picturesque ‘Wye Tour’. Although the castle
- [Hedging and Ditching](https://gerrishfineart.com/product/hedging-and-ditching/) - Drawn and etched by J.M.W. Turner. Turner classification: P - Pastoral. Forrester suggests that Turner’s alteration of the season of the image, from winter to early summer, may have been an effort to introduce a note of optimism into what is otherwise an unsentimental portrayal of the hardships of the agricultural labourer in the early
- [Rispah](https://gerrishfineart.com/product/rispah-3/) - Drawn and etched by J.M.W. Turner. Turner classification: H - Historical. This plate illustrates the Old Testament story of Rispah, the concubine of King Saul, whose sons were executed to atone for Saul’s sins. Rispah, for five months, guarded the dead bodies of her two sons, and those of Merab, from the birds of prey
- [Peat Bog, Scotland](https://gerrishfineart.com/product/peat-bog-scotland-3/) - Drawn and etched by J.M.W. Turner. Turner classification: M - Mountainous. This design, despite having no known direct source, was likely shaped by the landscapes Turner experienced on his first tour of Scotland in 1801. The scene shows the Highland locals cutting peat, for use as fuel and to pay their rent, in what can
- [Kew Gardens](https://gerrishfineart.com/product/kew-gardens/) - "Edward Bawden (1903-1989) created numerous striking illustrations, designs and paintings throughout his career, many of which were reproduced in posters, prints and book covers. He had a strong interest in both gardening and architecture and, consequently, an affiliation with Kew developed, with Bawden often using the Gardens for subject matter." - Kew Gardens
- [Water Mill](https://gerrishfineart.com/product/water-mill-3/) - Drawn and etched by J.M.W. Turner. Turner classification: P - Pastoral. Although the life of those portrayed here was one of hardship and patient striving with the conditions of rustic life, Turner manages to bring a bucolic comfort to the scene. In his analysis of this plate in his Notes on the Liber Studiorum, the
- [Young Anglers](https://gerrishfineart.com/product/young-anglers/) - Drawn and etched by J.M.W. Turner. Turner classification: P - Pastoral. This London scene is another example of Turner’s genre scenes. Turner’s working title was Boys Fishing. Jew’s Harp, which is a reference to the celebrated eighteenth-century house, tavern and tea gardens in Marylebone Fields. This was later demolished when Nash commenced with his creation
- [Marine Dabblers](https://gerrishfineart.com/product/marine-dabblers/) - Drawn and etched by J.M.W. Turner. Turner classification: M - Marine Turner was pre-eminent in his understanding of all the elementsof the coast, the sea, the vessels and the people, for whom he had such empathy and whose lives were so assuredly linked to that world. Such was the knowledge that he brought to this
- [Juvenile Tricks](https://gerrishfineart.com/product/juvenile-tricks-4/) - Drawn and etched by J.M.W. Turner. Turner classification: P - Pastoral. Gillian Forrester surmises that, together with Marine Dabblers and Young Anglers, Juvenile Tricks shows the pervasive influence of George Morland’s genre scenes on the pastoral subjects of the Liber. Such content had experienced a revival in painting and it is hardly surprising that Turner
- [Morpeth](https://gerrishfineart.com/product/morpeth-3/) - Drawn and etched by J.M.W. Turner. Turner classification: A - Architectural. It was hardly surprising that Turner should have chosen Morpeth as a subject. It was a vital regional centre with a large cattle market renowned for its livestock trading as well as other important commerce including wool and leather. Additionally, due to it being
- [Jason](https://gerrishfineart.com/product/jason-3/) - Drawn and etched by J.M.W. Turner. Turner classification: H - Historical. This etching depicts the legendary Greek hero Jason, in the sacred grove of Ares, as he approaches the Colchian dragon that guards the Golden Fleece. It displays, to perfection, the artist’s remarkable draughtsmanship and imagination. The skeletal remains in the foreground, the jagged branches
- [High Street, Oxford](https://gerrishfineart.com/product/high-street-oxford/) - Engraved on copper by S. Middiman, J. Pye and C. Heath. The painting was commissioned by James Wyatt, at a cost of 100 guineas, for the purpose of being engraved from. As well as being an Oxford carver and guilder and active collector, he was also a print seller, hence his interest. Turner, who was
- [Whitaker's History of Richmondshire](https://gerrishfineart.com/product/whitakers-history-of-richmondshire/) - In addition to all twenty images in the first state, some of which are subscribers proofs, there are also rare etchings and engravers proofs of many images (fifty-four prints in total).Sheet Sizes Vary. The series includes various landscapes in the county of Yorkshire, featuring streams, rivers and waterfalls in many of the plates. Turner visited
- [The Temple of Jupiter in the Island of Aegina](https://gerrishfineart.com/product/the-temple-of-jupiter-in-the-island-of-aegina/) - Drawn by J.M.W. Turner, although Finberg claims the etching to be by J.M.W. Turner, there is a case made for it being attributed to Henry Dawe. Turner classification: EP - Elevated Pastoral. Turner made various pictures, drawings and prints of the Temple of Jupiter on Aegina, however, as he never visited Greece, all are thought
- [Solitude](https://gerrishfineart.com/product/solitude-2/) - Drawn and etched by J.M.W. Turner. Turner classification: EP - Elevated Pastoral. The title, Solitude, is not that of the artist. Rawlinson catalogued the work as Solitude (sometimes called The Reading Magdalen). Turner’s only known reference to this plate appears in his Liber Notes sketchbook, seemingly reading ‘Say Castle & Mn’. ‘Say’ refers to the
- [Joppa](https://gerrishfineart.com/product/joppa/) - Engraved on steel by E. Finden. Heavy pencil touching in the foreground and sky. Pencil inscription in Turner’s hand, “Sky all too hard excepting the white cloud.” One of twenty-four engravings produced for Finden’s Landscape Illustrations of the Bible, this view depicts Jaffa (historically known as Joppa) in Israel, one of the oldest port cities
- [Light Towers of the Heve](https://gerrishfineart.com/product/light-towers-of-the-heve/) - Engraved by J. Cousen as a vignette title for Turner’s Annual Tour - The Seine (published 1834). Touched by J.M.W. Turner across the whole surface. The right-hand light tower is touched in pencil in its entirety. There is shading on the darker part of the cliff on the right side. A number of the ships’
- [Malvern Abbey and Gate, Worcestershire](https://gerrishfineart.com/product/malvern-abbey-and-gate-worcestershire/) - Engraved by J. Horsburgh for Picturesque Views in England and Wales (published 1827-1838). Heavily touched in pencil by J.M.W. Turner. Touched on the roof, and many of the Gothic bays of the building on the right are strengthened in pencil. The doorway is outlined in pencil. There is touching in the ditch in the centre
- [Brighthelmstone](https://gerrishfineart.com/product/brighthelmstone/) - Engraved by George Cooke for Picturesque Views on the Southern Coast of England (published 1814-1826). Touches, in ink, on the buoy. Turner’s related watercolour, Brighthelmston, Sussex, c.1824, is now in the collection of the Royal Pavilion & Museums, Brighton & Hove. “By the nineteenth century, Brighton (traditionally known as Brighthelmston) was one of England’s most
- [Oakhampton Castle on the River Okement](https://gerrishfineart.com/product/oakhampton-castle-on-the-river-okement/) - Drawn by J.M.W. Turner, engraved by C. Turner. Unique touched proof with the tower outline drawn in pencil. Before engraving on rocks, left foreground. Before highlights and fine engraved lines throughout woods, both in foreground and background. Before touches of engraving in trees, right. Inscribed in pencil, “Unfinished”. Okehampton Castle, Devon, was strategically placed to
- [Gloucester Cathedral](https://gerrishfineart.com/product/gloucester-cathedral/) - Engraved on copper entirely by J.M.W. Turner. Also known as Boston Stump and The Hare. Unusually, printed in red sepia ink and probably unique. Faint pencil inscription, “The Hare or Boston Stump”, possibly in Turner’s hand, and “809 sequels to Liber”. Part of the so-called Sequels to the Liber Studiorum (unpublished). A related watercolour is
- [Crossing the Brook](https://gerrishfineart.com/product/crossing-the-brook/) - Engraved on copper by Robert Brandard. This Claudian landscape was the product of sketches made on Turner’s West Country tour in 1813. This Devon scene, with Plymouth Sound on the horizon, shows the New Bridge at Gunnislake, where it crosses the River Tamar. The large building on the right and the smaller one next to
- [Mercury and Herse](https://gerrishfineart.com/product/mercury-and-herse/) - Engraved on copper by J. Cousen. The subject, taken from Ovid’s Metamorphoses, shows Mercury, having fallen in love at first sight, confronting Herse as she leads “the virgin train”. As the narrative progresses, Mercury urges Aglaurus, Herse’s sister, to help him in his courting, but, unfortunately for her, she is persuaded by an old crone,
- [St Mark's Place, Venice - Juliet and her Nurse](https://gerrishfineart.com/product/st-marks-place-venice-juliet-and-her-nurse/) - Engraved on copper by George Hollis. Turner’s painting St Mark’s Place, Venice - Juliet and her Nurse, was exhibited at the Royal Academy three years after his second visit to Venice, in 1833. It was painted from an elevated standpoint overlooking St. Mark’s Square in which a crowd of Venetians is gathered to watch the
- [The Emblem of Eternity](https://gerrishfineart.com/product/the-emblem-of-eternity-2/) - The Emblem of Eternity
- [Dido and Aeneus, The Morning of the Chase](https://gerrishfineart.com/product/dido-and-aeneus-the-morning-of-the-chase/) - Engraved on copper by W.R. Smith. Dido, in an attempt to consummate her love of Aeneas, shows her opulence to him by displaying the grandeur of her city, Carthage, as seen in the distance, before further beguiling him, under the direction of Juno and Venus, by leading him to “shady Woods, for Silvan Game”. Dido
- [Caligula's Palace and Bridge](https://gerrishfineart.com/product/caligulas-palace-and-bridge/) - Engraved on copper by Edward Goodall Here Turner returns to the theme of the decay of past glories. He shows his version of the bridge, built by Caligula from Baiae to Pozzuoli, constructed in order to confound the prophesy that he had no more chance of becoming Emperor than he had of riding a horse,
- [Corfe Castle, Dorsetshire](https://gerrishfineart.com/product/corfe-castle-dorsetshire/) - Engraved by George Cooke for Picturesque Views on the Southern Coast of England (published 1814–1826). Touched by J.M.W. Turner in white and brown chalk and black ink on the tower to the left of the entrance, the highest tower, the collapsed tower, the tower furthest left and the landscape at the left margin. Turner’s related
- [The Nile](https://gerrishfineart.com/product/the-nile/) - Engraved by E. Goodall for Moore’s ‘Epicurean’ (published 1839). Heavily touched throughout the image by J.M.W. Turner. Touched in the palm trees, right, and statues below, statue in left foreground and statues behind, the steps below, the sails of the boat, and along the whole of the facade of the buildings in the background. Pyramids
- [Oxford from North Hinksey](https://gerrishfineart.com/product/oxford-from-north-hinksey-2/) - Engraved on steel by Edward Goodall. The landscape is taken from a high vantage viewpoint, with the city seen in the distance, and includes the various buildings of note, Radcliffe Camera, the spires of All Souls, Tom Tower and Christ Church Cathedral. Although Rawlinson claimed that the two dons, seen on the right of the
- [Mercury and Argus](https://gerrishfineart.com/product/mercury-and-argus/) - Engraved on steel by J.T. Willmore. J.M.W. Turner’s Mercury and Argus depicts the Greek myth, from Ovid’s Metamorphoses. Jupiter has transformed lo, his lover, into a heifer, in an attempt to hide her from his wife, Juno, who, suspecting the deceit, asks that the heifer should be given to her as a gift, and commands
- [Hermitage Castle](https://gerrishfineart.com/product/hermitage-castle/) - Engraved by R. Wallis for Scott’s Poetical Works (1834). Touched by Turner in the sky. Inscribed in ink “Duplicate May be sold 27.4.23” and in pencil “(Engraved by R. Wallis) Unfinished Engraving of One of Turner’s illustrations to Scott’s Works. Touched Proof by Turner’s hand in the sky”. Turner made fourteen sketches of Hermitage Castle,
- [Riponelli, A Village in Lemnos](https://gerrishfineart.com/product/riponelli-a-village-in-lemnos/) - After initial training on a gun battery in Paddington in 1916, Wadsworth sailed to the Eastern Mediterranean to serve as an Intelligence Officer on the Greek island of Lemnos. Here, he spent time analysing aerial reconnaissance photographs. During this period, he created several drawings that he would develop into woodcuts upon returning home in late
- [Fires of Furious Desire](https://gerrishfineart.com/product/fires-of-furious-desire/) - The touchingly romantic ‘Fires of Furious Desire’ (1961), is Hockney's second ever etching, and was inspired by the watercolour ‘Oh! Flames of Furious Desires’ (c.1795) by William Blake, the visionary poet and artist.
- [Potted Daffodils](https://gerrishfineart.com/product/potted-daffodils-2/) - Hockney's fascination with flowers and the still life genre has borne fruit in countless works from the sixties to the present day. "I draw flowers every day and send them to my friends so they get fresh blooms every morning." - David Hockney
- [The Rose and the Rose Stalk](https://gerrishfineart.com/product/the-rose-and-the-rose-stalk/) - This is the fourth illustration for the ‘Fundevogel’ fairytale. In the story the children must disguise themselves to escape the cook and her servants, so they metamorphose into a rosebush and a single rose. Hockney chose to illustrate this episode very simply with a delicately etched rose. This is one of 39 etchings that Hockney
- [Candy](https://gerrishfineart.com/product/candy-2/) - Materials and instructions are given for assembling this three-dimensional Pop Art sculpture. American pop artist and painter, Ramos is best known for his pin-up girls juxtaposed with candy bars and other sweet things.
- [Anenomies](https://gerrishfineart.com/product/anenomies/) - Trimmed to the plate by the artist The plate was printed three times to produce the desired effect. The background was printed twice in two tones to produce umber. Then, the colours of the flowers, stems and vase were printed à la poupée. This is a state before the addition of colour.
- [Cross Hands](https://gerrishfineart.com/product/cross-hands-2/) - Trimmed to just outside the platemark by the artist. Comstock said of this plate, “The plate is another, and perhaps the best, of the pure landscapes so dear to the artist; it is uniquely his, the product of creative imagination. There is an atmosphere of other days in that deserted scene: the rutted road, the
- [Beautiful and white flowers](https://gerrishfineart.com/product/beautiful-and-white-flowers-2/) - In this etching Hockney shows a couple in a comfortable domestic interior, replete with tasselled blind and skirted sofa; they look perfectly at home with one another. One man lounges languorously on the sofa, collar unbuttoned, while his partner stands above him, hand casually resting on the sofa back. Hockney made an alternative design for
- [Inverary Castle and Town](https://gerrishfineart.com/product/inverary-castle-and-town-5/) - Drawn and etched by J.M.W. Turner, engraved by Charles Turner. The second Inverary subject to appear in the Liber, the early morning calm of Inverary Pier, (F. 35), has been replaced by a blustery afternoon, suggesting the usual wind-swept nature of the location. This is further attested to by the two scotch firs, bending away
- [Cold Water About to Hit the Prince](https://gerrishfineart.com/product/cold-water-about-to-hit-the-prince-the-boy-who-left-home-to-learn-fear-2/) - This etching is the eleventh illustration from ‘The boy who left home to learn fear’ tale. Hockney took the composition of the boy in bed and the curtain motif from Carpaccio’s ‘Dream of St.Ursula’ (1495), from the collection of the Galleria dell’Accademia in Venice. Hockney explained, “The story is that she throws the water on
- ['The Great War. First Year', by J.E Crawford Flitch, including the rare drypoint 'Returning to the Trenches'](https://gerrishfineart.com/product/returning-to-the-trenches-2/) - Nevinson served in the Royal Army Medical Corp during the First World War. His experiences in the field led him to believe that Futurist Art was the only way to express the brutality of the emotions seen and felt on the battlefields of Europe.In ‘Returning to the Trenches’ Nevinson depicts the column of marching men
- [Mademoiselle de Maupin](https://gerrishfineart.com/product/mademoiselle-de-maupin/) - This print took its inspiration from Théophile Gautier’s novel ‘Mademoiselle de Maupin’, which in turn was stimulated by the real life story of the titular character, also known as Julie d’Aubigny, one of the stars of the Paris Opera in the age of King Louis XIV. Maupin was just as famous for her offstage exploits
- [Aspiration](https://gerrishfineart.com/product/aspiration/) - The artist assigned various alternative titles to the piece including ‘Abandon’, ‘Ecart’, ‘Egoisme’, ‘Solitude’, and ‘Spasme’. Rops felt no shame in celebrating sexuality for its own sake in his art, and lamented, ‘Where does the foolish hatred for this art come, that nobody has dared to express before me.” In a letter of 1884 he
- [Transformisme No. 3](https://gerrishfineart.com/product/transformisme-no-3/) - A personal response to Darwinian theory, this is one of three prints Rops entitled ‘Transformismes’, he subtitled these playful sexually explicit etchings as ‘Les Darwiniques’.
- [Je Vote Tu Votes Il Vote Nous Votons Vous Votez Ils Profitent Greve Du Vote](https://gerrishfineart.com/product/je-vote-tu-votes-il-vote-nous-votons-vous-votez-ils-profitent-greve-du-vote/) - Translation: I, you, he, we, you vote, they profit - vote strike - Conseil Federale du Rel
- [Consommez](https://gerrishfineart.com/product/consommez/) - Translation: Consume.
- [Revolution Essentielle](https://gerrishfineart.com/product/revolution-essentielle-2/) - Translation: Essential Revolution
- [La Police Vous Parle Tous Les Soirs à 20h](https://gerrishfineart.com/product/1434/) - Translation: The police speak to you every night at 8pm.
- [Vermine Fasciste Action Civique](https://gerrishfineart.com/product/vermine-fasciste-action-civique-2/) - Translation: Fascist Vermin - Civic Action.
- [Wind](https://gerrishfineart.com/product/wind/) - The composition of this print is taken from a Nevinson oil painting of the same title, which was shown at the New English Art Club Winter Exhibition, 1917-18. The strong winds, engulfing the stylised trees, perhaps symbolise the inner turmoil Nevinson felt after experiencing the devastation caused by the ravages of war.
- [Southwark at Dawn](https://gerrishfineart.com/product/southwark-at-dawn/) - Campbell Dodgson (Keeper of the Prints, British Museum) admired it for `ranking as amongst the best of recent lithographs by the artist.` (`British Artists at the Front`, Country Life, 1918).
- [The Chateau, Nice](https://gerrishfineart.com/product/the-chateau-nice/) - Painted whilst the artist was on one of his regulat visits to the south of France.
- [Four Colours, Black and White](https://gerrishfineart.com/product/four-colours-black-and-white/) - This gouache is composed of tightly packed vertical lines in the colours of what has come to be called Riley's 'Egyptian' palette, white, black, yellow, pink, blue, turquoise, based on colours she first saw on a visit to Egypt in the Winter of 1979-1980. These hues feature in several paintings of the period 1980-84 and
- [Straw on the Left, Gold on the Right](https://gerrishfineart.com/product/straw-on-the-left-gold-on-the-right/) - This is the third illustration that Hockney made for the ‘Rumpelstilzchen’ tale. Hockney mentioned that he “liked the idea of doing a totally abstract one just showing the difference between straw and gold”. He utilised different etching techniques to visually express the distinct material qualities of each substance: “that is done again with pencil on
- [The Princess in Her Tower](https://gerrishfineart.com/product/the-princess-in-her-tower/) - This etching is the first illustration from ‘The Little Sea Hare’ tale. David Hockney remarked, “I liked this story because it’s a very strange sexual story ... about a princess who wants a husband, but doesn’t want a husband ... The story is that the husband must be able to hide from her, yet she
- [Gold](https://gerrishfineart.com/product/gold-rumpelstilzchen/) - This etching is the first illustration for the ‘Rumpelstilzchen’ tale. The fairytale recounts the story of a miller who tells the king his daughter can spin straw into gold, an imp helps her achieve this magical feat in return for her jewellery and finally the promise of her first-born child. For the opening image Hockney
- [The Book of Pleasure (Self-Love). The Psychology of Ecstasy](https://gerrishfineart.com/product/the-book-of-pleasure-self-love-the-psychology-of-ecstasy/) - First edition. Original black cloth boards, lettered across the front in white, 'The Book of Pleasure (Self-Love). The Psychology of Ecstasy. Austin Osman Spare'. Small folio The first edition of what is generally regarded as Spare's magical Magnum Opus in which he set forth, for the first time, his system of sigil magic. It was
- [Earth Inferno](https://gerrishfineart.com/product/earth-inferno/) - First Edition. Hardcover. Folio. Vellum cover with black writing. One of the proposed de luxe editions, which was meant to include a colour print, but none seem to have appeared on the market with the additional print, so presumably they were never included. Earth Inferno features poems and aphorisms in an aesthetic style heavily influenced
- [Chair](https://gerrishfineart.com/product/chair/) - Gordon House designed and made just one set of chairs in 1975. They were later exhibited, alongside six paintings, in 2002 in homage to the exhibition 'Der Stuhl' (the chair) held in March 1929 at the Kunstgewerbemuseum in frankfurt am Main. This price is for a pair of chairs. Eight chairs were produced in total.
- [Seated Woman](https://gerrishfineart.com/product/seated-woman/) - Seated Woman
- [Gardiner's Corner - 1936](https://gerrishfineart.com/product/gardiners-corner-1936-2/) - This print re-imagines the famous ‘Battle of Cable Street’. On the 4th of October 1936, the local East End community banded together to demonstrate against anti Semitism, and stop the British Union of Fascists, 3000 Blackshirts, led by Oswald Mosley, from marching through the heartland of London’s Jewish community. Allin shows the protest at Gardiner’s
- [Chelsea Regatta](https://gerrishfineart.com/product/2508/) - Trimmed to the platemark by the artist. The Annual Chelsea Regatta, held on Whitsunday, had ceased before Roussel moved to London. The races between the Royal Hospital and Cremorne had ended with the completion of the Chelsea Embankment in 1871. However, smaller rowing races and fêtes continued, as depicted by this etching. By 1888, Roussel
- [The Corner of Cheyne Walk, Chelsea](https://gerrishfineart.com/product/the-corner-of-cheyne-walk-chelsea-2/) - The subject is the corner of Beaufort Street and Cheyne Walk, seen from the Chelsea end of the Battersea Bridge. The Georgian house, with a veranda on the second floor, is Belle Vue Lodge, next to it is Belle Vue House and to the right of that is Lindsey Lodge, where Whistler lived between 1866–1878.
- [Chelsea Regatta](https://gerrishfineart.com/product/chelsea-regatta/) - Trimmed to the platemark by the artist. The Annual Chelsea Regatta, held on Whitsunday, had ceased before Roussel moved to London. The races between the Royal Hospital and Cremorne had ended with the completion of the Chelsea Embankment in 1871. However, smaller rowing races and fêtes continued, as depicted by this etching. By 1888, Roussel
- [Laburnums at Battersea](https://gerrishfineart.com/product/laburnums-at-battersea-2/) - Printed on laid paper. Unsigned, with a tab by the artist. From the edition of about 60 impressions. Trimmed to the platemark. This etching shows Roussel's debt to Whistler and his use of selecting wiping of the printing plate. Alternative title, ‘Laburnums and Battersea, Corner of the New Bridge While in Construction. Old Battersea Bridge
- [The Sea at Bognor](https://gerrishfineart.com/product/2500/) - Printed from one copper plate, steel faced. The print is trimmed to the image and mounted on the ‘Scarab, Grecian Key and Fly Pattern mount’. Signed in the plate lower right. Bognor Regis is on the south coast of England, about halfway between Brighton and Portsmouth. Exhibited at Goupil’s in 1899, No. 17. Roussel also
- [Anemonies](https://gerrishfineart.com/product/2503/) - Printed from one copper plate, steel faced after the 4th state. Trimmed to the image and mounted on the 'Scarab, Grecian Key and Fly Pattern Mount’.(no.167). 'The plate was printed three times to produce the desired effect. The background was printed twice in two tones to produce umber. Then, the colours of flowers, stems
- [Chelsea Palaces (Colour Version)](https://gerrishfineart.com/product/chelsea-palaces-colour-version/) - Printed from five copper plates, steel faced. The print is trimmed to the image and mounted on the ‘Scarab, Grecian Key and Fly Pattern mount. The print, No. 14, was titled ‘Chelsea Palaces, Sunset’ in the catalogue for the exhibition at Goupil’s, in July 1899. 'According to Mackay, six printings were necessary to produce a
- [Study from the Nude, Woman Asleep](https://gerrishfineart.com/product/study-from-the-nude-woman-asleep-2/) - A portrait of Hetty Pettigrew. Given the very likely influence of Whistler upon Roussel's decision to experiment with lithography, the two full length nude subjects, as well as the 'Chinese Gown' are particularly interesting. All three have direct parallels among Whistler's prints and drawings of the early 1890s and are the only examples of Whistler
- [Study from the Nude, Figure Reclining](https://gerrishfineart.com/product/study-from-the-nude-figure-reclining/) - This study of Hetty Pettigrew shares similarities with Whistler’s studies of the model.
- [La Toilette](https://gerrishfineart.com/product/la-toilette/) - A study of Hetty Pettigrew with a looking glass.
- [Profile of Agnes](https://gerrishfineart.com/product/profile-of-agnes/) - One of about eighteen impressions, on laid Japan.
- [Study of Jeanne](https://gerrishfineart.com/product/study-of-jeanne/) - Trimmed to the plate by the artist. A portrait of Roussel's daughter Jeanne
- [Second Study of Jeanne](https://gerrishfineart.com/product/second-study-of-jeanne/) - Second Study of Jeanne
- [Flower](https://gerrishfineart.com/product/flower/) - Trimmed to the plate by the artist. Several early plates were cancelled with drypoint drawings. This example shows a flower and was used to cancel Roussel's first etching 'Jeanette, June 1887'.
- [The Corner of Luna Street, Chelsea Emabnkment](https://gerrishfineart.com/product/the-corner-of-luna-street-chelsea-emabnkment/) - Luna Street which ran perpendicular to Cheyne Walk and the Thames, was located west of Battersea Bridge near the site of Cremorne Gardens. The Street no longer exists, and the area surrounding it has been completely altered by the construction of high-rise council housing.
- [Chelsea Palaces (Black and White)](https://gerrishfineart.com/product/chelsea-palaces-black-and-white/) - The title of this print refers to the last large seventeenth-century house in Chelsea, Lindsey House. It was built in the early 17th century on the site of a farmhouse on Sir Thomas More's estate and remodlled in 1674 by the Earl of Lindsey. It subsequently became the London headquarters of the Moravians and, after
- [The Gate, Chelsea](https://gerrishfineart.com/product/the-gate-chelsea/) - The gate and house behind it still stand today at No.4 Cheyne Walk. It is located in a row of the oldest and most elegant buildings on Cheyne Walk - the segment that has changed the least since Roussel's time.
- [Events Over the Railings, Chelsea Embankment](https://gerrishfineart.com/product/events-over-the-railings-chelsea-embankment/) - Trimmed to the platemark by the artist. The plate was drawn on Chelsea Embankment, with the Thames and the factories and Chimneys of Battersea in the background.
- [The Little Fish Shop, Chelsea Embankment](https://gerrishfineart.com/product/the-little-fish-shop-chelsea-embankment/) - Trimmed to the platemark by the artist.This etching depicts the front of 72 Cheyne Walk, a fish shop owned by Mrs. Elizabeth Maunder. It stood on a row of shops, just west of Chelsea Old Church.Maunder's Fish Ship was an important feature of the western end of Cheyne Walk. It patronised by Thomas Carlyle's wife,
- [Portrait of a Little Girl](https://gerrishfineart.com/product/portrait-of-a-little-girl/) - Trimmed to the plate by the artist. The little girl is Roussel's daughter Jeanne (1880-1964)
- [Portrait of Mrs. Cyprian Williams in Fancy Dress](https://gerrishfineart.com/product/portrait-of-mrs-cyprian-williams-in-fancy-dress-2/) - rimmed to the platemark with a tab by the artist. Printed in brown ink. Mrs Cyprian Williams was an amateur painter who exhibited with the New English Art Club in 1891. She was painted by Wilson Steer in the early 1890’s.
- [Portrait of Mrs C.W.](https://gerrishfineart.com/product/portrait-of-mrs-c-w/) - Trimmed to the platemark by the artist Mrs Cyprian Williams was an amateur painter who exhibited with the New English Art Club in 1891. She was painted by Wilson Steer in the early 1890’s.
- [Une Apache](https://gerrishfineart.com/product/une-apache/) - The small portrait may depict Roussel's daughter Jeanne (1880-1964). The French title refers to a person with wild, unruly behaviour.
- [Study  for a Portrait of Sir Frederick Wedmore](https://gerrishfineart.com/product/study-for-a-portrait-of-sir-frederick-wedmore/) - Sir Frederick Wedmore was an author, art critic and collector of Roussel's work. There is no complete version of this unfinished portrait, nor is there a known related work in oil
- [Study of Agnes (Second Plate)](https://gerrishfineart.com/product/study-of-agnes-second-plate-2/) - Printed in orange ink. Agnes Mackay (1889 – 1980) was a poet and critic by vocation. She was the niece of Roussel’s second wife, Ethel Croall Melville, who died in 1917. After Ethel’s death, Agnes moved to St Leonards – on – Sea to take charge of the household, which comprised Roussel and, the thirteen
- [Study of Agnes (Second Plate)](https://gerrishfineart.com/product/study-of-agnes-second-plate/) - Agnes Mackay (1889 – 1980) was a poet and critic by vocation. She was the niece of Roussel’s second wife, Ethel Croall Melville, who died in 1917. After Ethel’s death, Agnes moved to St Leonards – on – Sea to take charge of the household, which comprised Roussel and, the thirteen year – old, Marion
- [Portrait of Joan Swinburn](https://gerrishfineart.com/product/portrait-of-joan-swinburn/) - Joan Swinburn's portrait was commissioned by her mother, according to Marion Melville. This was unusual among his portrait prints, for most of the others represent close friends or family ties.
- [Little Paul (February 6th, 1889)](https://gerrishfineart.com/product/little-paul-february-6th-1889/) - Trimmed to the plate by the artist. A portrait of Roussel's third child, Paul (1886-1958), when he was about two and half years old. Paul Roussel's godfather was the painter Paul Maitland , Theodore Roussel's most important pupil .
- [A Baby](https://gerrishfineart.com/product/a-baby/) - While the subject has not been identified, the baby is similar to one depicted in a small oil painting entitiled Julia dated 1908.
- [Portrait of Margery Chambers](https://gerrishfineart.com/product/portrait-of-margery-chambers/) - The baby pictured in this drypoint was names Margery Haddon Chambers. Her birth was registered in Kensington in the spring of 1890.
- [Pierrot en Pied, Portrait of Lady A.C](https://gerrishfineart.com/product/pierrot-en-pied-portrait-of-lady-a-c/) - This full length portrait of Lady Archibald Campbell in costume is related to two other prints by Roussel (No.9 and No.10) and a large pastel entitled 'Ma Fonction est d'etre Blanc'. Its scale and the manipulation of ink or plate tone - on the unetched background in many impressions recall Whistler's drypoint portraits and his
- [Pierrot en Pied, Portrait of Lady A.C](https://gerrishfineart.com/product/2517/) - Trimmed to the platemark by the artist. This full length portrait of Lady Archibald Campbell in costume is related to two other prints by Roussel (No.9 and No.10) and a large pastel entitled 'Ma Fonction est d'etre Blanc'. Its scale and the manipulation of ink or plate tone - on the unetched background in many
- [A French Girl](https://gerrishfineart.com/product/a-french-girl/) - The subject of this work has not been identified.
- [Portrait of Dr.Bilderbeck Gomess](https://gerrishfineart.com/product/portrait-of-dr-bilderbeck-gomess/) - Trimmed to the plate by the artist. The sitter was the Roussel family doctor. An oil painting of the same subject was exhibited with the National Portrait Society in 1911.
- [Pierrot en Pied, Portrait of Lady A.C](https://gerrishfineart.com/product/2516/) - Trimmed to the platemark by the artist. This full length portrait of Lady Archibald Campbell in costume is related to two other prints by Roussel (No.9 and No.10) and a large pastel entitled 'Ma Fonction est d'etre Blanc'. Its scale and the manipulation of ink or plate tone - on the unetched background in many
- [Portrait of Walter Dowdeswell Esq](https://gerrishfineart.com/product/portrait-of-walter-dowdeswell-esq/) - Walter Dowdeswell played an important role in the advancement of Roussel's career as a painter and etcher. In 1885 he introduced Roussel to Whistler, at the latter's request, and exhibited the watercolour that led to that meeting, The Thames Embankment-Chelsea. Roussel's etchings were first shown at Dowdeswell's gallery during an exhibition of the New English
- [Profile of a Woman](https://gerrishfineart.com/product/profile-of-a-woman/) - The model depicted in the portrait is Hetty Pettigrew, a model used by a number of artists including Whistler.
- [Head of a Girl Leaning on Her Hand](https://gerrishfineart.com/product/head-of-a-girl-leaning-on-her-hand/) - Portrait of Roussel's daughter, Jeanne. The front of the copper plate was used, a number of years earlier , for 'A Study for Summer' (H.4). Being the reverse of the plate, this work bares the platemaker's mark 'Hughes and Kimber'. A light sketch for another head also appears above the portrait.
- [Head of Girl Leaning on Her Hand](https://gerrishfineart.com/product/head-of-girl-leaning-on-her-hand/) - Trimmed to the platemark and signed in pencil in the plate Portrait of Roussel's daughter, Jeanne. The front of the copper plate was used, a number of years earlier , for 'A Study for Summer' (H.4).
- [A Portrait of Mrs Arthur Melville](https://gerrishfineart.com/product/a-portrait-of-mrs-arthur-melville/) - At the time this portrait was drawn, Mrs. Arthur Melville was the widow of the Scottish painter, who had died in 1904. Roussel Knew both Arthur and his wife before they married in 1899. In the autumn of 1914, five years after the death of his first wife, Roussel and Etherl Melville were married at
- [The Chinese Gown](https://gerrishfineart.com/product/the-chinese-gown/) - This study of Hetty Pettigrew by lamplight shows Roussel using the medium to explore interior light.
- [Study of a Girl's Head, Lamplight](https://gerrishfineart.com/product/study-of-a-girls-head-lamplight/) - One of four lamplight studies of Hetty Pettigrew.
- [A Study by Lamplight](https://gerrishfineart.com/product/a-study-by-lamplight/) - It is thought that Whistler introduced Roussel to transfer lithography and the Ways, master printers. Roussel made a series of transfer lithographs, drawn on specially prepared paper and then transferred to the stone. This enabled the artist to avoid drawing directly onto a cumbersome lithographic stone. The prints were exhibited at Dowdswell’s in 1894. They
- [La Liseuse - The Reader, Lamplight](https://gerrishfineart.com/product/la-liseuse-the-reader-lamplight/) - One of four lamplight studies of Hetty Pettigrew.
- [Two Flowers](https://gerrishfineart.com/product/two-flowers-2/) - This plate is noteworthy because of the use of softground etching, a technique not commonly employed by printmakers in Britain until the end of the nineteenth century. This small sketch of flowers may be a study for the more elaborate arrangement in 'L'Agonie des Fleurs'. One of Roussel's most complex black-and-white plates.
- [Two Flowers](https://gerrishfineart.com/product/two-flowers-3/) - Trimmed to the plate by the artist. This plate is noteworthy because of the use of softground etching, a technique not commonly employed by printmakers in Britain until the end of the nineteenth century. This small sketch of flowers may be a study for the more elaborate arrangement in 'L'Agonie des Fleurs' . One of
- [Two Flowers](https://gerrishfineart.com/product/two-flowers/) - This plate is noteworthy because of the use of softground etching, a technique not commonly employed by printmakers in Britain until the end of the nineteenth century. This small sketch of flowers may be a study for the more elaborate arrangement in 'L'Agonie des Fleurs'. One of Roussel's most complex black-and-white plates.
- [Last Poppies](https://gerrishfineart.com/product/last-poppies-2/) - Last Poppies
- [Poppy in a Vase](https://gerrishfineart.com/product/poppy-in-a-vase-2/) - The textured cloth or paper used with softground for the background is very similar to that employed in 'L'Agonie de Fleurs'. As subject and approach are also similar, this print may be related to Roussel's work on the larger, more complex plate.
- [Poppy in a Vase](https://gerrishfineart.com/product/poppy-in-a-vase/) - The textured cloth or paper used with softground for the background is very similar to that employed in 'L'Agonie de Fleurs'. As subject and approach are also similar, this print may be related to Roussel's work on the larger, more complex plate.
- [The Thames Evening](https://gerrishfineart.com/product/the-thames-evening-2/) - Trimmed to the plate by the artist. This work relates to a painting entitled 'Sunset in October, The Thames', exhibited at Dowdeswell's in 1894.
- [October Evening](https://gerrishfineart.com/product/october-evening/) - This subject and that of 'Marshlands' were etched on zinc and executed in softground. Their similarities in technique and mood suggest that they were made at the same time.
- [A Little Brook in Winter, Wiltshire](https://gerrishfineart.com/product/a-little-brook-in-winter-wiltshire/) - Trimmed to the plate by the artist. This landscape subject, treated lightly and completed in one state, appears to have been executed from nature.
- [The Snow, My Front Garden, March 2nd, 1909](https://gerrishfineart.com/product/the-snow-my-front-garden-march-2nd-1909/) - Roussel and his family moved from the Kings Road, Chelsea to Belfield House on Parson's Green in Fulham in October 1890. This print depicts the view from the front of the house toward the green.
- [Spring](https://gerrishfineart.com/product/spring-2/) - Printed in an olive coloured ink. Trimmed to the plate by the artist. The flowering pear tree was located in Hetty Pettigrew's garden. The use of softground and the existance of two impressions printed in opaque colours imply the the plate or subject was being considered for a colour print or print the Roussel Medium
- [Summer (Black and White Version](https://gerrishfineart.com/product/summer-black-and-white-version/) - This subject was reworked on a somewhat larger scale for one of Roussel's colour etchings. It is one of three monochrome subjects that were also carried out in colour
- [A Nymph Bathing, Moonlight](https://gerrishfineart.com/product/a-nymph-bathing-moonlight/) - A Nymph Bathing, Moonlight
- [Figure of a Woman Crouching](https://gerrishfineart.com/product/figure-of-a-woman-crouching/) - Trimmed to the plate by the artist. This drypoint was executed on a zinc plate. The model for the plate is Hetty Pettigrew. Roussel's wiping of the plate varied considerably
- [Figure of a Woman Crouching](https://gerrishfineart.com/product/figure-of-a-woman-crouching-2/) - Trimmed to the plate by the artist. This drypoint was executed on a zinc plate. The model for the plate is Hetty Pettigrew. Roussel's wiping of the plate varied considerably
- [The Sleeping Model or The Sleeper](https://gerrishfineart.com/product/the-sleeping-model-or-the-sleeper-2/) - The model for this plate was Hetty Pettigrew.
- [Study for the Face of Dawn](https://gerrishfineart.com/product/study-for-the-face-of-dawn-3/) - This plate is directly related to one of Roussel's most ambitious colour prints, Dawn. As the title states, it is a study for the personification of Dawn.
- [Study from the Nude of a Girl Lying Down](https://gerrishfineart.com/product/study-from-the-nude-of-a-girl-lying-down/) - The model for this plate was presumably Hetty Pettigrew
- [Summer (Colour Version)](https://gerrishfineart.com/product/summer-colour-version/) - Roussel began to work on the composition for 'Summer' as early as 1888, when he etched two smaller monochrome plates of the same title. The earlier plates were executed in pure etching. For the latter one, Roussel also used two of the grounds he perfected for printing in colour. The pose of the model, Hetty
- [Nude Figure Lying Down](https://gerrishfineart.com/product/nude-figure-lying-down/) - The model for this plate is probably Hetty Pettigrew
- [A Bookplate](https://gerrishfineart.com/product/a-bookplate/) - This is the only example of a bookplate designed by Roussel. There is no evidence to suggest for whom it was designed
- [Study for the Face of Dawn](https://gerrishfineart.com/product/study-for-the-face-of-dawn-2/) - This plate is directly related to one of Roussel's most ambitious colour prints, Dawn. As the title states, it is a study for the personification of Dawn.
- [Study for the Face of Dawn](https://gerrishfineart.com/product/study-for-the-face-of-dawn/) - Trimmed to the plate by the artist. This plate is directly related to one of Roussel's most ambitious colour prints, Dawn. As the title states, it is a study for the personification of Dawn.
- [Study from the Nude of a Girl Standing](https://gerrishfineart.com/product/study-from-the-nude-of-a-girl-standing/) - Trimmed to the plate by the artist. The model was presumably Hetty Pettigrew
- [Study from the Nude of a Girl Standing](https://gerrishfineart.com/product/study-from-the-nude-of-a-girl-standing-2/) - Trimmed to the platemark by the artist. The model is thought to be Hetty Pettigrew who also modelled for Whistler.
- [Dawn](https://gerrishfineart.com/product/dawn-2/) - Dawn
- [Dover](https://gerrishfineart.com/product/dover-2/) - This engraving is based on the watercolour and gouache 'Dover Castle from the sea', 1822, now in the collection of the Museum of Fine Arts, Boston. A brilliant early impression of this print. "As well as conventional sailing vessels, Turner shows a ship recently converted to steam power. This brings the view of the port,
- [Fishing](https://gerrishfineart.com/product/fishing/) - From the deluxe edition of 'An Almanac of Twelve Sports'. Behold a parable! A fished for B. C took her bait; her heart was set on D. Thank Heaven, who cooled your blood and cramped your wishes, Men and not Gods torment you, little fishes. - Verse written by Rudyard Kipling, which accompanied the published
- [Archery](https://gerrishfineart.com/product/archery/) - From the deluxe edition of 'An Almanac of Twelve Sports'. The child of the Nineties considers with laughter The maid whom his Sire in the sixties ran after, While careering himself in pursuit of a girl whom The Twenties will dub a "last century heir-loom." - Verse written by Rudyard Kipling, which accompanied the published
- [The Beggars](https://gerrishfineart.com/product/the-beggars/) - Margaret Macdonald has written of this etching: "It can be read as a contemporary genre subject, peopled by three distinct 'types' of Venetian characters: beggars, a romantic and slightly sinister man in broad-brimmed hat and cloak, half-hidden in a dark passage-way or sotto-portico (soto portego), and two young women carrying water, in the bright campo
- [Kame of Hoy](https://gerrishfineart.com/product/kame-of-hoy-2/) - One of twelve etchings in the series 'Orkney'
- [ICA Art Jak](https://gerrishfineart.com/product/polyethylene-jacket/) - Original polyethylene jacket, size 36, designed by Peter Blake as a fund raising iniative for the ICA in 1978. Patrick Caulfield and Allen Jones also designed jackets for this project. The sleeves are decorated with the names of various artists, musicians, actors, friends, family, art institutions and slogans, : Stanley Spencer, Brancusi, John Michell, Chet
- [Eskimo](https://gerrishfineart.com/product/eskimo/) - Printed envelope, giving directions on how to play a record. The reverse of the envelope lists all the artists and pieces included in S.M.S. number two April 1968. Envelope containing lollipop stick with the word 'Eskimo' printed on it. This relates to the wordplay on the Duchamp record on the front of the portfolio cover.
- ['The Sleeping Model or The Sleeper'](https://gerrishfineart.com/product/the-sleeping-model-or-the-sleeper/) - Printed from one copper plate. Trimmed to the image on three sides by the artist.
- [Portrait of Miss Edith Austin](https://gerrishfineart.com/product/portrait-of-miss-edith-austin-2/) - Edith Austin was a niece of Roussel's first wife, Frances Amelia Smithson Roussel. Miss Austin lived with the Roussels at Belfield House for atime and remained in contact with Theodore Roussel after the death of her aunt, his second marriage and his move to St Leonards-on-Sea.
- [The Henley Hat](https://gerrishfineart.com/product/the-henley-hat/) - Trimmed to the plate by the artist. The women wearing the hat is yet to be indentified
- [Portrait of Miss Edith  Austin](https://gerrishfineart.com/product/portrait-of-miss-edith-austin/) - Trimmed to the plate by the artist. Edith Austin was a niece of Roussel's first wife, Frances Amelia Smithson Roussel. Miss Austin lived with the Roussels at Belfield House for atime and remained in contact with Theodore Roussel after the death of her aunt, his second marriage and his move to St Leonards-on-Sea.
- [Guy](https://gerrishfineart.com/product/guy/) - Guy Theodore Roussel was born in 1920 and was the only child of Theodore Roussel’s son Raphael. This is the only portrait of a grandchild by the artist.
- [Portrait of Mrs. Cyprian Williams in Fancy Dress](https://gerrishfineart.com/product/portrait-of-mrs-cyprian-williams-in-fancy-dress/) - Trimmed to the platemark with a tab by the artist. Printed in green ink.Mrs Cyprian Williams was an amateur painter who exhibited with the New English Art Club in 1891. She was painted by Wilson Steer in the early 1890’s.
- [The Henley Hat](https://gerrishfineart.com/product/2514/) - Trimmed to the plate by the artist. Printed in blue-green ink. The women wearing the hat is yet to be indentified
- [The Henley Hat](https://gerrishfineart.com/product/2515/) - Trimmed to the plate by the artist. Printed in green ink. The women wearing the hat is yet to be indentified
- [Portrait of Basil Gotto'](https://gerrishfineart.com/product/2507/) - It is the sole example, among Roussel's prints, of a portrait plate intended for colour printing. While designed to be printed in colours, only black and white impressions have been located. Basil Gotto, born in London in 1866, was a painter and sculptor.
- [Swooping Down on Taube](https://gerrishfineart.com/product/swooping-down-on-taube/) - Building AircraftNevinson designed a set of six lithographs for the series ‘The Great War: Britain’s Efforts and Ideals’. This was his first commission upon being appointed an official war artist in 1917. Nevinson’s prints show the process of building an aeroplane, from making parts, to assembly, and finally to flight. The six lithographs are entitled
- [9 R Mid Green](https://gerrishfineart.com/product/9-r-mid-green/) - House wrote of this series ‘The following boxed edition of rigid vacuum formed vinyl sheets was indirectly the result of having worked in my earlier years in the then developing plastic industry. The appearance and excitement of man-made materials available to everyone, including the artist, provoked the need to make aesthetic decorative in their own
- [65 R Dark Orange](https://gerrishfineart.com/product/65-r-dark-orange/) - House wrote of this series ‘The following boxed edition of rigid vacuum formed vinyl sheets was indirectly the result of having worked in my earlier years in the then developing plastic industry. The appearance and excitement of man-made materials available to everyone, including the artist, provoked the need to make aesthetic decorative in their own
- [Colomba (Hommage à Picasso)](https://gerrishfineart.com/product/columba-hommage-a-picasso/) - Colomba (Hommage à Picasso)
- [The Thames Evening](https://gerrishfineart.com/product/the-thames-evening-3/) - Printed in green ink. Trimmed to the plate by the artist.
- [Marshlands](https://gerrishfineart.com/product/marshlands/) - This subject and that of 'October Evening' were etched on zinc and executed in softground. Their similarities in technique and mood suggest that they were made at the same time. A prelinary drawing in charcoal, which was used to transfer the subject to the plate, is also available.
- [The Avon on the Road to Bexhill](https://gerrishfineart.com/product/the-avon-on-the-road-to-bexhill/) - According to Mackay, "the plate was completely drawn outdoors". Bexhill lies just west of St Leonards-on-Sea, where Roussel lived from 1914. The River Avon does not flow near the area, so the Avon of the title may be a satirical reference to the tiny rivulet pictured in the print
- [L'Agonie des Fleurs](https://gerrishfineart.com/product/lagonie-des-fleurs/) - This still life is Roussel’s best-known print and represents the culmination of his experiments in combining soft ground and aquatint with line etching. The powerful effect of rich blacks, subtle grays, and sensitively placed brighter, unetched areas elevates the unpretentious subject matter—an arrangement of flowers in a Japanese style vase. Trimmed to the plate by
- [Laburnums and Battersea](https://gerrishfineart.com/product/laburnums-and-battersea/) - Printed in black ink. Trimmed to the plate by the artist. This print was sometimes called Laburnums and Battersea, Corner of the New Bridge while in Construction. Old Battersea Bridge was pulled down in 1879 and the new bridge opened in 1890. The buildings in the background with the clocktower belonged to the Morgan Crucible
- [The Snow, My Front Garden, March 2nd, 1909](https://gerrishfineart.com/product/the-snow-my-front-garden-march-2nd-1909-2/) - Roussel and his family moved from the Kings Road, Chelsea to Belfield House on Parson's Green in Fulham in October 1890. This print depicts the view from the front of the house toward the green.
- [Spring](https://gerrishfineart.com/product/spring-3/) - Printed in grey ink. The flowering pear tree was located in Hetty Pettigrew's garden. The use of softground and the existance of two impressions printed in opaque colours imply the the plate or subject was being considered for a colour print or print the Roussel Medium - the artist's original technique employing a gouache-like ink
- [A Flower](https://gerrishfineart.com/product/a-flower/) - Trimmed to the plate by the artist. This may be another idea for a frame medallion, designed around the time of those for the 'Comedy Pattern Frame' and 'Phaeton Pattern Frame', which were first exhibited in 1908.
- [A Window Seen Through a Window](https://gerrishfineart.com/product/2501/) - A Window Seen Through a Window
- [Railway Bridge, Chelsea](https://gerrishfineart.com/product/railway-bridge-chelsea/) - Battersea Railway bridge, designed by William Baker, was built between 1861- 1863.
- [Battersea From the River](https://gerrishfineart.com/product/battersea-from-the-river/) - Among Roussel's thirteen lithographs, all but three are primarily portraits. This is one the exceptions. It was also titled 'Old Battersea' in a review of the exhibition at Dowdeswell's in 1894. It was illustrated in the 'Art journal', 1896 as 'Scene on a River'.The composition of this lithograph is similar to a number of paintings
- [Anenomies](https://gerrishfineart.com/product/anenomies-2/) - 'The plate was printed three times to produce the desired effect. The background was printed twice in two tones to produce umber. Then, the colours of flowers, stems and vase were printed à la poupée. Among the colour prints first exhibited in 1899, this is the only one which can be dated precisely. One proof
- [Chelsea Children, Chelsea Embankment](https://gerrishfineart.com/product/chelsea-children-chelsea-embankment-2/) - Parallel to Roussel's etchings of children by the railings of Chelsea Embankment, this print depicts the green in front of Belfield House at Parson's Green, Fulham, where the Roussel family moved at the end of 1890.
- [Anemonies](https://gerrishfineart.com/product/anemonies/) - The plate was printed three times to produce the desired effect. The background was printed twice in two tones to produce umber. Then, the colours of the flowers, stems and vase were printed à la poupée. It is mounted on the 'Scarab, Grecian Key and Fly Pattern' mount.
- [Untitled (from Club/Spade Group '81-82)](https://gerrishfineart.com/product/untitled-from-club-spade-group-81-82/) - Richard Diebenkorn was fascinated with the motifs of clubs and spades ever since childhood, when he would paint them as heraldic devices on homemade shields. They made an appearance in several drawings of the 50s and 60s, but it was only in 1980 that he began to explore the forms in a more sustained way
- [L'Agonie des Fleurs](https://gerrishfineart.com/product/lagonie-des-fleurs-2/) - L'Agonie des Fleurs
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- [The Knife Grinder](https://gerrishfineart.com/product/the-knife-grinder/) - The Knife Grinder
- [Prayer Flags](https://gerrishfineart.com/product/prayer-flags/) - In 1913 Mabel Royds married the British etcher and portrait painter E.S.Lumsden. Their honeymoon took them to Paris, Florence and Rome, and they went on to Port Said and Bombay. In 1914, the army rejected her husband on medical grounds and they returned to India to see if the Indian army would have him, which
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- [Unititled](https://gerrishfineart.com/product/chak-mool/) - From around 1968, Williams’s Mesoamerican referencing developed in more sustained forms with series named for Mayan sources, including Chacmool, a type of sacrificial altar sculpted as a reclining god, Cenote, the sacred wells found across the Yucatan peninsula, and Bonampak, an archaeological site in Chiapas, Mexico, known for its murals.21 These seemingly non-figurative works employed
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- [In despair](https://gerrishfineart.com/product/in-despair-2/) - Hockney depicts a couple side by side in bed, hands behind their heads, laid-back and calmly looking out at the viewer without any sense of intrusion. The soft bed covers almost float across their naked bodies like clouds. This etching has a quite different mood to the melancholy poem that Hockney chose to pair it
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- [The Lake](https://gerrishfineart.com/product/the-lake/) - This etching is the sixth illustration from the ‘Fundevogel’ tale. In the story the children change into a duck and a lake, and the duck pulls the old cook into the water, luring her to a watery grave. Hockney “found that particular drama ... a bit too corny ... I preferred to do the lake,
- [The Older Rapunzel](https://gerrishfineart.com/product/the-older-rapunzel/) - This etching is the fourth illustration from the ‘Rapunzel’ tale. Hockney departs from traditional representations of Rapunzel as a beautiful young teenager and instead depicts a more mature woman, holding a white lily, symbolic of both purity and motherhood. The figure’s hairstyle recalls Botticelli’s portraits of young women in profile such as ‘Portrait of a
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- [Still Life, Grand Canyon](https://gerrishfineart.com/product/still-life-grand-canyon/) - One of 21 works painted by Armfield on his tour of America between 1915-1922.
- [A Black Cat Leaping](https://gerrishfineart.com/product/a-black-cat-leaping/) - This etching is the eighth illustration from ‘The boy who left home to learn fear’ tale. Hockney remarked, “This cat there’s about eight different layers on it. Sometimes it went black, and I had to scratch it out and start again. But I didn’t restart the drawing then, because I thought i’d got the balance
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- [The Light of the Soul](https://gerrishfineart.com/product/the-light-of-the-soul/) - Between 1927 and 1934, Olga Fröbe-Kapteyn "produced a number of remarkably precise and angular works that she referred to as "meditation drawings", which appear to combine the accelerated energy of Futurist works with an esoteric semiotics". A group of 14 of these were selected to be translated into screenprints.
- [Rapunzel, Rapunzel, Let Down Your Hair](https://gerrishfineart.com/product/rapunzel-rapunzel-let-down-your-hair/) - This is the sixth, and final, illustration for the ‘Rapunzel’ tale, and shows the prince on horseback at the base of the princess’s tower, with her hair flowing in the wind. The figures of the horse and the prince are a direct quote from the furthest right rider in Paolo Uccello’s painting ‘The Hunt in
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- [Frost](https://gerrishfineart.com/product/frost/) - Heenk describes 'Frost' as looking "deceptively simple and seemingly effortless. It has been printed using one single plate which is generally more difficult than using several different plates because the print is entirely dependent on one concept".
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- [F. L. Griggs - Lost England](https://gerrishfineart.com/product/f-l-griggs-lost-england/) - Including a previously unpublished essay by Raymond Lister, this catalogue offers for sale forty-nine works by the artist, making it the largest commercial exhibition dedicated to him since his death, in 1938. 96 pages. Written by Henry Gerrish
- [Green / Black Large Frieze](https://gerrishfineart.com/product/green-black-large-frieze/) - One of five large canvases Gordon House created for his solo show of paintings held at Waddington Galleries on Cork Street in 1979. The frieze motif was one House adopted for several works during the seventies, with forms inspired by Viennese design, Art Nouveau and Charles Rennie Mackintosh chairs.
- [Old Rinkrank Threatens the Princess](https://gerrishfineart.com/product/old-rinkrank-threatens-the-princess-3/) - This etching is the second illustration for the ‘Old Rinkrank’ tale. The fairytale tells the story of a princess who fell into a glass mountain, and was entrapped there by an elderly man called Old Rinkrank for many years, until finally she hatched a cunning plan of escape. This etching shows the old bearded Rinkrank,
- [A Black Cat Leaping](https://gerrishfineart.com/product/a-black-cat-leaping-the-boy-who-left-home-to-learn-fear/) - This etching is the eighth illustration from ‘The boy who left home to learn fear’ tale. Hockney remarked, “This cat there’s about eight different layers on it. Sometimes it went black, and I had to scratch it out and start again. But I didn’t restart the drawing then, because I thought i’d got the balance
- [Old RInkrank Threatens the Princess](https://gerrishfineart.com/product/old-rinkrank-threatens-the-princess-2/) - This etching is the second illustration for the ‘Old Rinkrank’ tale. The fairytale tells the story of a princess who fell into a glass mountain, and was entrapped there by an elderly man called Old Rinkrank for many years, until finally she hatched a cunning plan of escape. This etching shows the old bearded Rinkrank,
- [Drop Initial](https://gerrishfineart.com/product/drop-initial/) - The drop initial format was one House explored in several paintings and prints over the period 1968-1970. House wrote of a related painting, 'Double Green Dropped Initial' (1968-69), "This painting...is a result of working at a time when my thinking image was involved with the organisation of vertical grid systems related to repetitive areas. The
- [Unititled (Landscape at Whiteleaf)](https://gerrishfineart.com/product/unititled-landscape-at-whiteleaf/) - On the reverse of the sheet is a charcol, pencil and wash drawing that we believe is Whiteleaf Hill. After the First World War, the woods at Whiteleaf in the Chilterns were a favourite motif for Nash, who first painted there in the summer of 1919. Buckinghamshire was the focus of his attention in these
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- [In the Air (Building Aircraft)](https://gerrishfineart.com/product/in-the-air-building-aircraft/) - Building AircraftNevinson designed a set of six lithographs for the series ‘The Great War: Britain’s Efforts and Ideals’. This was his first commission upon being appointed an official war artist in 1917. Nevinson’s prints show the process of building an aeroplane, from making parts, to assembly, and finally to flight. The six lithographs are entitled
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- [Triangle 5](https://gerrishfineart.com/product/triangle-5/) - Triangle 5
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- [The Boy Hidden in an Egg](https://gerrishfineart.com/product/the-boy-hidden-in-an-egg-3/) - This etching is the second illustration from ‘The Little Sea Hare’ tale. In this story the boy must hide from the princess if he wants to marry her. David Hockney related, “The bird tells him to hide in an egg, but she (the princess) looks through a window and she can find him. The figure
- [The Boy Hidden in a Fish](https://gerrishfineart.com/product/the-boy-hidden-in-a-fish/) - This etching is the third illustration from ‘The Little Sea Hare’ tale. In this episode the boy asks a fish where he can hide from the princess: “The fish thought about it for a long time. At last he cried: ‘I’ve got it, i’ll hide you in my belly.’ So he swallowed the boy and
- [Burned Bow Tie](https://gerrishfineart.com/product/burned-bow-tie/) - Burned bow tie in plastic bag by this famous multi-media and performance artist. Each bow tie in the edition was burned one-by-one by hand.
- [Four Seasons - Summer](https://gerrishfineart.com/product/four-seasons-summer-2/) - The ‘Four Seasons’ screenprints are translations of earlier gouache paintings by Egonu. The artist said of this series, “I am trying to capture the chaos, yet beauty and discipline, of the changing face of nature.” In his book ‘Uzo Egonu An African Artist in the West’, Olu Oguibe writes, “Egonu’s prints represent a confident command
- [The Tower had one Window](https://gerrishfineart.com/product/the-tower-had-one-window/) - This etching is the fifth illustration from the ‘Rapunzel’ tale, and shows Rapunzel’s flowing hair streaming from the upper window of her lonely tower. This is one of several towers which feature in the Grimms series, other plates include ‘The princess in her tower’, ‘The church tower and clock’, ‘The bell tower’, and ‘The haunted
- [Mitred Matrix](https://gerrishfineart.com/product/mitred-matrix/) - Original ink painting for the 1970 etching 'F Mitred Matrix'. The format was one House also used for a lithograph produced the same year as well as several oil paintings from 1968. House wrote of a related painting from the period, "This painting...is a result of working at a time when my thinking image was
- [Ladder Box](https://gerrishfineart.com/product/ladder-box/) - Original ink painting for the 1970 etching 'A Ladder Box'. The format was one House also used for a lithograph of the same title produced the same year. House wrote of a related painting from the period, "This painting...is a result of working at a time when my thinking image was involved with the organisation
- [Multi-Case](https://gerrishfineart.com/product/multi-case/) - Original ink painting for the 1970 etching 'B Multi-case'. The format was one House also used for a lithograph produced the same year. House wrote of a related painting from the period, "This painting...is a result of working at a time when my thinking image was involved with the organisation of vertical grid systems related
- [Quoined Chase](https://gerrishfineart.com/product/quoined-chase/) - Original ink painting for the 1970 lithograph 'E Quoined Chase'. The quoined chase format was one House used for an etching of the same year as well. House wrote of a related painting, "This painting...is a result of working at a time when my thinking image was involved with the organisation of vertical grid systems
- [Dock Scene](https://gerrishfineart.com/product/dock-scene/) - In 1917 Edward Wadsworth was appointed to oversee the application of ‘dazzle’ patterning to ships in the Liverpool and Bristol dockyards. Dazzle camouflage was devised to frustrate German U-boat commanders by making it difficult to calculate a vessel’s exact course and speed. By breaking up the outline of the hull with irregular, high-contrast patterns, ships
- [Drop Initials](https://gerrishfineart.com/product/drop-initials/) - Original ink painting for the 1970 etching 'D Drop Initials'. The drop initial format was one House explored in several paintings and prints over the period 1968-1970. House wrote of a related painting, 'Double Green Dropped Initial' (1968-69), "This painting...is a result of working at a time when my thinking image was involved with the
- [The Cook](https://gerrishfineart.com/product/the-cook-2/) - This is the second illustration for the ‘Fundevogel’ fairytale, and shows the old cook, brandishing her cooking spoon, who plans to kill the young Fundevogel. Hockney said of this etching, “The head of the old cook, of course, is done from the Leonardo Da Vinci in the Queen’s collection”. The drawing he has quoted from
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- [Sun and Moon](https://gerrishfineart.com/product/sun-and-moon/) - One of twelve woodcuts used to illustrate Nash's book "Genesis', 1924.
- [On High](https://gerrishfineart.com/product/on-high/) - On High
- [Pyramid](https://gerrishfineart.com/product/pyramid/) - Pyramid
- [Distant](https://gerrishfineart.com/product/distant/) - Distant
- [Study for Painting](https://gerrishfineart.com/product/study-for-painting/) - Study for Painting
- [Float](https://gerrishfineart.com/product/float/) - Float
- [Perched on High](https://gerrishfineart.com/product/perched-on-high/) - Perched on High
- [Trees](https://gerrishfineart.com/product/trees/) - Trees
- [Nocturne](https://gerrishfineart.com/product/nocturne/) - Nocturne
- [Potted Daffodils](https://gerrishfineart.com/product/potted-daffodils/) - Hockney's fascination with flowers and the still life genre has borne fruit in countless works from the sixties to the present day. "I draw flowers every day and send them to my friends so they get fresh blooms every morning." - David Hockney
- [Design for Kite](https://gerrishfineart.com/product/design-for-kite/) - Original design for a limited edition kite that House created for the Tate Gallery 75th birthday celebrations. Robyn Denny and Richard Smith also designed kites for the occasion.
- [Little Owl](https://gerrishfineart.com/product/little-owl/) - From 'The C. F. Tunnicliffe Memorial Collection Part Two'. The engravings have been printed with the kind permission of the Tunnicliffe Estate.
- [The Transmutation of Pain](https://gerrishfineart.com/product/the-transmutation-of-pain/) - The Transmutation of Pain
- [Untitled](https://gerrishfineart.com/product/untitled-122/) - Untitled
- [The Boy Hidden in an Egg](https://gerrishfineart.com/product/the-boy-hidden-in-an-egg-the-little-sea-hare-2/) - This etching is the second illustration from ‘The Little Sea Hare’ tale. In this story the boy must hide from the princess if he wants to marry her. David Hockney related, “The bird tells him to hide in an egg, but she (the princess) looks through a window and she can find him. The figure
- [Awful Changes](https://gerrishfineart.com/product/awful-changes/) - A caricature from the early days of palaeontology that imagines prehistoric life reborn. The geologist Henry de la Beche (1796-1855) was well-known for his lively sense of humour and sketched many caricatures. This image lampoons Charles Lyell and his uniformitarian theory of geological change expounded in Principles of Geology ("...Then might those genera of animals
- [The Focus of life](https://gerrishfineart.com/product/the-focus-of-life/) - First Edition. Large Quarto. Quarter Cloth: original buff coloured boards with white buckram spine, with title in black up the spine. This copy is the second issue of the first edition, with a slip of paper with the words "With an Introduction by Francis Marsden' printed on it, pasted over the third and fourth lines
- [Triangle 7](https://gerrishfineart.com/product/triangle-7/) - Triangle 7
- [Unknown](https://gerrishfineart.com/product/unknown-2/) - A rare early drawing, done when Spare was just 18 years old.
- [Triangle 6](https://gerrishfineart.com/product/triangle-6/) - Triangle 6
- [Triangle 4](https://gerrishfineart.com/product/triangle-4/) - Triangle 4
- [Triangle 8](https://gerrishfineart.com/product/triangle-8/) - Triangle 8
- [Triangle 2](https://gerrishfineart.com/product/triangle-2/) - Triangle 2
- [Triangle 1](https://gerrishfineart.com/product/triangle-1/) - Triangle 1
- [Arc 7](https://gerrishfineart.com/product/arc-7/) - Arc 7
- [Arc 6](https://gerrishfineart.com/product/arc-6/) - Arc 6
- [Arc 5](https://gerrishfineart.com/product/arc-5/) - Arc 5
- [Arc 4](https://gerrishfineart.com/product/arc-4/) - Arc 4
- [Arc 3](https://gerrishfineart.com/product/arc-3/) - Arc 3
- [Arc 2](https://gerrishfineart.com/product/arc-2/) - Arc 2
- [Arc 1](https://gerrishfineart.com/product/arc-1/) - Arc 1
- [Variation 13](https://gerrishfineart.com/product/variation-13/) - As issued in XXe Siecle no. 4.
- [Study for Lithograph - Strand Green](https://gerrishfineart.com/product/study-for-lithograph-strand-green/) - Study for Lithograph - Strand Green
- [Visage no.193](https://gerrishfineart.com/product/visage-no-193/) - Visage no.193
- [Pontardawe Tin Works (Benjamin Evans)](https://gerrishfineart.com/product/pontardawe-tin-works-benjamin-evans-4/) - Hand-coloured proof for the 'Welsh Portfolio'.
- [An Assemblage Of Several Things](https://gerrishfineart.com/product/an-assemblage-of-several-things/) - Complete portfolio of 31 screenprints in stiff covers. For interior images see the Tate website.
- [Series 8 Vertical Tri Motif (J)](https://gerrishfineart.com/product/series-8-vertical-tri-motif-j/) - The ‘tri’ format also found expression in a series of woodcuts, etchings, watercolours and canvases of this period. House described in his auto-biography 'Tin Pan Valley: A memoir with paintings by Gordon House' (Archive Press, 2004) how the 'Tri' works "represent an ongoing number of variations on a decorative scheme, the basis of which is
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- [63 R Pearl Grey](https://gerrishfineart.com/product/63-r-pearl-grey/) - House wrote of this series ‘The following boxed edition of rigid vacuum formed vinyl sheets was indirectly the result of having worked in my earlier years in the then developing plastic industry. The appearance and excitement of man-made materials available to everyone, including the artist, provoked the need to make aesthetic decorative in their own
- [60 R Light Grey](https://gerrishfineart.com/product/60-r-light-grey/) - House wrote of this series ‘The following boxed edition of rigid vacuum formed vinyl sheets was indirectly the result of having worked in my earlier years in the then developing plastic industry. The appearance and excitement of man-made materials available to everyone, including the artist, provoked the need to make aesthetic decorative in their own
- [64 R Kashmir Beige](https://gerrishfineart.com/product/64-r-kashmir-beige/) - House wrote of this series ‘The following boxed edition of rigid vacuum formed vinyl sheets was indirectly the result of having worked in my earlier years in the then developing plastic industry. The appearance and excitement of man-made materials available to everyone, including the artist, provoked the need to make aesthetic decorative in their own
- [6 R Stewart Blue](https://gerrishfineart.com/product/6-r-stewart-blue/) - House wrote of this series ‘The following boxed edition of rigid vacuum formed vinyl sheets was indirectly the result of having worked in my earlier years in the then developing plastic industry. The appearance and excitement of man-made materials available to everyone, including the artist, provoked the need to make aesthetic decorative in their own
- [76 R Chocolate](https://gerrishfineart.com/product/76-r-chocolate/) - House wrote of this series ‘The following boxed edition of rigid vacuum formed vinyl sheets was indirectly the result of having worked in my earlier years in the then developing plastic industry. The appearance and excitement of man-made materials available to everyone, including the artist, provoked the need to make aesthetic decorative in their own
- [72 R Red](https://gerrishfineart.com/product/72-r-red/) - House wrote of this series ‘The following boxed edition of rigid vacuum formed vinyl sheets was indirectly the result of having worked in my earlier years in the then developing plastic industry. The appearance and excitement of man-made materials available to everyone, including the artist, provoked the need to make aesthetic decorative in their own
- [62 R Emerald Green](https://gerrishfineart.com/product/62-r-emerald-green/) - House wrote of this series ‘The following boxed edition of rigid vacuum formed vinyl sheets was indirectly the result of having worked in my earlier years in the then developing plastic industry. The appearance and excitement of man-made materials available to everyone, including the artist, provoked the need to make aesthetic decorative in their own
- [36 R Cream White](https://gerrishfineart.com/product/36-r-cream-white/) - House wrote of this series ‘The following boxed edition of rigid vacuum formed vinyl sheets was indirectly the result of having worked in my earlier years in the then developing plastic industry. The appearance and excitement of man-made materials available to everyone, including the artist, provoked the need to make aesthetic decorative in their own
- [1 R Black](https://gerrishfineart.com/product/1-r-black/) - House wrote of this series ‘The following boxed edition of rigid vacuum formed vinyl sheets was indirectly the result of having worked in my earlier years in the then developing plastic industry. The appearance and excitement of man-made materials available to everyone, including the artist, provoked the need to make aesthetic decorative in their own
- [R Clear](https://gerrishfineart.com/product/r-clear/) - House wrote of this series ‘The following boxed edition of rigid vacuum formed vinyl sheets was indirectly the result of having worked in my earlier years in the then developing plastic industry. The appearance and excitement of man-made materials available to everyone, including the artist, provoked the need to make aesthetic decorative in their own
- [Dial Set Six](https://gerrishfineart.com/product/dial-set-six/) - Gordon House wrote that the 'Dial Set' series of six screenprints explored 'the simple division of the old familiar clock/watch dial prior to digital time. The circular division of twelve allowing for suggestions of advertising and other media forms mostly from magazines and signs. An interest in photographic interpretation led me to the idea that
- [Directional Pink](https://gerrishfineart.com/product/directional-pink/) - Directional Pink
- [Manuscript Red](https://gerrishfineart.com/product/manuscript-red/) - Manuscript Red
- [Crystal Earth](https://gerrishfineart.com/product/crystal-earth/) - Crystal Earth
- [Manx Yellow](https://gerrishfineart.com/product/manx-yellow/) - Manx Yellow
- [Gothic Green](https://gerrishfineart.com/product/gothic-green/) - Gothic Green
- [Series 8 Vertical Tri Motif (B)](https://gerrishfineart.com/product/series-8-vertical-tri-motif-b/) - The ‘tri’ format also found expression in a series of woodcuts, etchings, watercolours and canvases of this period. House described in his auto-biography 'Tin Pan Valley: A memoir with paintings by Gordon House' (Archive Press, 2004) how the 'Tri' works "represent an ongoing number of variations on a decorative scheme, the basis of which is
- [Series 8 Vertical Tri Motif (C)](https://gerrishfineart.com/product/series-8-vertical-tri-motif-c/) - The ‘tri’ format also found expression in a series of woodcuts, etchings, watercolours and canvases of this period. House described in his auto-biography 'Tin Pan Valley: A memoir with paintings by Gordon House' (Archive Press, 2004) how the 'Tri' works "represent an ongoing number of variations on a decorative scheme, the basis of which is
- [Series 8 Vertical Tri Motif (D)](https://gerrishfineart.com/product/series-8-vertical-tri-motif-d/) - The ‘tri’ format also found expression in a series of woodcuts, etchings, watercolours and canvases of this period. House described in his auto-biography 'Tin Pan Valley: A memoir with paintings by Gordon House' (Archive Press, 2004) how the 'Tri' works "represent an ongoing number of variations on a decorative scheme, the basis of which is
- [Series 8 Vertical Tri Motif (E)](https://gerrishfineart.com/product/series-8-vertical-tri-motif-e/) - The ‘tri’ format also found expression in a series of woodcuts, etchings, watercolours and canvases of this period. House described in his auto-biography 'Tin Pan Valley: A memoir with paintings by Gordon House' (Archive Press, 2004) how the 'Tri' works "represent an ongoing number of variations on a decorative scheme, the basis of which is
- [Series 8 Vertical Tri Motif (F)](https://gerrishfineart.com/product/series-8-vertical-tri-motif-f/) - The ‘tri’ format also found expression in a series of woodcuts, etchings, watercolours and canvases of this period. House described in his auto-biography 'Tin Pan Valley: A memoir with paintings by Gordon House' (Archive Press, 2004) how the 'Tri' works "represent an ongoing number of variations on a decorative scheme, the basis of which is
- [Series 8 Vertical Tri Motif (G)](https://gerrishfineart.com/product/series-8-vertical-tri-motif-g/) - The ‘tri’ format also found expression in a series of woodcuts, etchings, watercolours and canvases of this period. House described in his auto-biography 'Tin Pan Valley: A memoir with paintings by Gordon House' (Archive Press, 2004) how the 'Tri' works "represent an ongoing number of variations on a decorative scheme, the basis of which is
- [Series 8 Vertical Tri Motif (H)](https://gerrishfineart.com/product/series-8-vertical-tri-motif-h/) - The ‘tri’ format also found expression in a series of woodcuts, etchings, watercolours and canvases of this period. House described in his auto-biography 'Tin Pan Valley: A memoir with paintings by Gordon House' (Archive Press, 2004) how the 'Tri' works "represent an ongoing number of variations on a decorative scheme, the basis of which is
- [Series 8 Vertical Tri Motif (I)](https://gerrishfineart.com/product/series-8-vertical-tri-motif-i/) - The ‘tri’ format also found expression in a series of woodcuts, etchings, watercolours and canvases of this period. House described in his auto-biography 'Tin Pan Valley: A memoir with paintings by Gordon House' (Archive Press, 2004) how the 'Tri' works "represent an ongoing number of variations on a decorative scheme, the basis of which is
- [Series 8 Vertical Tri Motif (A)](https://gerrishfineart.com/product/series-8-vertical-tri-motif-a/) - The ‘tri’ format also found expression in a series of woodcuts, etchings, watercolours and canvases of this period. House described in his auto-biography 'Tin Pan Valley: A memoir with paintings by Gordon House' (Archive Press, 2004) how the 'Tri' works "represent an ongoing number of variations on a decorative scheme, the basis of which is
- [Series Tri (Z/3) Small Copper](https://gerrishfineart.com/product/series-tri-z-3-small-copper/) - The ‘tri’ format also found expression in a series of woodcuts, screenprints, watercolours and canvases of this period. House described in his auto-biography 'Tin Pan Valley: A memoir with paintings by Gordon House' (Archive Press, 2004) how the 'Tri' works "represent an ongoing number of variations on a decorative scheme, the basis of which is
- [Series Tri (Z/2) Small Copper](https://gerrishfineart.com/product/series-tri-z-2-small-copper/) - The ‘tri’ format also found expression in a series of woodcuts, screenprints, watercolours and canvases of this period. House described in his auto-biography 'Tin Pan Valley: A memoir with paintings by Gordon House' (Archive Press, 2004) how the 'Tri' works "represent an ongoing number of variations on a decorative scheme, the basis of which is
- [Series Tri (Z) Small Copper](https://gerrishfineart.com/product/series-tri-z-small-copper/) - The ‘tri’ format also found expression in a series of woodcuts, screenprints, watercolours and canvases of this period. House described in his auto-biography 'Tin Pan Valley: A memoir with paintings by Gordon House' (Archive Press, 2004) how the 'Tri' works "represent an ongoing number of variations on a decorative scheme, the basis of which is
- [Series Tri (Y) Small Copper](https://gerrishfineart.com/product/series-tri-y-small-copper/) - The ‘tri’ format also found expression in a series of woodcuts, screenprints, watercolours and canvases of this period. House described in his auto-biography 'Tin Pan Valley: A memoir with paintings by Gordon House' (Archive Press, 2004) how the 'Tri' works "represent an ongoing number of variations on a decorative scheme, the basis of which is
- [Series Tri (R) Small Copper](https://gerrishfineart.com/product/series-tri-r-small-copper/) - The ‘tri’ format also found expression in a series of woodcuts, screenprints, watercolours and canvases of this period. House described in his auto-biography 'Tin Pan Valley: A memoir with paintings by Gordon House' (Archive Press, 2004) how the 'Tri' works "represent an ongoing number of variations on a decorative scheme, the basis of which is
- [Series Tri (Q) Small Copper](https://gerrishfineart.com/product/series-tri-q-small-copper/) - The ‘tri’ format also found expression in a series of woodcuts, screenprints, watercolours and canvases of this period. House described in his auto-biography 'Tin Pan Valley: A memoir with paintings by Gordon House' (Archive Press, 2004) how the 'Tri' works "represent an ongoing number of variations on a decorative scheme, the basis of which is
- [Series Tri (P) Small Copper](https://gerrishfineart.com/product/series-tri-p-small-copper/) - The ‘tri’ format also found expression in a series of woodcuts, screenprints, watercolours and canvases of this period. House described in his auto-biography 'Tin Pan Valley: A memoir with paintings by Gordon House' (Archive Press, 2004) how the 'Tri' works "represent an ongoing number of variations on a decorative scheme, the basis of which is
- [Series Tri (O) Small Copper](https://gerrishfineart.com/product/series-tri-o-small-copper/) - The ‘tri’ format also found expression in a series of woodcuts, screenprints, watercolours and canvases of this period. House described in his auto-biography 'Tin Pan Valley: A memoir with paintings by Gordon House' (Archive Press, 2004) how the 'Tri' works "represent an ongoing number of variations on a decorative scheme, the basis of which is
- [Series Tri (N) Small Copper](https://gerrishfineart.com/product/series-tri-n-small-copper/) - The ‘tri’ format also found expression in a series of woodcuts, screenprints, watercolours and canvases of this period. House described in his auto-biography 'Tin Pan Valley: A memoir with paintings by Gordon House' (Archive Press, 2004) how the 'Tri' works "represent an ongoing number of variations on a decorative scheme, the basis of which is
- [Series Tri (L/M) Small Copper](https://gerrishfineart.com/product/series-tri-l-m-small-copper/) - The ‘tri’ format also found expression in a series of woodcuts, screenprints, watercolours and canvases of this period. House described in his auto-biography 'Tin Pan Valley: A memoir with paintings by Gordon House' (Archive Press, 2004) how the 'Tri' works "represent an ongoing number of variations on a decorative scheme, the basis of which is
- [Series Tri (L) Small Copper](https://gerrishfineart.com/product/series-tri-l-small-copper/) - The ‘tri’ format also found expression in a series of woodcuts, screenprints, watercolours and canvases of this period. House described in his auto-biography 'Tin Pan Valley: A memoir with paintings by Gordon House' (Archive Press, 2004) how the 'Tri' works "represent an ongoing number of variations on a decorative scheme, the basis of which is
- [Series Tri (K) Small Copper](https://gerrishfineart.com/product/series-tri-k-small-copper/) - The ‘tri’ format also found expression in a series of woodcuts, screenprints, watercolours and canvases of this period. House described in his auto-biography 'Tin Pan Valley: A memoir with paintings by Gordon House' (Archive Press, 2004) how the 'Tri' works "represent an ongoing number of variations on a decorative scheme, the basis of which is
- [Series Tri (B) Small Copper](https://gerrishfineart.com/product/series-tri-b-small-copper/) - The ‘tri’ format also found expression in a series of woodcuts, screenprints, watercolours and canvases of this period. House described in his auto-biography 'Tin Pan Valley: A memoir with paintings by Gordon House' (Archive Press, 2004) how the 'Tri' works "represent an ongoing number of variations on a decorative scheme, the basis of which is
- [Golf (October)](https://gerrishfineart.com/product/golf-october/) - Lithograph from 'An Almanac of Twelve Sports'.
- [Penrhos](https://gerrishfineart.com/product/penrhos/) - From the 'Welsh Portfolio' of ten etchings.Gordon House wrote of this series in his catalogue 'Gordon House Editions 1982-1996':'On leaving the valley of my origin there has always been that pull to return. To be brought up within such a valley, embraced on two sides by the walls of ragged hills, moulds the mind with
- [Black Rock](https://gerrishfineart.com/product/black-rock/) - From the 'Welsh Portfolio' of ten etchings.Gordon House wrote of this series in his catalogue 'Gordon House Editions 1982-1996':'On leaving the valley of my origin there has always been that pull to return. To be brought up within such a valley, embraced on two sides by the walls of ragged hills, moulds the mind with
- [Coed-Y-Poetch - Herbert Gunter](https://gerrishfineart.com/product/coed-y-poetch-herbert-gunter/) - From the 'Welsh Portfolio' of ten etchings.Gordon House wrote of this series in his catalogue 'Gordon House Editions 1982-1996':'On leaving the valley of my origin there has always been that pull to return. To be brought up within such a valley, embraced on two sides by the walls of ragged hills, moulds the mind with
- [Gwent Man](https://gerrishfineart.com/product/gwent-man/) - From the 'Welsh Portfolio' of ten etchings.Gordon House wrote of this series in his catalogue 'Gordon House Editions 1982-1996':'On leaving the valley of my origin there has always been that pull to return. To be brought up within such a valley, embraced on two sides by the walls of ragged hills, moulds the mind with
- [Mumbles (Dylan)](https://gerrishfineart.com/product/mumbles-dylan/) - From the 'Welsh Portfolio' of ten etchings.Gordon House wrote of this series in his catalogue 'Gordon House Editions 1982-1996':'On leaving the valley of my origin there has always been that pull to return. To be brought up within such a valley, embraced on two sides by the walls of ragged hills, moulds the mind with
- [Skirrid](https://gerrishfineart.com/product/skirrid/) - From the 'Welsh Portfolio' of ten etchings.Gordon House wrote of this series in his catalogue 'Gordon House Editions 1982-1996':'On leaving the valley of my origin there has always been that pull to return. To be brought up within such a valley, embraced on two sides by the walls of ragged hills, moulds the mind with
- [Night Mine](https://gerrishfineart.com/product/night-mine/) - From the 'Welsh Portfolio' of ten etchings.Gordon House wrote of this series in his catalogue 'Gordon House Editions 1982-1996':'On leaving the valley of my origin there has always been that pull to return. To be brought up within such a valley, embraced on two sides by the walls of ragged hills, moulds the mind with
- [Pontardawe Tinworks (Benjamin Evans)](https://gerrishfineart.com/product/pontardawe-tinworks-benjamin-evans/) - From the 'Welsh Portfolio' of ten etchings.Gordon House wrote of this series in his catalogue 'Gordon House Editions 1982-1996':'On leaving the valley of my origin there has always been that pull to return. To be brought up within such a valley, embraced on two sides by the walls of ragged hills, moulds the mind with
- [Gothic Shepherd](https://gerrishfineart.com/product/gothic-shepherd/) - From the 'Welsh Portfolio' of ten etchings.Gordon House wrote of this series in his catalogue 'Gordon House Editions 1982-1996':'On leaving the valley of my origin there has always been that pull to return. To be brought up within such a valley, embraced on two sides by the walls of ragged hills, moulds the mind with
- [Cwmdu](https://gerrishfineart.com/product/cwmdu/) - From the 'Welsh Portfolio' of ten etchings.Gordon House wrote of this series in his catalogue 'Gordon House Editions 1982-1996':'On leaving the valley of my origin there has always been that pull to return. To be brought up within such a valley, embraced on two sides by the walls of ragged hills, moulds the mind with
- [Triangle G](https://gerrishfineart.com/product/triangle-g/) - This is from a series of 12 screenprints that House composed on ‘A vertical double grid with an emphasis on an elevated design similar to the rich Viennese work of the period; Mahler, Olbrich, Hoffman, Moser and Klimt. A time when many art forms were integrated. Music flowed through architecture, painting and all aspects of
- [Triangle F](https://gerrishfineart.com/product/triangle-f/) - This is from a series of 12 screenprints that House composed on ‘A vertical double grid with an emphasis on an elevated design similar to the rich Viennese work of the period; Mahler, Olbrich, Hoffman, Moser and Klimt. A time when many art forms were integrated. Music flowed through architecture, painting and all aspects of
- [Triangle E](https://gerrishfineart.com/product/triangle-e/) - This is from a series of 12 screenprints that House composed on ‘A vertical double grid with an emphasis on an elevated design similar to the rich Viennese work of the period; Mahler, Olbrich, Hoffman, Moser and Klimt. A time when many art forms were integrated. Music flowed through architecture, painting and all aspects of
- [Triangle D](https://gerrishfineart.com/product/triangle-d/) - This is from a series of 12 screenprints that House composed on ‘A vertical double grid with an emphasis on an elevated design similar to the rich Viennese work of the period; Mahler, Olbrich, Hoffman, Moser and Klimt. A time when many art forms were integrated. Music flowed through architecture, painting and all aspects of
- [Triangle C](https://gerrishfineart.com/product/triangle-c/) - This is from a series of 12 screenprints that House composed on ‘A vertical double grid with an emphasis on an elevated design similar to the rich Viennese work of the period; Mahler, Olbrich, Hoffman, Moser and Klimt. A time when many art forms were integrated. Music flowed through architecture, painting and all aspects of
- [Triangle B](https://gerrishfineart.com/product/triangle-b/) - This is from a series of 12 screenprints that House composed on ‘A vertical double grid with an emphasis on an elevated design similar to the rich Viennese work of the period; Mahler, Olbrich, Hoffman, Moser and Klimt. A time when many art forms were integrated. Music flowed through architecture, painting and all aspects of
- [Triangle A](https://gerrishfineart.com/product/triangle-a/) - This is from a series of 12 screenprints that House composed on ‘A vertical double grid with an emphasis on an elevated design similar to the rich Viennese work of the period; Mahler, Olbrich, Hoffman, Moser and Klimt. A time when many art forms were integrated. Music flowed through architecture, painting and all aspects of
- [Circle E](https://gerrishfineart.com/product/circle-e/) - This is from a series of 12 screenprints that House composed on ‘A vertical double grid with an emphasis on an elevated design similar to the rich Viennese work of the period; Mahler, Olbrich, Hoffman, Moser and Klimt. A time when many art forms were integrated. Music flowed through architecture, painting and all aspects of
- [Arc D](https://gerrishfineart.com/product/arc-d/) - This is from a series of 12 screenprints that House composed on ‘A vertical double grid with an emphasis on an elevated design similar to the rich Viennese work of the period; Mahler, Olbrich, Hoffman, Moser and Klimt. A time when many art forms were integrated. Music flowed through architecture, painting and all aspects of
- [Arc C](https://gerrishfineart.com/product/arc-c/) - This is from a series of 12 screenprints that House composed on ‘A vertical double grid with an emphasis on an elevated design similar to the rich Viennese work of the period; Mahler, Olbrich, Hoffman, Moser and Klimt. A time when many art forms were integrated. Music flowed through architecture, painting and all aspects of
- [Arc B](https://gerrishfineart.com/product/arc-b/) - This is from a series of 12 screenprints that House composed on ‘A vertical double grid with an emphasis on an elevated design similar to the rich Viennese work of the period; Mahler, Olbrich, Hoffman, Moser and Klimt. A time when many art forms were integrated. Music flowed through architecture, painting and all aspects of
- [Arc A](https://gerrishfineart.com/product/arc-a/) - This is from a series of 12 screenprints that House composed on ‘A vertical double grid with an emphasis on an elevated design similar to the rich Viennese work of the period; Mahler, Olbrich, Hoffman, Moser and Klimt. A time when many art forms were integrated. Music flowed through architecture, painting and all aspects of
- [Ladle](https://gerrishfineart.com/product/ladle/) - Ladle
- [Hoist](https://gerrishfineart.com/product/hoist/) - From the set of ten etchings 'Tin-Pan Valley'.
- [Legend](https://gerrishfineart.com/product/legend/) - Legend
- [School](https://gerrishfineart.com/product/school/) - From the set of ten etchings 'Tin-Pan Valley'.
- [Trowel](https://gerrishfineart.com/product/trowel/) - From the set of ten etchings 'Tin-Pan Valley'.
- [Accessory](https://gerrishfineart.com/product/accessory/) - From the set of ten etchings 'Tin-Pan Valley'.
- [Pallet](https://gerrishfineart.com/product/pallet/) - From the set of ten etchings 'Tin-Pan Valley'.
- [Site](https://gerrishfineart.com/product/site/) - From the set of ten etchings 'Tin-Pan Valley'.
- [Trough](https://gerrishfineart.com/product/trough/) - From the set of ten etchings 'Tin-Pan Valley'.
- [Chalice](https://gerrishfineart.com/product/chalice/) - From the set of ten etchings 'Tin-Pan Valley'.
- [Platform](https://gerrishfineart.com/product/platform/) - From the set of ten etchings 'Tin-Pan Valley'.
- [Yonder](https://gerrishfineart.com/product/yonder/) - From the set of ten etchings 'Tin-Pan Valley'.
- [Nebuchadnezzar](https://gerrishfineart.com/product/nebuchadnezzar/) - This etching reinterprets William Blake's famous print, ink and watercolour, 'Nebuchadnezzar' c.1795-1805, in the collection of the Tate. The Bible describes how King Nebuchadnezzar was driven mad and forced to live like a wild animal as punishment for excessive pride, drawing an association between moral corruption and bestial appearance.
- [Welsh Tip](https://gerrishfineart.com/product/welsh-tip/) - Welsh Tip
- [Gunter](https://gerrishfineart.com/product/gunter/) - In 1975, Gordon House bought a Victorian vicarage in Penrhos, on the Welsh borders, "that would fulfil a desperate need to return to a lost landscape" of his youth. His nearest neighbour was a farmer, Herbert Gunter, of whom this is a portrait. See pages 200-207 in 'Tin-pan Valley: A memoir with paintings by Gordon
- [Blackfriars No. 2](https://gerrishfineart.com/product/blackfriars-no-2/) - One of a group of works included in House's solo show of paintings held at the Waddington Galleries in London, 2nd - 22nd October 1979.The title refers to the area of Blackfriars in the City of London. The name Blackfriars was first used in 1317 (as Black Freres from the French 'frère' meaning 'brother') and
- [Blackfriars No. 1](https://gerrishfineart.com/product/blackfriars-no-1/) - One of a group of works included in House's solo show of paintings held at the Waddington Galleries in London, 2nd - 22nd October 1979.The title refers to the area of Blackfriars in the City of London. The name Blackfriars was first used in 1317 (as Black Freres from the French 'frère' meaning 'brother') and
- [Dial](https://gerrishfineart.com/product/dial/) - Gordon House wrote that the dial motif, that appeared in a series of prints and several paintings, was an exploration into "the simple division of the old familiar clock/watch dial prior to digital time. The circular division of twelve allowing for suggestions of advertising and other media forms mostly from magazines and signs."
- [Circular Dial Series (Black/Pink)](https://gerrishfineart.com/product/circular-dial-series-black-pink/) - Gordon House wrote that the dial motif, that appeared in a series of prints and several paintings, was an exploration into "the simple division of the old familiar clock/watch dial prior to digital time. The circular division of twelve allowing for suggestions of advertising and other media forms mostly from magazines and signs."
- [Clytha Arc](https://gerrishfineart.com/product/clytha-arc/) - One of a group of works included in House's solo show of paintings held at the Waddington Galleries in London, 2nd - 22nd October 1979.The title 'Clytha Arc' was no doubt inspired by Clytha Castle, a Gothic folly in Monmouthshire, Wales, close to House's weekend home in Penrhos. He bought his Welsh retreat in the
- [Strand Brown](https://gerrishfineart.com/product/strand-brown/) - One of a group of works included in House's solo show of paintings held at the Waddington Galleries in London, 2nd - 22nd October 1979.Gordon house wrote that the source for the title, 'Strand Brown', was the 'place (Strand London WC1) visited many times weekly. Some architecture and hotel decor relating to the 20's. Just
- [Kells 1](https://gerrishfineart.com/product/kells-1/) - Kells 1
- [Study for larger tri motif series - pink circles](https://gerrishfineart.com/product/study-for-larger-tri-motif-series-pink-circles/) - From a series of gouache, watercolours and inks created for the exhibition ‘Gordon House Works on Paper’, held at the Van Stratten Gallery, Chicago, from 17 September-20 October 1977.
- [Study for larger tri motif series](https://gerrishfineart.com/product/study-for-larger-tri-motif-series/) - From a series of gouache, watercolours and inks created for the exhibition ‘Gordon House Works on Paper’, held at the Van Stratten Gallery, Chicago, from 17 September-20 October 1977.
- [Untitled (Tri Motif)](https://gerrishfineart.com/product/untitled-tri-motif-2/) - From a series of gouache, watercolours and inks created for the exhibition ‘Gordon House Works on Paper’, held at the Van Stratten Gallery, Chicago, from 17 September-20 October 1977. The ‘tri’ format also found expression in a series of woodcuts, etchings, screenprints and canvases of this period. House described in his auto-biography 'Tin Pan Valley:
- [Untitled (Tri Motif)](https://gerrishfineart.com/product/untitled-tri-motif/) - From a series of gouache, watercolours and inks created for the exhibition ‘Gordon House Works on Paper’, held at the Van Stratten Gallery, Chicago, from 17 September-20 October 1977. The ‘tri’ format also found expression in a series of woodcuts, etchings, screenprints and canvases of this period. House described in his auto-biography 'Tin Pan Valley:
- [Tri (Grey)](https://gerrishfineart.com/product/tri-grey/) - House painted a series of nine tri paintings in the 1970s, all of which work with the same tri format and various combinations of the triangle, semi circle and arc. These paintings relate to his 1973 series of etchings (cat.81-93), 1975 series of woodcuts (cat.95-102) and 1975 series of screenprints (cat.104-112): together they 'represent an
- [Tri (Pink)](https://gerrishfineart.com/product/tri-pink/) - House painted a series of nine tri paintings in the 1970s, all of which work with the same tri format and various combinations of the triangle, semi circle and arc. These paintings relate to his 1973 series of etchings (cat.81-93), 1975 series of woodcuts (cat.95-102) and 1975 series of screenprints (cat.104-112): together they 'represent an
- [Tri (Grey)](https://gerrishfineart.com/product/tri-grey-2/) - House painted a series of nine tri paintings in the 1970s, all of which work with the same tri format and various combinations of the triangle, semi circle and arc. These paintings relate to his 1973 series of etchings (cat.81-93), 1975 series of woodcuts (cat.95-102) and 1975 series of screenprints (cat.104-112): together they 'represent an
- [Bridges Portfolio](https://gerrishfineart.com/product/bridges-portfolio/) - The 'Bridges' portfolio of eight etchings.Gordon House described these etchings in his catalogue 'Gordon House Editions 1982-1996':‘As I live and work in London I find that over the years of circumnavigating the City one is taken back and forth, sometimes by the same bridge or another. Either way one is crossing from North to South
- [The Red Chalice](https://gerrishfineart.com/product/the-red-chalice/) - The Red Chalice
- [What A Waste](https://gerrishfineart.com/product/what-a-waste/) - Gordon House recalled, "In '95, as a personal homage to Ian (Dury), I made a limited edition box of screenprints, 'What a Waste', incorporating a few random word structures of Ian's". House described the portfolio as 'a cacophony of images and verbals based on thoughts of the moment and a bridging of visual ideas with
- [The Project](https://gerrishfineart.com/product/the-project/) - From the set of ten coloured electronic transfers which comprise the FLW/Highbury Portfolio. House wrote of the FLW/Highbury Portfolio:'In 1977 I was privileged with a one-man exhibition to show gouaches and prints at a gallery on Michigan Avenue in Chicago. To visit such a city, for a welsh lad originally from a confined small valley
- [The Compositor (Blue)](https://gerrishfineart.com/product/the-compositor-blue/) - From the 'Printers' Pie' set of seven lithographs.Gordon House described these lithographs in his catalogue 'Gordon House Editions 1982-1996': 'This particular set of lithographs attempts to embrace the nostalgia of my own experiences in printing with a sight of the 'now' and what may be'.
- [The Compositor (Black)](https://gerrishfineart.com/product/the-compositor-black/) - From the 'Printers' Pie' set of seven lithographs.Gordon House described these lithographs in his catalogue 'Gordon House Editions 1982-1996': 'This particular set of lithographs attempts to embrace the nostalgia of my own experiences in printing with a sight of the 'now' and what may be'.
- [Dial Set Two](https://gerrishfineart.com/product/dial-set-two/) - Gordon House wrote that the 'Dial Set' series of six screenprints explored 'the simple division of the old familiar clock/watch dial prior to digital time. The circular division of twelve allowing for suggestions of advertising and other media forms mostly from magazines and signs. An interest in photographic interpretation led me to the idea that
- [Series 6 x 7 Green](https://gerrishfineart.com/product/series-6-x-7-green/) - Gordon House described this series of lithographs in his catalogue 'Gordon House Editions 1982-1996': 'The need to reassess one's regional origin and the opportunity to travel the motorways. The rapid changes in terrain now approachable by recent roads exposing differences between counties within travelling minutes. The sense of culture changes, old names and language. The
- [Series 6 x 6 Beige](https://gerrishfineart.com/product/series-6-x-6-beige/) - Gordon House described this series of lithographs in his catalogue 'Gordon House Editions 1982-1996': 'The need to reassess one's regional origin and the opportunity to travel the motorways. The rapid changes in terrain now approachable by recent roads exposing differences between counties within travelling minutes. The sense of culture changes, old names and language. The
- [D Drop Initials](https://gerrishfineart.com/product/d-drop-initials/) - This print is from a series of six lithographs inspired by House’s ‘years of working with letterpress compositors and printers. The fascination of the printing world with its wealth of materials seen and handled by craftsmen of a trade and process, developed from the birth of the printing industry and which has now given way
- [Still Life at Millbank](https://gerrishfineart.com/product/still-life-at-millbank/) - Five print makers were invited to make a single image to celebrate the Kelpra Studio exhibition at the Tate Gallery. This print created at Kelpra was House's contribution to the series.
- [Series Tri (K) Small Wood](https://gerrishfineart.com/product/series-tri-k-small-wood/) - Series Tri (K) Small Wood
- [Series Tri (H) Small Wood](https://gerrishfineart.com/product/series-tri-h-small-wood/) - Series Tri (H) Small Wood
- [Series Tri (E) Small Wood](https://gerrishfineart.com/product/series-tri-e-small-wood/) - Series Tri (E) Small Wood
- [Dorsal Red](https://gerrishfineart.com/product/dorsal-red/) - From the set of six linocuts for the 'Whale' portfolio.Gordon House described these linocuts in his catalogue 'Gordon House Editions 1982-1996':'A series set of linocuts inspired by an item of Japanese lacquer ware. These prints were made with an exhibition in mind which later took place in the heart of Japan. Since my student days
- [Amsterdam B](https://gerrishfineart.com/product/amsterdam-b/) - This is one of a pair of screenprints Gordon House designed for a Dutch publisher's portfolio. He described it as 'a quarter grid with intuitive patterned geometry. A simple two dimensional image, with or without memories of bridge arches, carrying Citroens, Volkswagens over confined muddy canals'.
- [Amsterdam A](https://gerrishfineart.com/product/amsterdam-a/) - This is one of a pair of screenprints Gordon House designed for a Dutch publisher's portfolio. He described it as 'a quarter grid with intuitive patterned geometry. A simple two dimensional image, with or without memories of bridge arches, carrying Citroens, Volkswagens over confined muddy canals'.
- [Orange Matrices](https://gerrishfineart.com/product/orange-matrices/) - The artist described how this series explored the concept of 'a matrix as a format with a divided maze in the form of continuous line to contain an asymmetric focal area'. These prints were 'planned to contrast visually in various ways of reading: flat area to line, dark to light with colour. Each print was
- [Brainiac 5 no puede ganar contra tres marquinas](https://gerrishfineart.com/product/brainiac-5-no-puede-ganar-contra-tres-marquinas/) - Original print from the boxed portfolio ‘General Dynamic F.U.N.’ (Volume II of Moonstrips Empire News). ‘General Dynamic F.U.N.’ is a portfolio of fifty photolithographs and screenprints published by Editions Alecto in 1970. The lithographs were printed at Richard Davis, London, and the screenprints at the Alecto Studios, London, by Lyndon Haywood. ‘Early in 1965, Eduardo
- [4 Red Formes](https://gerrishfineart.com/product/4-red-formes/) - 4 Red Formes
- [Time Cycle](https://gerrishfineart.com/product/time-cycle/) - Time Cycle
- [Gwent Nocturne](https://gerrishfineart.com/product/gwent-nocturne/) - Gwent Nocturne
- [Mitred Matrix (Blue)](https://gerrishfineart.com/product/mitred-matrix-blue/) - Mitred Matrix (Blue)
- [Untitled](https://gerrishfineart.com/product/untitled-121/) - One of three printed and sprayed panels each in a different colourway.
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- [Untitled](https://gerrishfineart.com/product/untitled-74/) - Untitled
- [A Hint of Mint](https://gerrishfineart.com/product/a-hint-of-mint/) - A Hint of Mint
- [Diagonal Red Quarter Screen](https://gerrishfineart.com/product/diagonal-red-quarter-screen/) - Diagonal Red Quarter Screen
- [Skirrid Way](https://gerrishfineart.com/product/skirrid-way/) - Skirrid Way
- [Head](https://gerrishfineart.com/product/head-2/) - Head
- [Over Monnow II](https://gerrishfineart.com/product/over-monnow-ii/) - Over Monnow II
- [Untitled](https://gerrishfineart.com/product/untitled-40/) - Untitled
- [Marilyn Monroe - Tate Gallery](https://gerrishfineart.com/product/marilyn-monroe-tate-gallery/) - Poster for the Tate Gallery exhibition 'Warhol', held from 17 February - 28 March 1971. The image of Marilyn Monroe, was originally silkscreened by Warhol in 1962, during the weeks following the icon's death. It was based on a publicity photograph from her 1953 film, Niagara.
- [I for Idiot](https://gerrishfineart.com/product/i-for-idiot/) - Lithograph from 'An Alphabet'. An Alphabet After being very impressed by the young artist’s work, Whistler arranged an interview for Nicholson with the publisher William Heinemann. Marguerite Steen describes this first meeting in her book: ‘Heinemann received him cordially; it was not every day he received young artists bearing such credentials as an introduction from
- [G for Gentleman](https://gerrishfineart.com/product/g-for-gentleman/) - Lithograph from 'An Alphabet'. An Alphabet After being very impressed by the young artist’s work, Whistler arranged an interview for Nicholson with the publisher William Heinemann. Marguerite Steen describes this first meeting in her book. ‘Heinemann received him cordially; it was not every day he received young artists bearing such credentials as an introduction from
- [The Haunted Castle](https://gerrishfineart.com/product/the-haunted-castle-the-boy-who-left-home-to-learn-fear-2/) - This etching is the sixth illustration from ‘The boy who left home to learn fear’ tale, and shows the haunted castle where, if the boy could manage to stay for three nights in a row, he would win the king’s daughter and all the treasures of the kingdom. Hockney noted, “That’s the castle, very dramatic.
- [The Bell Tower](https://gerrishfineart.com/product/the-bell-tower/) - This etching is the second illustration from ‘The boy who left home to learn fear’ tale. The image was based on a photograph and shows the bell tower where the sexton first tries to teach the young boy about fear. This is one of 39 etchings that Hockney created for the series 'Six Fairy Tales
- [Study from the Nude, Woman Asleep](https://gerrishfineart.com/product/study-from-the-nude-woman-asleep/) - Study from the Nude, Woman Asleep
- [Retour A La Normale](https://gerrishfineart.com/product/retour-a-la-normale-4/) - Translation: 'Back to Normal'.
- [Cawdray Park](https://gerrishfineart.com/product/cawdray-park/) - From the portfolio 'Further Travels with Copper & Zinc 1983-1986', which includes 14 etchings. The portfolio can be considered an edited sketchbook. It is made up of many small plates produced between 1983 and 1986.
- [Hebden Bridge](https://gerrishfineart.com/product/hebden-bridge/) - From the portfolio 'Further Travels with Copper & Zinc 1983-1986', which includes 14 etchings. The portfolio can be considered an edited sketchbook. It is made up of many small plates produced between 1983 and 1986.
- [Frost at Sutton Mandeville](https://gerrishfineart.com/product/frost-at-sutton-mandeville/) - From the portfolio 'Further Travels with Copper & Zinc 1983-1986', which includes 14 etchings. The portfolio can be considered an edited sketchbook. It is made up of many small plates produced between 1983 and 1986.
- [Striding Edge](https://gerrishfineart.com/product/striding-edge/) - From the portfolio 'Further Travels with Copper & Zinc 1983-1986', which includes 14 etchings. The portfolio can be considered an edited sketchbook. It is made up of many small plates produced between 1983 and 1986.
- [Panters Millpond](https://gerrishfineart.com/product/panters-millpond/) - From the portfolio 'Further Travels with Copper & Zinc 1983-1986', which includes 14 etchings. The portfolio can be considered an edited sketchbook. It is made up of many small plates produced between 1983 and 1986.
- [Sun and Snow, Coverdale](https://gerrishfineart.com/product/sun-and-snow-coverdale/) - From the portfolio 'Further Travels with Copper & Zinc 1983-1986', which includes 14 etchings. The portfolio can be considered an edited sketchbook. It is made up of many small plates produced between 1983 and 1986.
- [St.Mary's Church, Swinbrook](https://gerrishfineart.com/product/st-marys-church-swinbrook/) - From the portfolio 'Further Travels with Copper & Zinc 1983-1986', which includes 14 etchings. The portfolio can be considered an edited sketchbook. It is made up of many small plates produced between 1983 and 1986.
- [Ailsa Craig](https://gerrishfineart.com/product/ailsa-craig/) - From the portfolio 'Further Travels with Copper & Zinc 1983-1986', which includes 14 etchings. The portfolio can be considered an edited sketchbook. It is made up of many small plates produced between 1983 and 1986.
- [The Stour at Flatford](https://gerrishfineart.com/product/the-stour-at-flatford/) - From the portfolio 'Further Travels with Copper & Zinc 1983-1986', which includes 14 etchings. The portfolio can be considered an edited sketchbook. It is made up of many small plates produced between 1983 and 1986.
- [Goat Fell - Arran](https://gerrishfineart.com/product/goat-fell-arran/) - From the portfolio 'Further Travels with Copper & Zinc 1983-1986', which includes 14 etchings. The portfolio can be considered an edited sketchbook. It is made up of many small plates produced between 1983 and 1986.
- [Great Blasket Sound](https://gerrishfineart.com/product/great-blasket-sound/) - From the portfolio 'Further Travels with Copper & Zinc 1983-1986', which includes 14 etchings. The portfolio can be considered an edited sketchbook. It is made up of many small plates produced between 1983 and 1986.
- [Bridge of Orchy](https://gerrishfineart.com/product/birdge-of-orchy/) - From the portfolio 'Further Travels with Copper & Zinc 1983-1986', which includes 14 etchings. The portfolio can be considered an edited sketchbook. It is made up of many small plates produced between 1983 and 1986.
- [Inishtearaght](https://gerrishfineart.com/product/inishtearaght/) - From the portfolio 'Further Travels with Copper & Zinc 1983-1986', which includes 14 etchings. The portfolio can be considered an edited sketchbook. It is made up of many small plates produced between 1983 and 1986.
- [Raasay from Portree Bay](https://gerrishfineart.com/product/raasay-from-portree-bay/) - From the portfolio 'Further Travels with Copper & Zinc 1983-1986', which includes 14 etchings. The portfolio can be considered an edited sketchbook. It is made up of many small plates produced between 1983 and 1986.
- [La Police S'Affiche Aux Beaux Arts](https://gerrishfineart.com/product/la-police-saffiche-aux-beaux-arts/) - Translation: 'The police post themselves at the School of Fine Arts - the Fine Arts students poster the streets'. "We feared a police bust at the Atelier Populaire, and they did finally come on June 27 and shut down the atelier. There was no resistence; we took our paper, our paint, and our press with
- [Target](https://gerrishfineart.com/product/target-2/) - A CRS policeman with a target on his back The CRS (Compagnies Républicaines de Sécurité), are a special mobile French police force. It was created in 1944 as part of the Sûreté Nationale, which in 1966 was combined with the prefecture of police of Paris to form the Direction de la Sécurité Publique.
- [Skating (December)](https://gerrishfineart.com/product/skating-december/) - Lithograph from 'An Almanac of Twelve Sports'. Over the ice she flies Perfect and poised and fair— Stars in my true-love's eyes Teach me to do and to dare! Now will I fly as she flies ... Woe for the stars that misled! Stars that I saw in her eyes Now do I see in
- [Near Cracoe](https://gerrishfineart.com/product/near-cracoe/) - From the portfolio 'Ackroyd and Images', which includes eight etchings by Norman Ackroyd and eight carols by the composer Selwyn D. Image.
- [Near Bunsall](https://gerrishfineart.com/product/near-bunsall/) - From the portfolio 'Ackroyd and Images', which includes eight etchings by Norman Ackroyd and eight carols by the composer Selwyn D. Image.
- [Near Grassington](https://gerrishfineart.com/product/near-grassington/) - From the portfolio 'Ackroyd and Images', which includes eight etchings by Norman Ackroyd and eight carols by the composer Selwyn D. Image.
- [Chicksgrove](https://gerrishfineart.com/product/chicksgrove/) - From the portfolio 'Ackroyd and Images', which includes eight etchings by Norman Ackroyd and eight carols by the composer Selwyn D. Image.
- [Wharfedale](https://gerrishfineart.com/product/wharfedale/) - From the portfolio 'Ackroyd and Images', which includes eight etchings by Norman Ackroyd and eight carols by the composer Selwyn D. Image.
- [Castle Ditches](https://gerrishfineart.com/product/castle-ditches/) - From the portfolio 'Ackroyd and Images', which includes eight etchings by Norman Ackroyd and eight carols by the composer Selwyn D. Image.
- [Church Farm Meadow](https://gerrishfineart.com/product/church-farm-meadow/) - From the portfolio 'Ackroyd and Images', which includes eight etchings by Norman Ackroyd and eight carols by the composer Selwyn D. Image.
- [Panters](https://gerrishfineart.com/product/panters/) - From the portfolio 'Ackroyd and Images', which includes eight etchings by Norman Ackroyd and eight carols by the composer Selwyn D. Image.
- [Untitled 7](https://gerrishfineart.com/product/untitled-7-landscapes-figures/) - From the portfolio 'Landscapes and Figures' which includes eight etchings by Norman Ackroyd and eight poems by William McIlvanney.
- [Untitled 6](https://gerrishfineart.com/product/untitled-6-landscapes-figures/) - From the portfolio 'Landscapes and Figures' which includes eight etchings by Norman Ackroyd and eight poems by William McIlvanney.
- [Untitled](https://gerrishfineart.com/product/untitled-landscapes-figures-4/) - From the portfolio 'Landscapes and Figures' which includes eight etchings by Norman Ackroyd and eight poems by William McIlvanney.
- [Untitled](https://gerrishfineart.com/product/untitled-landscapes-figures-3/) - From the portfolio 'Landscapes and Figures' which includes eight etchings by Norman Ackroyd and eight poems by William McIlvanney.
- [Untitled](https://gerrishfineart.com/product/untitled-landscapes-figures-2/) - From the portfolio 'Landscapes and Figures' which includes eight etchings by Norman Ackroyd and eight poems by William McIlvanney.
- [Untitled](https://gerrishfineart.com/product/untitled-landscapes-figures/) - From the portfolio 'Landscapes and Figures' which includes eight etchings by Norman Ackroyd and eight poems by William McIlvanney.
- [Untitled 8](https://gerrishfineart.com/product/untitled-8-2/) - From the portfolio 'Landscapes and Figures' which includes eight etchings by Norman Ackroyd and eight poems by William McIlvanney.
- [Untitled](https://gerrishfineart.com/product/untitled-34/) - From the portfolio 'Landscapes and Figures' which includes eight etchings by Norman Ackroyd and eight poems by William McIlvanney.
- [Luggage Labels](https://gerrishfineart.com/product/luggage-labels/) - Six printed luggage labels for disasters including the S.S.Titanic, Hindenberg, Andrea Doria, S.S.Luisitania, Hiroshima, and Calvery. Nancy Reitkopf was the wife of SMS's production manager, Bernard Reitkopf.
- [Unattendable Lunches](https://gerrishfineart.com/product/unattendable-lunches/) - Pamphlet with a magic marker cover drawing, hand-bound with a knotted rope, containing typewritten pages of proposed menus of quintessential, mundane American food for seven unattended lunches. Enclosed within is an envelope containing Oldenburg's poetic typewritten regrets.
- [Three Colour Separations](https://gerrishfineart.com/product/three-colour-separations/) - Colour separations - red, yellow & blue - printed on three mylar sheets as a blown-up dot matrix of a desktop still-life.
- [Ten Collages](https://gerrishfineart.com/product/ten-collages/) - Ten surrealistic photo collages printed both sides on thick black stock.
- [To Mother](https://gerrishfineart.com/product/to-mother/) - A sepia picture postcard depicting a crowded British beach, the middle of which opens out to reveal eight accordian-folded black and white photographs of the same scene as it gets progressively blown up from a long shot to a close-up blur of a beach ball.
- [Cynocephalus & Co.](https://gerrishfineart.com/product/cynocephalus-co/) - Essay on the nature of poetry silk-screened in red ink on siver mylar. Encased in a vinyl-coated bible-cloth sleeve with a silk-screened aluminium label depicting a rendering of Saint Christophe le Cynocephale.
- [Black Dress](https://gerrishfineart.com/product/black-dress/) - Model of 'friendship dress' meant to accomodate four people, which is made of elegant tissue and encased in a black tissue envelope. Beautifully printed with four photographic portraits, including Byars, on the front cover.
- [H for Huntsman](https://gerrishfineart.com/product/h-for-huntsman/) - Lithograph from 'An Alphabet'. An Alphabet After being very impressed by the young artist’s work, Whistler arranged an interview for Nicholson with the publisher William Heinemann. Marguerite Steen describes this first meeting in her book: ‘Heinemann received him cordially; it was not every day he received young artists bearing such credentials as an introduction from
- [Drift Study 4:37:40-5:09:50 5 VIII 68](https://gerrishfineart.com/product/drift-study-43740-50950-5-viii-68/) - Drift Study 4:37:40 - 5:09:50 5 VIII 68. Casette edition of recording by avant-garde composer and musician La Monte Young. For this fascinating work, La Monte Young tuned five sine-wave oscillators to precise rational frequency ratios and then recorded the drift between phase angles that occurred over time. Cover design and packaging designed by Marian
- [Correspondence](https://gerrishfineart.com/product/correspondence/) - Four letters that have been sent through the mail to William Copley are tied in a packet with a pink satin ribbon. Inside each envelope is a different drawing typical of Westermann with his personal hand-written notes.
- [Two Quarters Turned](https://gerrishfineart.com/product/two-quarters-turned/) - Two Quarters Turned
- [Study for Lithograph - Gothic Blue](https://gerrishfineart.com/product/study-for-lithograph-gothic-blue/) - Study for Lithograph - Gothic Blue
- [Red Earth / Blue Arc](https://gerrishfineart.com/product/red-earth-blue-arc/) - Red Earth / Blue Arc
- [The Lathe and Fire](https://gerrishfineart.com/product/the-lathe-and-fire/) - This etching is the ninth illustration from ‘The boy who left home to learn fear’ tale. Hockney took advantage of the different line and tone achieved with etching, aquatint and drypoint, to create a sense of the smoking fire. This is one of 39 etchings that Hockney created for the series 'Six Fairy Tales from
- [The Carpenter's Bench, a Knife and Fire](https://gerrishfineart.com/product/the-carpenters-bench-a-knife-and-fire/) - This etching is the seventh illustration from ‘The boy who left home to learn fear’ tale. Hockney cleverly combined three etching techniques, drypoint, aquatint and etching, to capture the smouldering flames and clouds of smoke. This is one of 39 etchings that Hockney created for the series 'Six Fairy Tales from the Brothers Grimm'. Hockney
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- [The Princess After Many Years in the Glass Mountain](https://gerrishfineart.com/product/the-princess-after-many-years-in-the-glass-mountain/) - This etching is the fifth and final illustration from the ‘Old Rinkrank’ tale, and shows the princess after her escape. Hockney wrote, “The princess then is found in the glass mountain a lot older, so I made her short-sighted and ugly, and with big chunks of glass still around so you see her magnified in
- [The Enchantress in her Garden](https://gerrishfineart.com/product/the-enchantress-in-her-garden-2/) - This is the second plate in the ‘Rapunzel’ tale. Hockney described how, “The old woman who wants the child. In one translation she is called a witch, and in another she’s called an enchantress....I preferred this word ‘enchantress’ - it wasn’t quite as harsh on her as the word ‘witch’, it seemed to me. This
- [A Beginning](https://gerrishfineart.com/product/a-beginning/) - From the set of ten coloured electronic transfers which comprise the FLW/Highbury Portfolio. House wrote of the FLW/Highbury Portfolio:'In 1977 I was privileged with a one-man exhibition to show gouaches and prints at a gallery on Michigan Avenue in Chicago. To visit such a city, for a welsh lad originally from a confined small valley
- [Working](https://gerrishfineart.com/product/working/) - From the set of ten coloured electronic transfers which comprise the FLW/Highbury Portfolio. House wrote of the FLW/Highbury Portfolio:'In 1977 I was privileged with a one-man exhibition to show gouaches and prints at a gallery on Michigan Avenue in Chicago. To visit such a city, for a welsh lad originally from a confined small valley
- [Site Visit](https://gerrishfineart.com/product/site-visit/) - From the set of ten coloured electronic transfers which comprise the FLW/Highbury Portfolio. House wrote of the FLW/Highbury Portfolio:'In 1977 I was privileged with a one-man exhibition to show gouaches and prints at a gallery on Michigan Avenue in Chicago. To visit such a city, for a welsh lad originally from a confined small valley
- [FLW at Home](https://gerrishfineart.com/product/flw-at-home/) - From the set of ten coloured electronic transfers which comprise the FLW/Highbury Portfolio. House wrote of the FLW/Highbury Portfolio:'In 1977 I was privileged with a one-man exhibition to show gouaches and prints at a gallery on Michigan Avenue in Chicago. To visit such a city, for a welsh lad originally from a confined small valley
- [Portrait of FLW](https://gerrishfineart.com/product/portrait-of-flw/) - From the set of ten coloured electronic transfers which comprise the FLW/Highbury Portfolio. House wrote of the FLW/Highbury Portfolio:'In 1977 I was privileged with a one-man exhibition to show gouaches and prints at a gallery on Michigan Avenue in Chicago. To visit such a city, for a welsh lad originally from a confined small valley
- [Lost on Michigan Avenue](https://gerrishfineart.com/product/lost-on-michigan-avenue/) - From the set of ten coloured electronic transfers which comprise the FLW/Highbury Portfolio. House wrote of the FLW/Highbury Portfolio:'In 1977 I was privileged with a one-man exhibition to show gouaches and prints at a gallery on Michigan Avenue in Chicago. To visit such a city, for a welsh lad originally from a confined small valley
- [Strange Magic: Early Works by David Lynch](https://gerrishfineart.com/product/strange-magic-early-works-by-david-lynch/) - Original poster for the exhibition 'Strange Magic: Early Works by Daviid Lynch' held March 7-31, 1991, at the Payne Gallery, Moravian College, Bethlehem, Pennsylvania. The poster features 'Sick Man (with elephantine arm), detail, 1968, acrylic on canvas. Condition: Poster has some dents
- [The Boy Hidden in a Fish](https://gerrishfineart.com/product/the-boy-hidden-in-a-fish-the-little-sea-hare/) - This etching is the third illustration from ‘The Little Sea Hare’ tale. In this episode the boy asks a fish where he can hide from the princess: “The fish thought about it for a long time. At last he cried: ‘I’ve got it, i’ll hide you in my belly.’ So he swallowed the boy and
- [The Carpenter's Bench, a Knife and Fire](https://gerrishfineart.com/product/the-carpenters-bench-a-knife-and-fire-the-boy-who-left-home-to-learn-fear/) - This etching is the seventh illustration from ‘The boy who left home to learn fear’ tale. Hockney cleverly combined three etching techniques, drypoint, aquatint and etching, to capture the smouldering flames and clouds of smoke. This is one of 39 etchings that Hockney created for the series 'Six Fairy Tales from the Brothers Grimm'. Hockney
- [A Room Full of Straw](https://gerrishfineart.com/product/a-room-full-of-straw-rumpelstilzchen/) - This is the second illustration that Hockney made for the ‘Rumpelstilzchen’ tale, showing a room piled high with straw for the miller’s daughter to spin into gold. Hockney said of the design, “that idea is based, I suppose, on Magritte’s painting with a room filled with a rose. But he was playing with scale, there,
- [Two Vases](https://gerrishfineart.com/product/musee-des-arts-decoratifs/) - A proof for a poster designed for ‘David Hockney’ at the Musée des Arts Decoratifs, Paris, 11 October to 9 December 1974. The poster reproduces the painting ‘Two Vases in the Louvre’, 1974. The poster was designed by renowned artist and graphic designer Gordon House (1932-2004). The work displays a window at the Louvre museum
- [Scene in the Campagna](https://gerrishfineart.com/product/scene-in-the-campagna/) - Drawn and etched by J.M.W. Turner, engraved by W. Say. Published without a title. Rawlinson disliked those adopted, ‘Woman at a Tank’ or ‘Hindoo Ablutions’, and thus suggested the new title, 'Scene in the Campagna' for the revised edition of his catalogue. Finberg mentions that Turner, in reference to the engraver, referred to the work
- [David Hockney Zeichnungen und Druckgraphik](https://gerrishfineart.com/product/david-hockney-zeichnungen-und-druckgraphik/) - Poster created for the exhibition 'David Hockney Zeichnungen und Druckgraphik' held at the Staatliche Graphische Sammlung in Munich, 25 February - 17 April 1977.The poster reproduces 'Peter with Scarf', 1970.
- [Franco-American Mail](https://gerrishfineart.com/product/franco-american-mail/) - From 'The Blue Guitar' portfolio of twenty etchings.THE BLUE GUITAR ETCHINGSThe frontispiece to the portfolio clearly enunciates Hockney’s dual inspirations for his ‘Blue Guitar’ suite: ‘Etchings by David Hockney who was inspired by Wallace Stevens who was inspired by Pablo Picasso’. Hockney discovered Wallace Stevens’s 1936 poem ‘The Man with the Blue Guitar’ in the
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- [The Enchantress with the Baby Rapunzel](https://gerrishfineart.com/product/the-enchantress-with-the-baby-rapunzel-rapunzel/) - This is the third plate in the ‘Rapunzel’ tale. Hockney realised, “here again, it was this old woman, why would she want a child? And I thought she would only want a child because she’s so old and ugly that no man is ever going to make love to her. So the only way she
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- [Untitled](https://gerrishfineart.com/product/untitled-138/) - From Moonstrips Empire News Volume 1.
- [Ernie and T.T. at St. Louis Airport](https://gerrishfineart.com/product/ernie-and-t-t-at-st-louis-airport/) - From Moonstrips Empire News.
- [Donald Duck meets Mondrian](https://gerrishfineart.com/product/donald-duck-meets-mondrian/) - From Moonstrips Empire News.
- [According to prescriptions of ancient magicians](https://gerrishfineart.com/product/according-to-prescriptions-of-ancient-magicians/) - This etching takes its composition from an ink drawing, ‘Boys in Bed, Beirut’, that Hockney made in London using his friends as models. The scene is one of relaxed intimacy, almost as if the pair have been caught midconversation. There is an air of eagerness between the two boys, eyes locked on each other. In
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- [Untitled](https://gerrishfineart.com/product/untitled-103/) - Exhibited in Grimwood’s 1982 exhibition of cat prints, ‘Drawn from Scratch’, held at the Thumb Gallery.
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- [Untitled](https://gerrishfineart.com/product/untitled-104/) - Exhibited in Grimwood’s 1982 exhibition of cat prints, ‘Drawn from Scratch’, held at the Thumb Gallery.
- [Marmaduke the Cat](https://gerrishfineart.com/product/marmaduke-the-cat/) - This image was drawn for a proposed children’s book written by Neil French. Exhibited in Grimwood’s 1982 exhibition of cat prints, ‘Drawn from Scratch’, held at the Thumb Gallery.
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- [In an Old Book](https://gerrishfineart.com/product/in-an-old-book/) - The source for this etching was a photo from an American ‘beefcake’ magazine. In the 50s and 60s such publications, like ‘Physique Pictorial’ and ‘The Young Physique’, enabled the distribution of erotic photos of naked, or scantily-clad men under the guise of an interest in body building or fitness; a clever way to escape censorship
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- [Untitled](https://gerrishfineart.com/product/untitled-131/) - From Moonstrips Empire News Volume 1.
- [Untitled](https://gerrishfineart.com/product/untitled-141/) - From Moonstrips Empire News Volume 1.
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- [Formica Formikel](https://gerrishfineart.com/product/formica-formikel/) - From Moonstrips Empire News.
- [Untitled](https://gerrishfineart.com/product/untitled-142/) - From Moonstrips Empire News Volume 1.
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- [Jorrocks](https://gerrishfineart.com/product/jorrocks/) - One of 16 lithographs from the 'Characters of Romance' series. Jorrocks is a character from R.S.Surtees's 'Handley Cross'.
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- [K is for Keeper](https://gerrishfineart.com/product/k-is-for-keeper/) - Lithograph from 'An Alphabet'.The Keeper is a portrait of George Carpenter, MD, who was a patron of Nicholson’s and godfather to the artist’s son Christopher. An Alphabet After being very impressed by the young artist’s work, Whistler arranged an interview for Nicholson with the publisher William Heinemann. Marguerite Steen describes this first meeting in her
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- [Legal Tender](https://gerrishfineart.com/product/legal-tender/) - A stack of 18 'dollar bills' printed recto and verso with two of Conner's intricate abstract pattern drawings of the time. Bound with a paper band marked 'Legal Tender'.
- [Two Propositions in Black](https://gerrishfineart.com/product/two-propositions-in-black/) - La Monte Young's provocative statements regarding the relationship of tuning to time, hand-written in silver on a folded piece of black construction paper with an elegant Zazeela calligraphic border.
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- [Esquivons les Ecchymoses des Esquimaux aux Mots Exquis](https://gerrishfineart.com/product/esquivons-les-ecchymoses-des-esquimaux-aux-mots-exquis/) - 'In 1967, in response to Copley’s request to contribute to S.M.S., Duchamp gave him a sound recording (present location, unknown) he had made at an amusement booth around 1950. For the label of the record, they conceived of using a fascimile of one of the Disks Inscribed With Puns, 1926 (cat. no. 415-23), that Duchamp
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- [U for Urchin](https://gerrishfineart.com/product/u-for-urchin/) - Lithograph from 'An Alphabet'. After being very impressed by the young artist’s work, Whistler arranged an interview for Nicholson with the publisher William Heinemann. Marguerite Steen describes this first meeting in her book: ‘Heinemann received him cordially; it was not every day he received young artists bearing such credentials as an introduction from James McNeil
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- [The Servile Cow](https://gerrishfineart.com/product/the-servile-cow/) - Lithograph from 'The Square Book of Animals'.‘When the cow’s in the farmyard, her senseOf servility’s simply immense;But you meet her againIn the highway or lane,And she tosses you over the fence.’Verse by Arthur Waugh
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- [The Cock O' The North](https://gerrishfineart.com/product/the-cock-o-the-north/) - Lithograph from 'The Square Book of Animals'.‘Cock o’ the North! The dawn is young,Grey –glimmering the pane;Yet you, with your discordant tongue,Have woken me again!Good beasts are silent in their pens.Hush! Leave the boasting to the hens!’Verse by Arthur Waugh
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- [Hawker (Kensington)](https://gerrishfineart.com/product/hawker-kensington/) - One of twelve designs Nicholson produced for his series 'London Types'. Far out of bounds he'd figured--in a race Of West-End traffic pitching to his loss. But if you'd see him in his proper place, Making the browns for bub and grub and doss, Go East among the merchants and their men, And where the
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- [Policeman (Constitution Hill)](https://gerrishfineart.com/product/policeman-constitution-hill-2/) - From the deluxe edition of 'London Types'. Army Reserve; a worshipper of Bobs, With whom he stripped the smock from Candahar; Neat as his mount, that neatest among cobs; Whenever pageants pass, or meetings are, He moves conspicuous, vigilant, severe, With his Light Cavalry hand and seat and look, A living type of Order, in
- [Beef-eater (The Tower)](https://gerrishfineart.com/product/beef-eater-the-tower-2/) - From the deluxe edition of 'London Types'. His beat lies knee-high through a dust of story-- A dust of terror and torture, grief and crime; Ghosts that are England's wonder, and shame, and glory Throng where he walks, an antic of old time; A sense of long immedicable tears Were ever with him, could his
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- [Sophia Western](https://gerrishfineart.com/product/sophia-western/) - One of 16 lithographs from the 'Characters of Romance' series. Sophia Western is a character from Fielding's 'Tom Jones'.
- [Eleanora Duse](https://gerrishfineart.com/product/eleanora-duse/) - From the set of twelve lithographs for 'Twelve Portraits - Second Series'. Eleonora Duse was a celebrated Italian actress.
- [Baron Munchausen](https://gerrishfineart.com/product/baron-munchausen/) - One of 16 lithographs from the 'Characters of Romance' series. Baron Munchausen is a character from Rudolph Erich Raspe's 'Baron Munchausen'.
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- [Don Quixote de la Mancha](https://gerrishfineart.com/product/don-quixote-de-la-mancha/) - One of 16 lithographs from the 'Characters of Romance' series. Don Quixote de la Mancha is a character from Cervantes's 'Don Quixote'.
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- [The Kaiser](https://gerrishfineart.com/product/the-kaiser/) - From the set of twelve lithographs for 'Twelve Portraits - Second Series'. This is a portrait of Kaiser Wilhelm II, the last German Emperor and King of Prussia from 1888 until his abdication in 1918.
- [Sada Yacco](https://gerrishfineart.com/product/sada-yacco/) - From the set of twelve lithographs for 'Twelve Portraits - Second Series'. Sada Yacco was a Japanese geisha, actress and dancer.
- [Lord Kitchener](https://gerrishfineart.com/product/lord-kitchener-2/) - From the set of twelve lithographs for 'Twelve Portraits - Second Series'. A portrait of Lord Kitchener, a British army officer and colonial administrator.
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- [Henrik Ibsen](https://gerrishfineart.com/product/henrik-ibsen/) - From the set of twelve lithographs for 'Twelve Portraits - Second Series'. A portrait of the Norwegian playwright, Henrik Johan Ibsen, the "father of modern drama" he authored 'The Doll's House'.
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- [Thomas Edison](https://gerrishfineart.com/product/thomas-edison/) - From the set of twelve lithographs for 'Twelve Portraits - Second Series'. Thomas Edison was an American inventor and businessman. He developed many devices in fields such as electric power generation, mass communication, sound recording, and motion pictures. These inventions, which include the phonograph, the motion picture camera, and early versions of the electric light
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- [The Rt. Hon. Joseph Chamberlain](https://gerrishfineart.com/product/the-rt-hon-joseph-chamberlain/) - From the set of twelve lithographs for 'Twelve Portraits - Second Series'.
- [Sarah Bernhardt](https://gerrishfineart.com/product/sarah-bernhardt/) - From the series 'Twelve Portraits'.
- [Sandwich-Man (Trafalgar Square)](https://gerrishfineart.com/product/sandwich-man-trafalgar-square/) - One of twelve designs Nicholson produced for his series 'London Types'. At the end of the century there was a ‘vogue for all things to do with London and Londoners’. London was celebrated in numerous histories and collections of verse and prose dedicated to the city as well as pictures in illustrated newspapers of the
- [The Very Tame Lamb](https://gerrishfineart.com/product/the-very-tame-lamb/) - Lithograph from 'The Square Book of Animals'.‘All men, said the poet, are struck at a mint,And some coins ring flat that the coiners embellish;But the lamb is so tame he will pardon the hintHe’d be best with a little mint-sauce for a relish!’Verse by Arthur Waugh
- [The British Bull-Dog](https://gerrishfineart.com/product/the-british-bull-dog/) - Lithograph from 'The Square Book of Animals'.‘You swing the gate, and there he stands to greet you,With growl or grin, as you are strange or known:According to your merits will he treat youAn Englishman who loves and guards his own.’Verse by Arthur Waugh
- [Bluecoat Boy (Newgate Street)](https://gerrishfineart.com/product/bluecoat-boy-newgate-street/) - One of twelve designs Nicholson produced for his series 'London Types'. So went our boys when Edward Sixth, the King, Chartered Christ's Hospital, and died. And so Full fifteen generations in a string Of heirs to his bequest have had to go. Thus Camden showed, and Barnes, and Stillingfleet, And Richardson, that bade our Lovelace
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- [The Archbishop of Canterbury](https://gerrishfineart.com/product/the-archbishop-of-canterbury-2/) - From the series 'Twelve Portraits'.
- [Rudyard Kipling](https://gerrishfineart.com/product/rudyard-kipling-2/) - From the series 'Twelve Portraits'.
- [James McNeill Whistler](https://gerrishfineart.com/product/james-mcneill-whistler/) - From the series 'Twelve Portraits'.
- [Prince Bismarck](https://gerrishfineart.com/product/prince-bismarck/) - From the series 'Twelve Portraits'.
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- [H. R. H. The Prince of Wales](https://gerrishfineart.com/product/h-r-h-the-prince-of-wales/) - From the series 'Twelve Portraits'.
- [Cecil Rhodes](https://gerrishfineart.com/product/cecil-rhodes-2/) - From the series 'Twelve Portraits'.
- [Cricket (June)](https://gerrishfineart.com/product/cricket-june/) - Lithograph from 'An Almanac of Twelve Sports'.
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- [O for Ostler](https://gerrishfineart.com/product/o-for-ostler-2/) - From the deluxe edition of 'An Alphabet'.
- [J for Jockey](https://gerrishfineart.com/product/j-for-jockey-2/) - From the deluxe edition of 'An Alphabet'.
- [Summer](https://gerrishfineart.com/product/spring/) - Jonas Wood collaborated with Master Printer Yasu Shibata on Four Landscapes over more than two years. Drawn from found and personal imagery, the prints embody Wood’s distinctive approach to taking apart and rebuilding an image with additive mark-making and patterning, distilled through the Ukiyo-e printmaker’s subtle command of form and color. Each print required between
- [Spring](https://gerrishfineart.com/product/summer-2/) - Jonas Wood collaborated with Master Printer Yasu Shibata on Four Landscapes over more than two years. Drawn from found and personal imagery, the prints embody Wood’s distinctive approach to taking apart and rebuilding an image with additive mark-making and patterning, distilled through the Ukiyo-e printmaker’s subtle command of form and color. Each print required between
- [Untitled C](https://gerrishfineart.com/product/untitled-c-2/) - From the 'Paper Clip suite I' of 5 prints. Assemblage of folded paper attached with his signature paper clips.
- [Untitled (Proscenium Suite)](https://gerrishfineart.com/product/untitled-proscenium-suite-10/) - Untitled (Proscenium Suite)
- [Travailleurs Francais Immigres Tous Unis](https://gerrishfineart.com/product/travailleurs-francais-immigres-tous-unis/) - Translation: Workers - French, immigrant - all united - for equal work, equal pay.This slogan emerged around the 22nd of May when it was adopted by the strikers at Citroen.
- [Windmill and Lock](https://gerrishfineart.com/product/windmill-and-lock-2/) - Drawn and etched by J.M.W Turner, engraved by W.Say. The mezzotint is almost identical to the artist’s oil painting ‘Grand Junction Canal at Southall Mill’, exhibited in his gallery in 1810. The influence of Rembrandt’s painting ‘The Mill’ is clearly apparent and it is likely that Turner was seeking to rival him with this work.
- [Watercress Gatherers](https://gerrishfineart.com/product/watercress-gatherers-2/) - Drawn and etched by J.M.W. Turner, engraved by T Lupton. This is the third plate to be engraved by Lupton and the existence of the number of extensively touched proofs suggest that he was still in need of guidance fromTurner. The outcome of such attention was, as with his Solway Moss, a triumph and his
- [Home](https://gerrishfineart.com/product/home-4/) - This etching is the first illustration from ‘The boy who left home to learn fear’ tale, which tells the story of a boy who leaves home to learn how to shudder. The design was taken from a drawing Hockney made of the library of the art collectors Sheridan and Lindy Dufferin’s house in Ireland. Although
- [Inside the Castle](https://gerrishfineart.com/product/inside-the-castle-2/) - This etching is the tenth illustration from ‘The boy who left home to learn fear’ tale, and shows the boy in the haunted castle where he must spend three nights in order to win the princess’s hand in marriage. Hockney said, “That figure, the hat, and the hands, and everything - is from a still
- [The Older Rapunzel](https://gerrishfineart.com/product/the-older-rapunzel-2/) - This etching is the fourth illustration from the ‘Rapunzel’ tale. Hockney departs from traditional representations of Rapunzel as a beautiful young teenager and instead depicts a more mature woman, holding a white lily, symbolic of both purity and motherhood. The figure’s hairstyle recalls Botticelli’s portraits of young women in profile such as ‘Portrait of a
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- [Junction of Severn and Wye](https://gerrishfineart.com/product/junction-of-severn-and-wye-2/) - Drawn, etched and engraved by J.M.W.Turner. Taken from the heights of Piercefield Park, the view descends to Chepstow Castle and the sun-lit Wye which winds out into the vastness of the Severn estuary and beyond.Turner first visited Wales in 1792, aged seventeen, on what was his first summer sketching tour. By this time a number
- [John and Jackie](https://gerrishfineart.com/product/john-and-jackie/) - This lithograph shows Jackie Kennedy and a young John F. Kennedy Jr., walking side by side; Jackie is shown in a motherly gesture of gently fixing her son's hair. Elizabeth Peyton created this lithograph in 2000, one year after John F. Kennedy Jr.'s tragic death in a plane crash, at the age of thirty-eight.
- [Untitled](https://gerrishfineart.com/product/untitled-28/) - Watercolour, crayon and pastel on folded paper with ties.
- [Constantine Bay](https://gerrishfineart.com/product/constantine-bay/) - One of twelve etchings in the series 'From Trevose Head to Tintagel', inspired by the coast of North Cornwall.
- [W. E. Gladstone](https://gerrishfineart.com/product/w-e-gladstone/) - From the series 'Twelve Portraits'.
- [Lord Roberts](https://gerrishfineart.com/product/lord-roberts-2/) - From the series 'Twelve Portraits'.
- [The Shire Horse](https://gerrishfineart.com/product/the-shire-horse/) - Woodcut, hand-coloured with watercolour.
- [Bring Deeps](https://gerrishfineart.com/product/bring-deeps/) - One of twelve etchings in the series 'Orkney'
- [Travailleurs Français Immigrés Unis](https://gerrishfineart.com/product/travailleurs-francais-immigres-unis/) - Translation: Workers United - French/Immigrant. This slogan emerged around the 22nd of May when it was adopted by the strikers at Citroen.
- [Li Hung Chang](https://gerrishfineart.com/product/li-hung-chang/) - From the set of twelve lithographs for 'Twelve Portraits - Second Series'. Li Hung-Chang was a Chinese statesman, general and diplomat of the late Qing dynasty. Note: a few marks in the upper margin, outside the image, see photos.
- [Porthos](https://gerrishfineart.com/product/porthos/) - One of 16 lithographs from the 'Characters of Romance' series. Porthos is a character from Alexandre Dumas's 'The Three Musketeers'.
- [Commodore Trunnion](https://gerrishfineart.com/product/commodore-trunnion/) - One of 16 lithographs from the 'Characters of Romance' series. Commodore Trunnion was a character from Tobias Smollett's 'Peregrine Pickle'.
- [Mr Vanslyperken](https://gerrishfineart.com/product/mr-vanslyperken/) - One of 16 lithographs from the 'Characters of Romance' series. Mr Vanslyperken is a character from Captain Marryat's 'The Dog Fiend'.
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- [Mulvaney](https://gerrishfineart.com/product/mulvaney/) - One of 16 lithograph from the 'Characters of Romance' series. Krishna Mulvaney is a character from Rudyard Kipling's 'Soldiers Three'.
- [Madge Wildfire](https://gerrishfineart.com/product/madge-wildfire/) - One of 16 lithographs from the 'Characters of Romance' series. Madge Wildfire is a character from Sir Walter Scott's 'The Heart of Midlothian'.
- [Miss Fotheringay and Captain Costigan](https://gerrishfineart.com/product/miss-fotheringay-and-captain-costigan/) - One of 16 lithographs from the 'Characters of Romance' series. Miss Fotheringay and Captain Costigan are characters from Thackeray's 'Pendennis'.
- [Digging Up Glass](https://gerrishfineart.com/product/digging-up-glass-2/) - This is the third plate for the ‘Old Rinkrank’ tale. Hockney remarked that this plate was about the idea of digging into the glass mountain, “The king said ‘Dig up the glass mountain’. I thought that was a terrific statement, the idea of digging into glass, the awfulness of someone putting a spade into it
- [Cold Water About to Hit the Prince](https://gerrishfineart.com/product/cold-water-about-to-hit-the-prince-2/) - This etching is the eleventh illustration from ‘The boy who left home to learn fear’ tale. Hockney took the composition of the boy in bed and the curtain motif from Carpaccio’s ‘Dream of St.Ursula’ (1495), from the collection of the Galleria dell’Accademia in Venice. Hockney explained, “The story is that she throws the water on
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- [III (Butterfly Collection)](https://gerrishfineart.com/product/iii-butterfly-collection/) - One of nine etchings Smith produced for his 'Butterfly Suite' or '(a butterfly collection)'.
- [VII (Butterfly Collection)](https://gerrishfineart.com/product/vii-butterfly-collection/) - One of nine etchings Smith produced for his 'Butterfly Suite' or '(a butterfly collection)'.
- [Untitled (Proscenium Suite)](https://gerrishfineart.com/product/untitled-proscenium-suite-11/) - Untitled (Proscenium Suite)
- [Untitled E](https://gerrishfineart.com/product/untitled-e/) - From the 'Paper Clip suite II' of 5 prints. Assemblage of folded paper attached with his signature paper clips.
- [Untitled C](https://gerrishfineart.com/product/untitled-c/) - From the 'Paper Clip suite II' of 5 prints. Assemblage of folded paper attached with his signature paper clips.
- [Untitled (Proscenium Suite)](https://gerrishfineart.com/product/untitled-proscenium-suite-8/) - Untitled (Proscenium Suite)
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- [Untitled B](https://gerrishfineart.com/product/untitled-b-2/) - From the 'Paper Clip suite I' of 5 prints. Assemblage of folded paper attached with his signature paper clips.
- [Untitled D](https://gerrishfineart.com/product/untitled-d/) - From the 'Paper Clip suite II' of 5 prints. Assemblage of folded paper attached with his signature paper clips.
- [Untitled (Proscenium Suite)](https://gerrishfineart.com/product/untitled-proscenium-suite-6/) - Untitled (Proscenium Suite)
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- [XXX](https://gerrishfineart.com/product/xxx/) - XXX, is taken from a painting of the same title, first shown in the artist’s 2019 solo show at White Cube, Hong Kong. The print takes the form of the cover of a novel, with the top section a complex graphic layering of letters and colours, counterbalanced by a clean band of neutral colour bearing
- [Science is Truth Found Out](https://gerrishfineart.com/product/science-is-truth-found-out/) - "In 1986 Ruscha made the original drawing on which the scarf is based, inspired by a phrase he saw inscribed in stone above the entrance to the science block of Los Angeles’s storied Hollywood High School. In the current global political climate, where suspicion and demonization of science and medicine have been widespread, this prescient
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- [Nu Bleu (Blue Nude)](https://gerrishfineart.com/product/nu-bleu-blue-nude/) - The female nude was a subject that Matisse returned to over and over again during his life, in paintings, drawings and also sculpture. Before he began to make the series of blue nude cut-outs Matisse filled a sketchbook with various drawings in order to develop further his understanding of the female figure; Cowart describes how
- [Nu Bleu (Blue Nude)](https://gerrishfineart.com/product/nu-bleu-blue-nude-3/) - The female nude was a subject that Matisse returned to over and over again during his life, in paintings, drawings and also sculpture. Before he began to make the series of blue nude cut-outs Matisse filled a sketchbook with various drawings in order to develop further his understanding of the female figure; Cowart describes how
- [Rackwick Bay](https://gerrishfineart.com/product/rackwick-bay/) - One of twelve etchings in the series 'Orkney'
- [Ideal Pastoral Life](https://gerrishfineart.com/product/ideal-of-pastoral-life/) - From the Carfax Portfolio of 11 proofs published in 1904. This portfolio was printed in an edition limited to thirty copies and comprises: Two copper engravings: The Bride and The Sheep of his Pasture. Seven wood engravings: The Ploughman, The Brook, The Chamber Idyll, The Cyder Feast, The Lady and the Rooks, The Return Home,
- [The Bay](https://gerrishfineart.com/product/the-bay/) - In May 1921, Paul Nash and his wife Margaret moved to Dymchurch, on the Kent coast, where they lived until the Spring of 1925. The artist formed a deep attachment to the place, describing it as "a delightful place with much inspiring material for work". He was especially attracted to the long wall built beside
- [Still Life](https://gerrishfineart.com/product/still-life-5/) - The design is identical to, but reversed from, that of the oil painting 'Still Life, Winter' painted in 1926 or 1928.
- [Cricket](https://gerrishfineart.com/product/cricket/) - Allin painted several pictures of sporting events, from football to cricket and bowls. This painting is one of twelve, which have remained in the same collection for over fifty years. The owner bought them from the artist in the seventies, perhaps via the Portal Gallery who represented him, after seeing Allin on television. He came
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- [Design of Flowers](https://gerrishfineart.com/product/desisgn-of-flowers/) - Design of Flowers
- [Garden Pond](https://gerrishfineart.com/product/garden-pond/) - Around the central image are four variations of the female figure seen in the upper right corner. This print is one of seven designed by Paul Nash for the book ‘Places’, published by William Heinemann Ltd in 1922. The pond in this image is in Wittersham, a village two miles north of Oxenbridge. Causey notes
- [Revolution](https://gerrishfineart.com/product/revolution/) - Translation: Revoltion - power is in the work place, not in a rigged referendum
- [Epiphany](https://gerrishfineart.com/product/epiphany/) - The design for this plate and the triangular bridge was suggested by the medieval example at Croyland in Lincolnshire. On the bridge Griggs drew a standing cross which he designed, in association with Gimson. Similar crosses were used as war memorials in a number of Cotswold villages and towns. This etching was not published, but
- [The Church Tower and the Clock](https://gerrishfineart.com/product/the-church-tower-and-the-clock-fundevogel/) - This etching is the fifth illustration from the ‘Fundevogel’ tale. The church tower was one he spotted on his journey down the Rhine in September 1968, a photo of the tower on which the etching is based features in the 1970 documentary, ‘Davd Hockney’s Diaries’. This is one of 39 etchings that Hockney created for
- [A Wooded Landscape](https://gerrishfineart.com/product/a-wooded-landscape-fundevogel-2/) - This is the first illustration for the ‘Fundevogel’ tale, which tells the story of a forester who found a baby in a bird’s nest at the top of a tree, he decided to name him Fundevogel and to bring him home and raise him alongside his daughter Lina. Hockney said that the landscape, with the
- [At the Window](https://gerrishfineart.com/product/at-the-window/) - At the Window
- [Le Roman](https://gerrishfineart.com/product/le-roman/) - The translation of the title is 'The Novel'.
- [Study No.5: Silver](https://gerrishfineart.com/product/study-no-5-silver/) - Study No.5: Silver
- [Jonquils and Tulips](https://gerrishfineart.com/product/jonquils-and-tulips/) - Jonquils and Tulips
- [The Divine Breath](https://gerrishfineart.com/product/the-divine-breath/) - Between 1927 and 1934, Olga Fröbe-Kapteyn "produced a number of remarkably precise and angular works that she referred to as "meditation drawings", which appear to combine the accelerated energy of Futurist works with an esoteric semiotics". A group of 14 of these were selected to be translated into screenprints.
- [The Grail](https://gerrishfineart.com/product/the-grail/) - Between 1927 and 1934, Olga Fröbe-Kapteyn "produced a number of remarkably precise and angular works that she referred to as "meditation drawings", which appear to combine the accelerated energy of Futurist works with an esoteric semiotics". A group of 14 of these were selected to be translated into screenprints.
- [The Cosmic Incarnation](https://gerrishfineart.com/product/the-cosmic-incarnation/) - Between 1927 and 1934, Olga Fröbe-Kapteyn "produced a number of remarkably precise and angular works that she referred to as "meditation drawings", which appear to combine the accelerated energy of Futurist works with an esoteric semiotics". A group of 14 of these were selected to be translated into screenprints.
- [Meditation Drawing Screenprints](https://gerrishfineart.com/product/meditation-drawing-screenprints/) - The complete set of 14 screenprints on thick wove paper.Between 1927 and 1934, Olga Fröbe-Kapteyn "produced a number of remarkably precise and angular works that she referred to as "meditation drawings", which appear to combine the accelerated energy of Futurist works with an esoteric semiotics". A group of 14 of these were selected to be
- [Eternal Energy](https://gerrishfineart.com/product/eternal-energy/) - Between 1927 and 1934, Olga Fröbe-Kapteyn "produced a number of remarkably precise and angular works that she referred to as "meditation drawings", which appear to combine the accelerated energy of Futurist works with an esoteric semiotics". A group of 14 of these were selected to be translated into screenprints.
- [Kether, The Crown](https://gerrishfineart.com/product/kether-the-crown/) - Between 1927 and 1934, Olga Fröbe-Kapteyn "produced a number of remarkably precise and angular works that she referred to as "meditation drawings", which appear to combine the accelerated energy of Futurist works with an esoteric semiotics". A group of 14 of these were selected to be translated into screenprints.
- [The Central Spiritual Sun](https://gerrishfineart.com/product/the-central-spiritual-sun/) - Between 1927 and 1934, Olga Fröbe-Kapteyn "produced a number of remarkably precise and angular works that she referred to as "meditation drawings", which appear to combine the accelerated energy of Futurist works with an esoteric semiotics". A group of 14 of these were selected to be translated into screenprints.
- [Wiltshire Woodman](https://gerrishfineart.com/product/wiltshire-woodman/) - Wiltshire Woodman
- [(Untitled)](https://gerrishfineart.com/product/untitled-32/) - (Untitled)
- [The Purifying Fires](https://gerrishfineart.com/product/the-purifying-fires/) - The Purifying Fires
- [Gethsemene](https://gerrishfineart.com/product/gethsemene/) - Gethsemene
- [The Percheron](https://gerrishfineart.com/product/the-percheron/) - From 'The C. F. Tunnicliffe Memorial Collection Part One'. The engravings have been printed with the kind permission of the Tunnicliffe Estate.
- [Summer Drought](https://gerrishfineart.com/product/summer-drought/) - One of 23 wood engravings designed as illustrations for ‘The Lone Swallows and Other Essays of Boyhood and Youth’ In 'Drought and Aftermath', Williamson writes of the interminable summer of 1921, when high-pressure systems fromt he Azores remained over the UK for much of the year. Writing 'The Waste Land' that year, T.S Eliot made
- [Fun Helped Them Fight](https://gerrishfineart.com/product/fun-helped-them-fight/) - From the portfolio 'BUNK', 1972.Bunk was a boxed portfolio of 46 prints, including screen prints and lithographs, many with collaged elements - hand-torn, creased, and adhered to papers and boards in various colours. The project was arranged by Christopher Betambeau, with screenprinting and finishing by Advanced Graphics London and photo-litho arranged by Gordon House.
- [Take-off](https://gerrishfineart.com/product/take-off/) - From the portfolio 'BUNK', 1972.Bunk was a boxed portfolio of 46 prints, including screen prints and lithographs, many with collaged elements - hand-torn, creased, and adhered to papers and boards in various colours. The project was arranged by Christopher Betambeau, with screenprinting and finishing by Advanced Graphics London and photo-litho arranged by Gordon House.
- [Untitled](https://gerrishfineart.com/product/untitled-130/) - From Moonstrips Empire News Volume 1.
- [Almost any Suburb](https://gerrishfineart.com/product/almost-any-suburb/) - Original print from the boxed portfolio ‘General Dynamic F.U.N.’ (Volume II of Moonstrips Empire News). ‘General Dynamic F.U.N.’ is a portfolio of fifty photolithographs and screenprints published by Editions Alecto in 1970. The lithographs were printed at Richard Davis, London, and the screenprints at the Alecto Studios, London, by Lyndon Haywood. ‘Early in 1965, Eduardo
- [Mr Johnson (small plate)](https://gerrishfineart.com/product/mr-johnson-small-plate/) - Mr Johnson (small plate)
- [Jack Ashore](https://gerrishfineart.com/product/jack-ashore/) - Sickert painted an oil on canvas with the same title in 1912-13 (Pallant House collection). The title 'Jack Ashore' is thought to relate to a sailor visiting a brothel during his time on shore. A jack or 'Jack Tar' was a colloquial term for a sailor and their time off is known as shore leave.
- [The London Shoreditch](https://gerrishfineart.com/product/the-london-shoreditch/) - A view of a performer on the stage at the 'London' music hall in Shoreditch, sometime known as the Empire. Sickert made a number of drawings and paintings of the Shoreditch music halls in 1920, and there is a drawing in ink and watercolour, similar to this etching, of the stage at the Olympia, Shoreditch
- [Pocket Money](https://gerrishfineart.com/product/pocket-money/) - In the seventies the Jewish community was gradually being forced out of their East End home, and their culture was rapidly disappearing from the streets. In a 1976 short film, Allin mused, “I’m really glad that I painted this area...because this is where lots of very famous Jewish people grew up and came and worshipped...the
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- [Workmen](https://gerrishfineart.com/product/workmen/) - This painting is one of twelve, which have remained in the same collection for over fifty years. The owner bought them from the artist in the seventies, perhaps via the Portal Gallery who represented him, after seeing Allin on television. He came to know the artist well and became a fervent admirer of his work,
- [Park](https://gerrishfineart.com/product/park/) - John Allin worked as a parks attendant, at one time in his early days, before becoming an artist. For him, the park was a welcome escape from “the claustrophobic atmosphere of the (East End), the way it’s been built up”. He often punctuated his days in the studio with walks through the local green spaces
- [Bowls](https://gerrishfineart.com/product/bowls/) - Allin painted several pictures of sporting events, from football to cricket and bowls. This painting is one of twelve, which have remained in the same collection for over fifty years. The owner bought them from the artist in the seventies, perhaps via the Portal Gallery who represented him, after seeing Allin on television. He came
- [Infant School](https://gerrishfineart.com/product/infant-school/) - In his book ‘Say Goodbye’, John Allin wistfully recalled, “Kids!…Warm, sunny days… doing all the things kids did when they played in the street. Having seasons. One of conkers, one of bows-and-arrows, one of building your own scooter with ballbearing wheels, you know? Everything that cost nothing, you did! - that cost your parents nothing,
- [Coquelicots (Wild Poppies)](https://gerrishfineart.com/product/coquelicots-wild-poppies/) - This work is also known as Fleurs de Grenadier or Pomegranate Blossoms. The cut-out was produced as a maquette for a stained-glass window. The window was originally intended for a Dominican convent in Lyons however the window glass was not in fact executed until 1969 and went into a private collection instead. Les Derniers Oeuvres
- [The Creation](https://gerrishfineart.com/product/the-creation/) - Between 1927 and 1934, Olga Fröbe-Kapteyn "produced a number of remarkably precise and angular works that she referred to as "meditation drawings", which appear to combine the accelerated energy of Futurist works with an esoteric semiotics". A group of 14 of these were selected to be translated into screenprints.
- [The Chalice in the Heart](https://gerrishfineart.com/product/the-chalice-in-the-heart/) - Between 1927 and 1934, Olga Fröbe-Kapteyn "produced a number of remarkably precise and angular works that she referred to as "meditation drawings", which appear to combine the accelerated energy of Futurist works with an esoteric semiotics". A group of 14 of these were selected to be translated into screenprints.
- [The Mystery of Life](https://gerrishfineart.com/product/the-mystery-of-life/) - Between 1927 and 1934, Olga Fröbe-Kapteyn "produced a number of remarkably precise and angular works that she referred to as "meditation drawings", which appear to combine the accelerated energy of Futurist works with an esoteric semiotics". A group of 14 of these were selected to be translated into screenprints.
- [Om Mani Padme Hum](https://gerrishfineart.com/product/om-mani-padme-hum/) - Between 1927 and 1934, Olga Fröbe-Kapteyn "produced a number of remarkably precise and angular works that she referred to as "meditation drawings", which appear to combine the accelerated energy of Futurist works with an esoteric semiotics". A group of 14 of these were selected to be translated into screenprints.
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- [The Portal of Initiation](https://gerrishfineart.com/product/the-portal-of-initiation/) - Between 1927 and 1934, Olga Fröbe-Kapteyn "produced a number of remarkably precise and angular works that she referred to as "meditation drawings", which appear to combine the accelerated energy of Futurist works with an esoteric semiotics". A group of 14 of these were selected to be translated into screenprints.
- [Reincarnation](https://gerrishfineart.com/product/reincarnation/) - Between 1927 and 1934, Olga Fröbe-Kapteyn "produced a number of remarkably precise and angular works that she referred to as "meditation drawings", which appear to combine the accelerated energy of Futurist works with an esoteric semiotics". A group of 14 of these were selected to be translated into screenprints.
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- [Parson's Green, Afternoon, End of Winter; The Duke's Head](https://gerrishfineart.com/product/parsons-green-afternoon-end-of-winter-the-dukes-head-2/) - Parson's Green, Afternoon, End of Winter; The Duke's Head
- [Parson's Green, Afternoon, End of Winter, The Duke's Head](https://gerrishfineart.com/product/parsons-green-afternoon-end-of-winter-the-dukes-head/) - One of only three known proofs in this state. The pub The Duke's Head, today called The Duke of Cumberland, stands across Parson's Green from Belfield House, Roussel's home between 1891 and 1914. In his etching, the artist exaggerated the proportions vertically, so the pub appears more imposing than it does in reality.
- [The Quay](https://gerrishfineart.com/product/the-quay/) - This etching offers a view of a medieval town on a hill, with a quay in the foreground. Russell Alexander wrote of this etching: “No hideous mechanism disturbs the quiet orderliness of the quayside, or casts its sinister shadow over sordid toil; the town’s work is done in peace, and in the midst of beauty,
- [Sculptor, Model, Sculpture, and Goldfish (Sculpteur, modèle, sculpture et poisson rouge)](https://gerrishfineart.com/product/sculptor-model-sculpture-and-goldfish-sculpteur-modele-sculpture-et-poisson-rouge/) - The one hundred etchings known together as the Vollard Suite, made between 1930 and 1937, are Picasso’s most celebrated prints. Many of them concern the relationship between artist and work, or between artist and model.
- [Model and Sculptor with His Sculpture (Modèle et sculpteur avec sa sculpture)](https://gerrishfineart.com/product/model-and-sculptor-with-his-sculpture-modele-et-sculpteur-avec-sa-sculpture/) - The one hundred etchings known together as the Vollard Suite, made between 1930 and 1937, are Picasso’s most celebrated prints. Many of them concern the relationship between artist and work, or between artist and model.
- [Bitch Playing With Cubs](https://gerrishfineart.com/product/bitch-playing-with-cubs/) - Tarka and his sisters 'reached their mother who lay so still. They spoke to her, nuzzling her with their heads and mewing their hunger. When she did not speak to them they bit her rudder, they cajoled and wheedled, they made angr tossing noises, but she did not move.'
- [The Quay](https://gerrishfineart.com/product/the-quay-2/) - In this state the area of sunlight that dissects the wall in the middle-right foreground has been shaded over and the castle and the distant roofs to the left have been lightened. In a letter to Griggs the poet W. W. Blair-Fish wrote: “This river-quay, this river slowly wending Through a tall city, with untainted
- [St Botolphs Boston](https://gerrishfineart.com/product/st-botolphs-boston-4/) - In this, the final state of the etching, Griggs adds a flock of gulls to the scene reminding us that the tower of this church is visible from the English coast some forty miles away.
- [St Botolphs Boston](https://gerrishfineart.com/product/st-botolphs-boston-2/) - In a letter to Alexander, Griggs described the plate: “The subject is Boston Church - in a very devil-made storm. Three hundred feet of noblest English architecture upreared above the fens - white & unhurt by lightening, wind or sea-flood.” This is the fourth print of the series that Griggs devoted to some of the
- [St Botolphs Boston](https://gerrishfineart.com/product/st-botolphs-boston-3/) - This state bears an etched inscription in Latin which translates as: “To my dear friend Gregory Ould, Monk of the Order of St Benedict, in whose music the church rejoices; as also to St Botolph, illustrious Abbot of the same Order, and of the great and goodly church, here depicted, the Heavenly Patron, this work
- [Sarras](https://gerrishfineart.com/product/sarras/) - The first of two etchings of the city of Sarras; the mythical island kingdom that Joseph of Arimathea fled to from Jerusalem with the Holy Grail in Thomas Malory’s ‘Le Morte d’Arthur’. The subject was an obsession for Griggs, as well as this plate, and ‘Lanterns of Sarras’, there are four watercolours of the subject.
- [The Ford](https://gerrishfineart.com/product/the-ford-5/) - Thought to be the best of the first three states. This scene, though wholly original, may perhaps owe something of its general character to memories of survivals at Campden and Winchcombe, in Gloucestershire, and bears testimony to a love of East Anglia. It is the first of Griggs’s series of imaginary scenes seeming to date
- [XIV Olympic Winter Games](https://gerrishfineart.com/product/xiv-olympic-winter-games/) - Poster created for the XIV Olympic Winter Games in Sarajevo 1984.The poster reproduces Hockney's photo collage 'Skater, New York' of 1982.
- [The Cyder Feast](https://gerrishfineart.com/product/the-cyder-feast/) - The plate from which this was printed is now preserved in the British Museum."In September 1818 Palmer wrote to George Richmond that 'Mr Calvert I found... finishing with surprising rapidity... a beautiful and luxuriant design of the cider pressing: a wood-engraving'. The subject may contain memories of apple harvests that Calvert had perhaps witnessed during
- [La Lutte Continue](https://gerrishfineart.com/product/la-lutte-continue-5/) - Translation: The struggle continues
- [ORTF](https://gerrishfineart.com/product/ortf/) - Translation: ORTF (Office de Radiodiffusion et Television Francaise) - France's public broadcasting agency.
- [Lessons of Last Time](https://gerrishfineart.com/product/lessons-of-last-time/) - From the portfolio 'BUNK', 1972.Bunk was a boxed portfolio of 46 prints, including screen prints and lithographs, many with collaged elements - hand-torn, creased, and adhered to papers and boards in various colours. The project was arranged by Christopher Betambeau, with screenprinting and finishing by Advanced Graphics London and photo-litho arranged by Gordon House.
- [Bonne Action Civique](https://gerrishfineart.com/product/bonne-action-civique/) - Translation: Good civic action - students workers
- [Journal Mural Nixon La Peste](https://gerrishfineart.com/product/journal-mural-nixon-la-peste/) - Translation: Wall Newspaper - Nixon the pest."In all we produced five numbers of this wall newspaper under the symbol of the clenched fist. Our aim was to inform. We wanted to print the truth about the people's struggle, and to give news which the bourgeois press hides or distorts. The news for the paper is
- [De Gaulle/Fascist Salute](https://gerrishfineart.com/product/de-gaulle-fascist-salute/) - De Gaulle/Fascist Salute
- [Trop tard CRS le mouvement populaire n'a pas de temple](https://gerrishfineart.com/product/trop-tard-crs-le-mouvement-populaire-na-pas-de-temple-3/) - Trop tard CRS le mouvement populaire n'a pas de temple
- [Oui](https://gerrishfineart.com/product/oui/) - Translation: Yes
- [Hôpital Psychiatrique](https://gerrishfineart.com/product/hopital-psychiatrique/) - Translation: Psychiatric hospital - police - we denounce police psychiatry! Created for the action comittee of psychiatric medecine. Issued with a manifesto 'La Psychiatrie contre la police', which was signed by the 'psychiatries de la Seine'. (28 May)
- [Leur Campagne Commence Notre Lutte Continue](https://gerrishfineart.com/product/leur-campagne-commence-notre-lutte-continue/) - Translation: Their campaign begins - our struggle continues (June 16). Poster referring to the opening of the campaign for the legislative elections on the 10th of June, 1968. On 30 May 1968, in a radio speech, President Charles de Gaulle had announced the dissolution of the National Assembly and called legislative elections to restore order
- [Leur Campagne Commence Notre Lutte Continue](https://gerrishfineart.com/product/leur-campagne-commence-notre-lutte-continue-3/) - Translation: Their campaign begins - our struggle continues Poster referring to the opening of the campaign for the legislative elections on the 10th of June, 1968. On 30 May 1968, in a radio speech, President Charles de Gaulle had announced the dissolution of the National Assembly and called legislative elections to restore order in the
- [La Police Vous Parle](https://gerrishfineart.com/product/la-police-vous-parle/) - Translation: The Police speak to you every night at 8 p.m.
- [Nous sommes le pouvoir](https://gerrishfineart.com/product/nous-sommes-le-pouvoir-3/) - Extremely rare hand-painted banner.
- [Vermine Fasciste Action Civique](https://gerrishfineart.com/product/vermine-fasciste-action-civique-6/) - Translation: 'Fascist Vermin - Civic Action'.
- [Vermine Fasciste Action Civique](https://gerrishfineart.com/product/vermine-fasciste-action-civique-5/) - Translation: Fascist Vermin, Civic Action
- [Vermine Fasciste Action Civique](https://gerrishfineart.com/product/vermine-fasciste-action-civique-4/) - Translation: Fascist vermine civic action
- [Centre D'Intoxication Civique Veautez](https://gerrishfineart.com/product/centre-dintoxication-civique-veautez/) - Translation: Vote (cattle) - Civic poison centre.
- [Participation: Le Nouvel Opium Du Peuple](https://gerrishfineart.com/product/participation-le-nouvel-opium-du-peuple/) - Translation: Participation - the new opium of the masses
- [Salaires Legers Chars Lourds](https://gerrishfineart.com/product/salaires-legers-chars-lourds/) - Translation: Light Wages - Heavy Tanks. A reference to the tank regiments approaching Paris. (29 May)
- [Travailler Maintenant C'est Travailler Avec Un Pistolet Dans Le Dos](https://gerrishfineart.com/product/travailler-maintenant-cest-travailler-avec-un-pistolet-dans-le-dos-2/) - Translation: To work now is to work with a pistol at your back.
- [Meme Patron Meme Lutte](https://gerrishfineart.com/product/meme-patron-meme-lutte/) - Translation: Same boss same struggle With another lithographic poster printed on the reverse.
- [Pour La Lutte De Tous Les Travailleurs Les Metallos Tiendront](https://gerrishfineart.com/product/pour-la-lutte-de-tous-les-travailleurs-les-metallos-tiendront/) - Translation: For the struggle of all workers - the metalworkers will hold firm (second week of June)
- [Pour la Lutte de tous les Travailleurs Les Metallos Tiendront](https://gerrishfineart.com/product/pour-la-lutte-de-tous-les-travailleurs-les-metallos-tiendront-2/) - Translation: For the struggle of all workers - the metalworkers will hold firm (second week of June)
- [Le Vote A Bulletin Secret Est Une Méthode Du Patron Pour Briser L'unité Ouvrière](https://gerrishfineart.com/product/le-vote-a-bulletin-secret-est-une-methode-du-patron-pour-briser-lunite-ouvriere/) - Translation: Voting by Secret Ballot is the boss's way of breaking the workers' unity. A worker who doesn't dare to speak his opinion before his comrades does not deserve to be called a man.Dating from June 17th, based on a text requested by the Citroën workers, the railwaymen and the postal workers.
- [Le Vote À Bulletin Secret Est Une Méthode Du Patron Pour Briser L'Unité Ouvrière](https://gerrishfineart.com/product/le-vote-a-bulletin-secret-est-une-methode-du-patron-pour-briser-lunite-ouvriere-2/) - Translation: Voting by Secret Ballot is the boss's way of breaking the workers' unity. A worker who doesn't dare to speak his opinion before his comrades does not deserve to be called a man. Dating from June 17th, based on a text requested by the Citroën workers, the railwaymen and the postal workers.
- [Halte A L'expulsion De Nos Camarades Etrangers](https://gerrishfineart.com/product/halte-a-lexpulsion-de-nos-camarades-etrangers/) - Translation: End the expulsion of our foreign comrades.
- [Je Participe, Tu Participes...](https://gerrishfineart.com/product/je-participe-tu-participes/) - Translation: I, you, he, we, you participate - they profit.
- [Voter C'est Mourir un Peu](https://gerrishfineart.com/product/votez-cest-mourir-un-peu/) - Translation: To vote is to die a little
- [En Médecine Comme Partout Plus De Grand Patron](https://gerrishfineart.com/product/en-medecine-comme-partout-plus-de-grand-patron/) - Translation: In the school of medicine like everywhere else, no more big boss
- [Halte A L'Expulsion!](https://gerrishfineart.com/product/halte-a-lexpulsion-4/) - Translation: End deportation! Active support to foreign students and workers who have been expelled or threatened
- [Vous Êtes Tous Couillonnés](https://gerrishfineart.com/product/vous-etes-tous-couillonnes/) - Translation: You are all fools
- [Comité D'Action Civique](https://gerrishfineart.com/product/comite-daction-civique/) - Translation: Civic action committee.
- [Halte A L'Expulsion](https://gerrishfineart.com/product/halte-a-lexpulsion-2/) - Translation: End deportation! Active support to foreign students and workers who have been expelled or threatened.
- [Finissons en Ave le Capital Revolution Libertaire](https://gerrishfineart.com/product/finissons-en-avec-le-capital-revolution-libertaire/) - Translation: Lets get rid of Capitalism - Libertarian Revolution!
- [Nous Sommes Le Pouvoir](https://gerrishfineart.com/product/nous-sommes-le-pouvoir-2/) - Translation: We are the Power.
- [Le Pouvoir c'est l'Affaire de Tous](https://gerrishfineart.com/product/le-pouvoir-cest-laffaire-de-tous/) - Translation: Power is everyone's business
- [La Parole est à Nous](https://gerrishfineart.com/product/la-parole-est-a-nous/) - Translation: Its our turn to speak
- [Black Poplar Pond](https://gerrishfineart.com/product/black-poplar-pond/) - This work depicts Oxenbridge Pond in Iden. Oxenbridge farm was owned by Bertram Buchanan. The Nashes first visited Buchanan and his wife in July 1920 and continued to stay there regularly: in 1925 the Nashes moved from Dymchurch to Oxenbridge Cottage which they rented from the Buchanans until they moved to Rye in 1930. This
- [Festival Mondial de la Jeunesse et des Etudiants pour la Paix](https://gerrishfineart.com/product/festival-mondial-de-la-jeunesse-et-des-etudiants-pour-la-paix/) - Linen scarf designed by Picasso to commemorate the World Festival of Youth and Students for Peace held in Berlin from the 5th to the 19th of August 1951. Very rare in such good condition with fresh colours. Picasso frequently designed posters or scarves to aid causes he believed to be important.The dove of peace takes
- [Profil de Jacqueline au Foulard](https://gerrishfineart.com/product/profil-de-jacqueline-au-foulard/) - The Jacqueline of this early linocut shows a forceful personality, rather in contrast to the much sweeter linocut portraits of the 1960's. William Rubin considered this subject to be the most revealing portrait of Jacqueline across all media. "The end of 1955 would witness Picasso's most penetrating image of Jacqueline, a linoleum print that plumbs
- [Le Verre Sous la Lampe](https://gerrishfineart.com/product/le-verre-sous-la-lampe/) - Le Verre Sous la Lampe
- [BOUQUET DANS UN VASE](https://gerrishfineart.com/product/bouquet-dans-un-vase/) - BOUQUET DANS UN VASE
- [Picador](https://gerrishfineart.com/product/picador/) - Picador
- [Mixed Styles: Regency - Victorian - Modern](https://gerrishfineart.com/product/mixed-styles-regency-victorian-modern/) - John Piper and his friend John Betjeman produced this work as part of the attempt to stop the redevelopment of the Georgian Brighton Seafront. "This view is drawn looking westwards along the promenade to Brunswick Terrace, at the point where Bedford Square opens out on to the front. The corner house is one of the
- [The First Avenue Hotel, Hove](https://gerrishfineart.com/product/the-first-avenue-hotel-hove/) - John Piper and his friend John Betjeman produced this work as part of the attempt to stop the redevelopment of the Georgian Brighton Seafront. "The yellow-brick end of Hove has many charms. Going west from the West Pier one passes buildings that gradually become later in date, and on reaching First Avenue one is in
- [The Royal Pavilion](https://gerrishfineart.com/product/the-royal-pavilion/) - John Piper and his friend John Betjeman produced this work as part of the attempt to stop the redevelopment of the Georgian Brighton Seafront. "Built for George IV when Prince Regent. First he enlarged a villa on the site, till it became a prepossessing Regency house. Then he commissioned Porden to build stables (now the
- [Kemp Town](https://gerrishfineart.com/product/kemp-town/) - John Piper and his friend John Betjeman produced this work as part of the attempt to stop the redevelopment of the Georgian Brighton Seafront. "The double curve of Regency buildings shown here forms part of the beautiful spacious layout of Kemp Town. Wide, elaborate curved blocks of houses here sweep away from the sea front,
- [Regency Square from the West Pier](https://gerrishfineart.com/product/regency-square-from-the-west-pier/) - John Piper and his friend John Betjeman produced this work as part of the attempt to stop the redevelopment of the Georgian Brighton Seafront. "A dazzling white meringue, brittle and sweet, the pier has none of that delicate efficiency that the old chain pier possessed. The town was first in the English field with a
- [Regency Square](https://gerrishfineart.com/product/regency-square/) - John Piper and his friend John Betjeman produced this work as part of the attempt to stop the redevelopment of the Georgian Brighton Seafront. "Regency Square is laid out on a gentle slope in the 'best part' of Hove. The West Pier runs straight out to sea in front of it. The terrace of houses
- [Brighton from the Station Yard](https://gerrishfineart.com/product/brighton-from-the-station-yard/) - This piece is hand-coloured by John Betjemen. John Piper and his friend John Betjeman produced this work as part of the attempt to stop the redevelopment of the Georgian Brighton Seafront. "This is the first view of Brighton which many visitors get. Perhaps after a stuffy train journey it is disappointing not to find oneself
- [The Chapel Of St George Kemp Town](https://gerrishfineart.com/product/the-chapel-of-st-george-kemp-town/) - John Piper and his friend John Betjeman produced this work as part of the attempt to stop the redevelopment of the Georgian Brighton Seafront. "This building stands in a small quiet square in Kemp Town, not far from the sea front. It was built in the 1820s by Wild and Busby, architects. (Busby was probably
- [Brunswick Terrace](https://gerrishfineart.com/product/brunswick-terrace/) - John Piper and his friend John Betjeman produced this work as part of the attempt to stop the redevelopment of the Georgian Brighton Seafront. "Brunswick Terrace and Brunswick Square, Hove, were designed by an architect named Wild, who did other work at Brighton, including the Royal Chapel of St. George. His work is representative of
- [St Bartholomew's Church](https://gerrishfineart.com/product/st-bartholomews-church/) - John Piper and his friend John Betjeman produced this work as part of the attempt to stop the redevelopment of the Georgian Brighton Seafront. "This extraordinary red-brick pile dominates the busy Brighton streets in the region below the railway station and to the north of the Royal Pavilion. It was built in the '80's of
- [Bedford Square](https://gerrishfineart.com/product/bedford-square/) - John Piper and his friend John Betjeman produced this work as part of the attempt to stop the redevelopment of the Georgian Brighton Seafront. "A small square, opening onto the promenade at Hove, just east of Brunswick Terrace and the new Embassy Court building. The Regency houses are stuccoed, and some of them painted in
- [The Metropole Hotel from the West Pier](https://gerrishfineart.com/product/the-metropole-hotel-from-the-west-pier/) - John Piper and his friend John Betjeman produced this work as part of the attempt to stop the redevelopment of the Georgian Brighton Seafront. "The Metropole and the Grand are two enormous hotels that change the whole nature of the part of Brighton front between the two piers. But it is only a change from
- [Vive la Lutte Anti-Imperialiste](https://gerrishfineart.com/product/vive-la-lutte-anti-imperialiste/) - Translation: Long live the anti imperialist battle.
- [Ironmaster's Folly](https://gerrishfineart.com/product/ironmasters-folly/) - In the 1930s, Paul Nash and his wife Margaret made friends with Clare Neilson and her wealthy husband Charles. Paul was a regular visitor to their house, Madams, in Gloucestershire. It was during a visit there in 1941 that Nash painted the brick ‘folly’ that Charles had constructed in their extensive garden, and which he
- [Ruin in the Forest of Dean,](https://gerrishfineart.com/product/ruin-in-the-forest-of-dean/) - Ruin in the Forest of Dean depicts a derelict ivy-shrouded building, caught between a tree in the foreground and a deep expanse of hills, sky, and clouds beyond to the right. There is a strong compositional contrast between the tree and the ruin, set in a markedly shallow area of space, and the landscape which
- [Contemplation](https://gerrishfineart.com/product/contemplation/) - One of twelve woodcuts used to illustrate Nash's book "Genesis', 1924.
- [Hanging Garden](https://gerrishfineart.com/product/hanging-garden/) - Hanging Garden
- [The Face of the Waters](https://gerrishfineart.com/product/the-face-of-the-waters/) - One of twelve woodcuts used to illustrate Nash's book "Genesis', 1924.
- [The Sea Wall](https://gerrishfineart.com/product/the-sea-wall-2/) - This is the first of a series of four wood engravings that Nash created of the bay and sea wall at Dymchurch in Kent, a subject that he drew, painted and photographed frequently in this period. The group of prints comprises: ‘The Sea Wall’ (1920), ‘Promenade I’ (1920), ‘Promenade II’ (1920) and ‘The Bay’ (1922).
- [The Void](https://gerrishfineart.com/product/the-void/) - One of twelve woodcuts used to illustrate Nash's book "Genesis', 1924.
- [Icknield Way](https://gerrishfineart.com/product/icknield-way/) - Icknield Way
- [The Landscape through the Window and through the Looking Glass](https://gerrishfineart.com/product/the-landscape-through-the-window-and-through-the-looking-glass/) - This watercolour was created on a trip to Gloucestershire in 1945, during which Nash and his wife Margaret stayed at the Rising Sun Hotel, perched on top of Cleeve Hill. Nash painted several watercolours of the sweeping views through the hotel windows; in this piece Nash playfully placed a mirror next to the window to
- [Les Frontieres On S'En Fout!](https://gerrishfineart.com/product/les-frontieres-on-sen-fout/) - Translation: Borders - we don't give a damn
- [La Police A L'ORTF C'est La Police Chez Vous](https://gerrishfineart.com/product/la-police-a-lortf-cest-la-police-chez-vous/) - Translation: Police at the ORTF means police in your home A response to the police occupation of the ORTF headquarters on the 4th of June.
- [La Detente S'Amorce](https://gerrishfineart.com/product/la-detente-samorce-2/) - Translation: The situation is improving Created in response to the police invasion of Renault-Flins at dawn on June the 6th (June 7 or 8).
- [Peugeot Patrons Police 2 Morts](https://gerrishfineart.com/product/peugeot-patrons-police-2-morts/) - Translation: Peugeot - Bosses - Police - 2 Dead This poster was made in response to the death of two protesters at the Sochaux Peugeot factory on the 11th of June (June 13).
- [L'Elan Est Donne Pour Une Lutte Prolongee](https://gerrishfineart.com/product/lelan-est-donne-pour-une-lutte-prolongee-3/) - Translation: Momentum is high for a prolonged struggle. One of the last posters produced on the slogan of the 'prolonged struggle' (20-25 June).
- [L'Elan Est Donne Pour Une Lutte Prolongee](https://gerrishfineart.com/product/lelan-est-donne-pour-une-lutte-prolongee-2/) - Translation: Momentum is high for a prolonged struggle. One of the last posters produced on the slogan of the 'prolonged struggle' (20-25 June).
- [L'Elan Est Donné Pour Une Lutte Prolongée](https://gerrishfineart.com/product/lelan-est-donne-pour-une-lutte-prolongee/) - Translation: Momentum is high for a prolonged struggle. One of the last posters produced on the slogan of the 'prolonged struggle' (20-25 June).
- [Le Vote Ne Change Rien La Lutte Continue](https://gerrishfineart.com/product/le-vote-ne-change-rien-la-lutte-continue/) - Translation: The vote changes nothing - the struggle continues (June 25th). Poster addressing the commitment to continue the struggle despite the largely Gaullist win at the legislative elections on June 23.
- [Travailleurs de Renault-Flins La Victoire Est A Nous](https://gerrishfineart.com/product/travailleurs-de-renault-flins-la-victoire-est-a-nous-2/) - Translation: Worker's of Renault Flins - Victory is yours The proclamation of the action committee of Renault-Flins, after the rejection of the Grenelle Agreements by the general assembly of Billancourt. (28 May).
- [Travailleurs De Renault-Flins La Victoire Est A Nous](https://gerrishfineart.com/product/travailleurs-de-renault-flins-la-victoire-est-a-nous/) - Translation: Workers of Renault-Flins - Victory is ours. The proclamation of the action committee of Renault-Flins, after the rejection of the Grenelle Agreements by the general assembly of Billancourt. (28 May).
- [L'Intox Vient A Domicile](https://gerrishfineart.com/product/lintox-vient-a-domicile/) - Translation: Poison is coming into your home ( May 25 or June 3) Produced at the request of the ORTF strikers.
- [Soutenez Les Grevistes De Renault Flins](https://gerrishfineart.com/product/soutenez-les-grevistes-de-renault-flins/) - Translation: Support the strikers of Renault-Flins - its up to all of us to assure our future - fight on! This poster was requested by the action committees of Renault, at both Flins and Billancourt (May 25).
- [Travailleurs Unis - Français Immigrés](https://gerrishfineart.com/product/travailleurs-unis-francais-immigres/) - Translation: Workers United - French/Immigrant. This slogan emerged around the 22nd of May when it was adopted by the strikers at Citroen.
- [Travailleurs Unis](https://gerrishfineart.com/product/travailleurs-unis/) - Translation: Workers Unite - French/Immigrant. This slogan emerged around the 22nd of May when it was adopted by the strikers at Citroen.
- [L'Etat C'est Moi](https://gerrishfineart.com/product/letat-cest-moi/) - Translation: I am the State.Produced during the fourth week of May, a scathing portrait of De Gaulle with a fist brandishing a CRS baton.
- [Ensemble Étudiants Travailleurs](https://gerrishfineart.com/product/ensemble-etudiants-travailleurs/) - Translation: Students Workers Together (17 May)
- [Leur Campagne Commence Notre Lutte Continue](https://gerrishfineart.com/product/leur-campagne-commence-notre-lutte-continue-2/) - Translation: Their campaign begins - our struggle continues. Poster referring to the opening of the campaign for the legislative elections on the 10th of June, 1968. On 30 May 1968, in a radio speech, President Charles de Gaulle had announced the dissolution of the National Assembly and called legislative elections to restore order in the
- [Frey](https://gerrishfineart.com/product/frey-2/) - Translation: Frey - civic action - Chief of the Infomers - Murderer of Charonne - Boss of the Strikebreakers. This poster refers to Robert Frey, a Gaullist politician (Minister of Information (1959-60), Minister of the Interior (1961-67), Minister of State (1967-68) who was reviled for his role in the violent crackdown on protests against the
- [Frey](https://gerrishfineart.com/product/frey/) - Translation: Frey - civic action - Chief of the Infomers - Murderer of Charonne - Boss of the Strikebreakers. This poster refers to Robert Frey, a Gaullist politician (Minister of Information (1959-60), Minister of the Interior (1961-67), Minister of State (1967-68) who was reviled for his role in the violent crackdown on protests against the
- [Frey - Action Civique](https://gerrishfineart.com/product/frey-action-civique/) - Translation: Frey - civic action - chief of the informers - murderer of Charonne - Boss of the strikebreakers. This poster refers to Robert Frey, a Gaullist politician (Minister of Information (1959-60), Minister of the Interior (1961-67), Minister of State (1967-68) who was reviled for his role in the violent crackdown on protests against the
- [The Pot Boiling](https://gerrishfineart.com/product/the-pot-boiling-fundevogel/) - This is the third illustration for the ‘Fundevogel’ fairytale, and depicts the boiling pot in which the cook planned to cook Fundevogel. This is one of several plates in the series which depicts an isolated object, detached from its surroundings, in order to “stress the magic qualities of objects in themselves”. This is one of
- [A Portfolio of Twenty Four Wood-Engravings by Paul Nash](https://gerrishfineart.com/product/a-portfolio-of-twenty-four-wood-engravings-by-paul-nash/) - A portfolio of 24 wood engravings taken from the original blocks, 8 of the blocks from the collection of the V & A and 16 blocks that came to Garton and Cooke from the Curwen Press. The publication of this portfolio of prints by Paul Nash presents a rare opportunity of studying the range and
- [Headpiece 2: The Harbour](https://gerrishfineart.com/product/headpiece-2-the-harbour/) - Preparatory proof for ‘The Engravings of David Jones - A Survey’. From a set of engravings David Jones produced for ‘The Rime of the Ancient Mariner’ by Samuel Taylor Coleridge, originally published by Douglas Cleverdon in 1929.
- [Daisy Monica](https://gerrishfineart.com/product/daisy-monica/) - As published in the portfolio 'Edgar Holloway: Etchings and Engravings'. This is a portrait of Holloway's first wife, Daisy Monica Hawkins, who he married in 1943.
- [Tregonnick Tail - Morning](https://gerrishfineart.com/product/tregonnick-tail-morning/) - One of twelve etchings in the series 'From Trevose Head to Tintagel', inspired by the coast of North Cornwall.
- [Still Life](https://gerrishfineart.com/product/still-life/) - This piece is the only example of a hand-drawn lithograph in Hitchen’s oeuvre. From the second series of ‘Contemporary Lithographs’. ‘Contemporary Lithographs was a pioneering scheme set up by Robert Wellington, who had helped make Zwemmer's the centre for modern art in the 1930s, and the artist John Piper. Their inspiration was to take good
- [Winter Evening - Wharfedale](https://gerrishfineart.com/product/winter-evening-wharfedale/) - Titled, numbered from the edition of 90, signed and dated by the artist in pencil. Printed on watermarked BFK Rives wove paper.
- [Nowt Bield](https://gerrishfineart.com/product/nowt-bield/) - One of twelve etchings in the series 'Orkney'.
- [Marwick Head](https://gerrishfineart.com/product/marwick-head/) - One of twelve etchings in the series 'Orkney'.
- [Home](https://gerrishfineart.com/product/home-the-boy-who-left-home-to-learn-fear/) - This etching is the first illustration from ‘The boy who left home to learn fear’ tale, which tells the story of a boy who leaves home to learn how to shudder. The design was taken from a drawing Hockney made of the library of the art collectors Sheridan and Lindy Dufferin’s house in Ireland. Although
- [Head of a Man](https://gerrishfineart.com/product/head-of-a-man/) - A portrait of performance artist Leigh Bowery. Freud was introduced to Bowery in 1988 by the artist Cerith Wyn Evans, having been impressed by Bowery's performance at the Anthony d'Offay Gallery that year. Bowery went on to pose regularly for Freud over the four year period leading up to to his sudden death in 1994.
- [Twin Form Series](https://gerrishfineart.com/product/pair-of-reclining-forms/) - Twin Form Series
- [Twin Form](https://gerrishfineart.com/product/twin-form/) - A very early example of Locke's Twin Forms
- [The Shire Stallion](https://gerrishfineart.com/product/the-shire-stallion/) - From 'The C. F. Tunnicliffe Memorial Collection Part One'. The engravings have been printed with the kind permission of the Tunnicliffe Estate.
- [Red Forme with Small Green Segment](https://gerrishfineart.com/product/red-forme-with-small-green-segment/) - Red Forme with Small Green Segment
- [Series 6 + 2 x 6 Dark Green](https://gerrishfineart.com/product/series-6-2-x-6-dark-green/) - Gordon House described this series of lithographs in his catalogue 'Gordon House Editions 1982-1996': 'The need to reassess one's regional origin and the opportunity to travel the motorways. The rapid changes in terrain now approachable by recent roads exposing differences between counties within travelling minutes. The sense of culture changes, old names and language. The
- [Series 6 + 2 x 6 Slate](https://gerrishfineart.com/product/series-6-2-x-6-slate/) - Gordon House described this series of lithographs in his catalogue 'Gordon House Editions 1982-1996': 'The need to reassess one's regional origin and the opportunity to travel the motorways. The rapid changes in terrain now approachable by recent roads exposing differences between counties within travelling minutes. The sense of culture changes, old names and language. The
- [Series 7 + 2 x 6 Beige](https://gerrishfineart.com/product/series-7-2-x-6-beige/) - Gordon House described this series of lithographs in his catalogue 'Gordon House Editions 1982-1996': 'The need to reassess one's regional origin and the opportunity to travel the motorways. The rapid changes in terrain now approachable by recent roads exposing differences between counties within travelling minutes. The sense of culture changes, old names and language. The
- [Series 5 + 2 x 6 Olive Green](https://gerrishfineart.com/product/series-5-2-x-6-olive-green/) - Gordon House described this series of lithographs in his catalogue 'Gordon House Editions 1982-1996': 'The need to reassess one's regional origin and the opportunity to travel the motorways. The rapid changes in terrain now approachable by recent roads exposing differences between counties within travelling minutes. The sense of culture changes, old names and language. The
- [Series 5 + 2 x 6 Nearly Black](https://gerrishfineart.com/product/series-5-2-x-6-nearly-black/) - Gordon House described this series of lithographs in his catalogue 'Gordon House Editions 1982-1996': 'The need to reassess one's regional origin and the opportunity to travel the motorways. The rapid changes in terrain now approachable by recent roads exposing differences between counties within travelling minutes. The sense of culture changes, old names and language. The
- [Series 5 + 2 x 6 Dark Grey](https://gerrishfineart.com/product/series-5-2-x-6-dark-grey/) - Gordon House described this series of lithographs in his catalogue 'Gordon House Editions 1982-1996': 'The need to reassess one's regional origin and the opportunity to travel the motorways. The rapid changes in terrain now approachable by recent roads exposing differences between counties within travelling minutes. The sense of culture changes, old names and language. The
- [Series 6 x 9 Brown](https://gerrishfineart.com/product/series-6-x-9-brown/) - Gordon House described this series of lithographs in his catalogue 'Gordon House Editions 1982-1996': 'The need to reassess one's regional origin and the opportunity to travel the motorways. The rapid changes in terrain now approachable by recent roads exposing differences between counties within travelling minutes. The sense of culture changes, old names and language. The
- [Series 6 x 7 Yellow](https://gerrishfineart.com/product/series-6-x-7-yellow/) - Gordon House described this series of lithographs in his catalogue 'Gordon House Editions 1982-1996': 'The need to reassess one's regional origin and the opportunity to travel the motorways. The rapid changes in terrain now approachable by recent roads exposing differences between counties within travelling minutes. The sense of culture changes, old names and language. The
- [Highbury Quadrant](https://gerrishfineart.com/product/highbury-quadrant/) - This print is the result of a commission House received to create a multi-process print to appear in the IAA Portfolio alongside works by several other artists. He wrote 'this print, although geometrically controlled, has other connotations, hence the titles - Quadrant (arc), Highbury (local area), Highbury Quadrant (address close by studio), also name of
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- [Celt Green](https://gerrishfineart.com/product/celt-green/) - Celt Green
- [Dial Set One](https://gerrishfineart.com/product/dial-set-one/) - Gordon House wrote that the 'Dial Set' series of six screenprints explored 'the simple division of the old familiar clock/watch dial prior to digital time. The circular division of twelve allowing for suggestions of advertising and other media forms mostly from magazines and signs. An interest in photographic interpretation led me to the idea that
- [Orange](https://gerrishfineart.com/product/orange/) - This work is from the very first series of screenprints ever produced by Gordon House. It holds a particular interest in the broader history of the printmaking revolution which took place in Britain in the 1960s as the prints from this series are also the very first fine art screenprints ever produced at Kelpra.The artist
- [Grey](https://gerrishfineart.com/product/grey/) - This work is from the very first series of screenprints ever produced by Gordon House. It holds a particular interest in the broader history of the printmaking revolution which took place in Britain in the 1960s as the prints from this series are also the very first fine art screenprints ever produced at Kelpra.The artist
- [Brown](https://gerrishfineart.com/product/brown/) - This work is from the very first series of screenprints ever produced by Gordon House. It holds a particular interest in the broader history of the printmaking revolution which took place in Britain in the 1960s as the prints from this series are also the very first fine art screenprints ever produced at Kelpra.The artist
- [Blue](https://gerrishfineart.com/product/blue/) - This work is from the very first series of screenprints ever produced by Gordon House. It holds a particular interest in the broader history of the printmaking revolution which took place in Britain in the 1960s as the prints from this series are also the very first fine art screenprints ever produced at Kelpra.The artist
- [Square Maze Border Red/Green](https://gerrishfineart.com/product/square-maze-border-red-green/) - Square Maze Border Red/Green
- [Barnack](https://gerrishfineart.com/product/barnack-3/) - The subject is the Church of St John the Baptist, with its Saxon tower, in Barnack, Northamptonshire. The tower has an unusual octagonal belfry stage and a broach spire dating from the twelfth-century. The village of Barnack is near Stamford, on the edge of the Fens, between the River Welland and River Nene.
- [3 Continents 1 Révolution](https://gerrishfineart.com/product/3-continents-1-revolution/) - Translation: 3 continents 1 revolution.
- [Untitled (Hommage à Picasso)](https://gerrishfineart.com/product/untitled-hommage-a-picasso-23/) - Untitled (Hommage à Picasso)
- [Dyke by the Road](https://gerrishfineart.com/product/dyke-by-the-road-2/) - The composition is very similar to Nash's 1922 watercolour 'Dyke by the Road' (Causey 349).
- [Dark Lake](https://gerrishfineart.com/product/dark-lake-3/) - Dark Lake
- [Three Kings](https://gerrishfineart.com/product/three-kings/) - Preparatory proof for ‘The Engravings of David Jones - A Survey’.
- [‘A Young Shepherd on a Journey'](https://gerrishfineart.com/product/a-young-shepherd-on-a-journey/) - After William Blake’s woodcut No IX from Thornton’s Virgil. An oil version of this picture is Illustrated in Raymond's Lister's Edward Calvert pl. XLVII The provenance is such that it brings together three of the key artists surrounding the informally named "Ancients'. The work is after a woodcut by William Blake, was created by Edward
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- [The Window Cleaner, Chelsea](https://gerrishfineart.com/product/the-window-cleaner-chelsea/) - Trimmed to the platemark by the artist. The use of olive brown coloured ink is reminiscent of James Mcneil Whistler's Venice etchings, which he made 10 years earlier. An inscription on the mount of an impression sold at Christie's, London, April 13th, 1989, identified the location of the house as 'the Corner of Gunter Grove,'
- [Rêves d'après-midi](https://gerrishfineart.com/product/reves-dapres-midi/) - Rêves d'après-midi
- [Toilette](https://gerrishfineart.com/product/toilette/) - Toilette
- [15-inch Gun Turret, HMS Repulse](https://gerrishfineart.com/product/15-inch-gun-turret-hms-repulse/) - Original lithographic poster commissioned by the War Artists Advisory Committee of the Ministry of Information. Barnett Freedman was one of the first artists to be commissioned by the War Artists Advisory Committee at the start of the Second World War. In July 1941 he was sent to work for the Admiralty, and specifically on the
- [Abstract 2](https://gerrishfineart.com/product/abstract-2/) - Abstract 2
- [Winter Wood](https://gerrishfineart.com/product/winter-wood-3/) - This print is plate seven of seven designed by Paul Nash for the book 'Places' published by William Heinemann Ltd in 1922.
- [Untitled (Hommage à Picasso)](https://gerrishfineart.com/product/untitled-hommage-a-picasso-21/) - Untitled (Hommage à Picasso)
- [Pool made with Paper and Blue Ink for Book](https://gerrishfineart.com/product/pool-made-with-paper-and-blue-ink-for-book/) - The subject of the swimming pool is inextricably linked with David Hockney, and appears countless times in his paintings, prints, drawings and photographs, from the sixties onwards. In 1964, as he flew into Los Angeles for the very first time, Hockney was struck by how prevalent pools were in California, “I looked down to see
- [Surfleet](https://gerrishfineart.com/product/surfleet/) - An illustration for 'Highways and Byways in Lincolnshire'.
- [The Cyder Feast](https://gerrishfineart.com/product/the-cyder-feast-3/) - The plate from which this was printed is now preserved in the British Museum. "In September 1818 Palmer wrote to George Richmond that 'Mr Calvert I found... finishing with surprising rapidity... a beautiful and luxuriant design of the cider pressing: a wood-engraving'. The subject may contain memories of apple harvests that Calvert had perhaps witnessed
- [Old St Michael's, St. Albans](https://gerrishfineart.com/product/old-st-michaels-st-albans/) - Illustration for 'Highways and Byways in Hertfordshire'.
- [A Dryad](https://gerrishfineart.com/product/a-dryad/) - A Dryad
- [Sinister Night](https://gerrishfineart.com/product/1608/) - This print, a depiction of a couple sauntering along a cobbled back street in Paris, vividly captures the somewhat menacing and sordid nocturnal world of the French city, one of deep shadows and glaring artificial electric street light. Black describes it as “the most Vorticist in style of all of Nevinson’s post war prints” and
- [My Pool and Terrace](https://gerrishfineart.com/product/my-pool-and-terrace/) - This etching depicts the terrace, garden and swimming pool of Hockney’s home on Montcalm Avenue, high up in the Hollywood Hills. The house was situated in south-east Santa Monica, an area of great natural beauty, set in the midst of bountiful canyons filled with flora, fauna and animals, and had a kidney shaped pool surrounded
- [Sellenger](https://gerrishfineart.com/product/sellenger-3/) - Drawn on the old Carnagh etching plate, resurfaced. ‘In the last two states, the softened radiance of an exceedingly beautiful sky, intensify alike the spirit of locality and dream-like remoteness which characterize the scene.’ - Francis Comstock
- [North Aisle of St James Church](https://gerrishfineart.com/product/north-aisle-of-st-james-church/) - Proof taken by the artist before the pubilcation of the book.
- [Campden](https://gerrishfineart.com/product/campden/) - Campden, Twenty Four Engravings After Pen Drawings, Oxford: Shakespeare Head Press, 1940, half-title, twenty-four wood-engraved plates after drawings by Griggs.
- [Camden Church Tower and the Fir Tree](https://gerrishfineart.com/product/camden-church-tower-and-the-fir-tree/) - Proof taken by the artist before the pubilcation of the book.
- [Food and Drink](https://gerrishfineart.com/product/food-and-drink/) - The very rare pamphlet of the speach given by Grigg's to the Campden Branch of the Women's Instisture in 1938. The pattern on the cover of the pamphlet is designed by Griggs himself.
- [Saintbury](https://gerrishfineart.com/product/saintbury/) - An illustration for 'Highways and Byways in Oxford and the Cotswolds
- [Over Wratten, Hitchin](https://gerrishfineart.com/product/over-wratten-hitchin/) - An illustration for 'Highways and Byways in Hertfordshire'.
- [Coningsby](https://gerrishfineart.com/product/coningsby/) - An illustration for 'Highways and Byways of Lincolnshire
- [Faringdon Folly](https://gerrishfineart.com/product/faringdon-folly/) - Drawn on white paper cut down to its edgs and mounted on board, the drawing was then covered with a pale green wash. An illustration for 'Highways and Byways in Berkshire'.
- [A Hillside House and Garden](https://gerrishfineart.com/product/a-hillside-house-and-garden/) - An illustration for 'The Studio, vol.37.
- [Evesham Bridge](https://gerrishfineart.com/product/evesham-bridge/) - Evesham Bridge
- [St Ippolyts](https://gerrishfineart.com/product/st-ippolyts-3/) - The subject is a small village church only a few miles from the artist’s birthplace in Hitchin. Griggs described this plate: “St Ippolyts is one of the places that pilgrims to Sarras see, & I don’t think it’s very far away. For me its the heart of that lost country - Oh God, how lovely
- [Launds](https://gerrishfineart.com/product/launds/) - Trimmed to the plate by the artists.
- [Rapunzel Growing in the Garden](https://gerrishfineart.com/product/rapunzel-growing-in-the-garden/) - This is the first illustration that Hockney made for the ‘Rapunzel’ tale, and depicts the pregnant woman staring longingly at the enchantress’s rapunzels from her window, the beginning of her downfall. Hockney revealed that this etching was fully invented, one of only a few from the series with no references at all, “I just made
- [Almshouse at Petworth.](https://gerrishfineart.com/product/almshouse-at-petworth/) - An illustration for 'Highways and Byways in Sussex'.
- [Court Farmyard in the Snow](https://gerrishfineart.com/product/court-farmyard-in-the-snow/) - This work relates to a drawing in Grigg's watercolour record from 1910.
- [The Coopers Arm, 1886](https://gerrishfineart.com/product/the-coopers-arm-1886/) - The Coopers Arm, 1886
- [Water Meadows at Puckeridge](https://gerrishfineart.com/product/water-meadows-at-puckeridge/) - An illustration for 'Highways and Byways in Hertfordshire.
- [Unitiled](https://gerrishfineart.com/product/unitiled/) - Drawn whilst he was under the pupilage of the well known architect and draughtsman Charles Edward Mallows
- [Brympton d'Evercy](https://gerrishfineart.com/product/brymton-devercey/) - A pencil study of Brymton D'Evercy in Dorset. The building of the house began in the thirteenth century and was added to over the course of the next 600 years. The rear of the building, as shown in this drawing , has similar architectural qualities to Grigg's etching 'Palace Farm'. It was Griggs' knowledge of
- [Besselsleigh](https://gerrishfineart.com/product/besselsleigh/) - Drawn on white paper, laid onto board. An illustration for 'Highways and Byways in Berkshire'.
- [Whitchurch - An Old House](https://gerrishfineart.com/product/whitchurch-an-old-house/) - Drawn on white paper, laid onto board. An illustration for 'Highways and Byways in Buckhinghamshire'.
- [Cedars at Nevern](https://gerrishfineart.com/product/cedars-at-nevern/) - An illustration for 'Highways and Byways of South Wales'
- [Tattershall](https://gerrishfineart.com/product/tattershall-4/) - The subject is the fifteenth century collegiate church in Tattershall, Lincolnshire. It was a scene dear to the artist’s heart, portraying the special quality of the English landscape, unspoilt for more than four and a half centuries.
- [The Early Ploughman](https://gerrishfineart.com/product/the-early-ploughman-7/) - A beautiful proof impression.Even though several impressions of the sixth state are inscribed ‘finished state’ this is mis-leading as Samuel Palmer created a seventh state through the addition of new work. Having personally done all the stopping out he entrusted his son, A.H. Palmer, to re-bite the plate, ‘very carefully’, in order to facilitate the
- [The Icknield Way at Cadwell](https://gerrishfineart.com/product/the-icknield-way-at-cadwell/) - Illustration for 'Highways and Byways in Hertfordshire'.
- [The 'Boot' Inn](https://gerrishfineart.com/product/the-boot-inn/) - The 'Boot' Inn
- [The Biggin](https://gerrishfineart.com/product/the-biggin/) - The Biggin
- [The Market Place, 1830](https://gerrishfineart.com/product/the-market-place-1830/) - The Market Place, 1830
- [Giant](https://gerrishfineart.com/product/giant/) - One of five wood engravings from the ‘Side Show’ series. The five engravings comprise ‘Tattooed Man’, ‘Bearded Lady’, ‘Midget’, ‘Giant’ and ‘Fat Boy’. “These works were intended as a statement that there is no ideal beauty...We have these idealised ideas of image but the thesis behind these...is to celebrate that everyone is beautiful for what
- [Midget](https://gerrishfineart.com/product/midget/) - One of five wood engravings from the ‘Side Show’ series. The five engravings comprise ‘Tattooed Man’, ‘Bearded Lady’, ‘Midget’, ‘Giant’ and ‘Fat Boy’. “These works were intended as a statement that there is no ideal beauty...We have these idealised ideas of image but the thesis behind these...is to celebrate that everyone is beautiful for what
- [Ravenscar](https://gerrishfineart.com/product/ravenscar/) - Plate 6 from the portfolio 'Saltburn to Flamborough' published in 2014."The headland at Raven Hill was the site of a Roman signal station on the southern bluff of Robin Hood's bay. The proposed new resort town of Ravenscar was started here in 1895 but went bankrupt in 1913".
- [The Princess Searching](https://gerrishfineart.com/product/the-princess-searching/) - This etching is the fourth and final illustration from ‘The Little Sea Hare’ tale. David Hockney wrote, “finally he changes into this sea-hare - which is some mythical creature like a unicorn - and he hides himself in her hair. So when she looks through her windows, because none of her windows is a mirror
- [Solway Moss](https://gerrishfineart.com/product/solway-moss-2/) - Drawn and etched by J.M.W. Turner and engraved by T. Lupton. The first of four plates to be engraved by Thomas Lupton. It was due to his apprenticeship to Clint, who had engraved the Peat Bog as well as the celebrated Procris and Cephalus, that he met Turner and was able to solicit from him
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- [Young Playwrights Festival](https://gerrishfineart.com/product/young-playwrights-festival/) - Poster created for the Young Playwrights Festival held from 27 April - 16 May, 1982, in New York.The poster reproduces a detail from Hockney's 'Pulcinella with Applause' of 1980.
- [Illustrationen zu Grimms Fairy Tales](https://gerrishfineart.com/product/illustrationen-zu-grimms-fairy-tales/) - Poster created for an exhibition of Hockney's series of etchings for 'Six Fairy Tales From The Brothers Grimm' published in 1969. The exhibition took place at Ziegler Editionen and Grafik in Zurich from 19 October - 27 November 1971.The poster reproduces Hockney's etching and aquatint 'He Tore Himself in Two' of 1969.
- [Hockney Paints the Stage](https://gerrishfineart.com/product/hockney-paints-the-stage/) - Poster created for Hockney's exhibition 'Hockney Paints the Stage' at the Walker Art Centre, 20 November 1983 - 22 January 1984.The poster reproduces Hockney's painting 'Les Mamelles de Tiresias' of 1980.
- [Hockney Paints the Stage](https://gerrishfineart.com/product/hockney-paints-the-stage-3/) - Poster created for Hockney's exhibition 'Hockney Paints the Stage' at the Walker Art Centre, 20 November 1983 - 22 January 1984.The poster reproduces Hockney's painting 'Ravel's Garden with Night Glow' of 1980.
- [Travels with Pen, Pencil and Ink](https://gerrishfineart.com/product/travels-with-pen-pencil-and-ink/) - Poster created for Hockney's exhibition 'Travels with Pen, Pencil and Ink' held at the Tate Gallery, London, July 2 - August 3 1980.The poster reproduces Hockney's crayon drawing 'Celia in a Black Dress with White Flowers' of 1972.Eric Shanes writes of this poster in his foreword essay for 'Hockney Posters' (1987), 'For an exhibition of
- [Portrait of Richard Hamilton](https://gerrishfineart.com/product/portrait-of-richard-hamilton/) - In 1971, Hamilton had one-man exhibitions in Vancouver, Milan, Amsterdam and Berlin. Earlier in the year, Hamilton had, with David Hockney, taken part in protests against the proposed museum admission charges in London. In a report of the protest, published in The Times, they were described as 'David Hockney (crisp mackintosh and blue gym shoes)'
- [Dunderhole](https://gerrishfineart.com/product/dunderhole/) - One of twelve etchings in the series 'From Trevose Head to Tintagel', inspired by the coast of North Cornwall.
- [Success](https://gerrishfineart.com/product/success/) - First exhibited at the Leicester Galleries, London, February, 1923. Related work: oil on canvas, 1920, dimensions and whereabouts unknown, first exhibited at the Bourgeois Gallery, New York, November 1920.Art critic Frank Rutter thought works such as Success, “revealed that the artist had in no way allowed his talent for biting satire to atrophy. Indeed, the
- [Ecstatic Tree (L'Arbre extatique)](https://gerrishfineart.com/product/ecstatic-tree-larbre-extatique/) - Ecstatic Tree (L'Arbre extatique)
- [Corpses on Fire](https://gerrishfineart.com/product/corpses-on-fire/) - This etching is the fifth illustration from ‘The boy who left home to learn fear’ tale, and depicts the burning corpses under the gallows. Hockney said of this etching, “again, it’s invented. The shadow and the figures I did from life. I got people and put lights underneath them. This wasn’t intended to look like
- [Tintagel & Gull Rock](https://gerrishfineart.com/product/tintagel-gull-rock/) - One of twelve etchings in the series 'From Trevose Head to Tintagel', inspired by the coast of North Cornwall.
- [At Trebarwith Strand](https://gerrishfineart.com/product/at-trebarwith-strand/) - One of twelve etchings in the series 'From Trevose Head to Tintagel', inspired by the coast of North Cornwall.
- [Dennis Point - Trebarwith](https://gerrishfineart.com/product/dennis-point-trebarwith/) - One of twelve etchings in the series 'From Trevose Head to Tintagel', inspired by the coast of North Cornwall.
- [Barrett's Zawn](https://gerrishfineart.com/product/barretts-zawn/) - One of twelve etchings in the series 'From Trevose Head to Tintagel', inspired by the coast of North Cornwall.
- [Port Quin Bay](https://gerrishfineart.com/product/port-quin-bay/) - One of twelve etchings in the series 'From Trevose Head to Tintagel', inspired by the coast of North Cornwall.
- [Sevensouls Rock](https://gerrishfineart.com/product/sevensouls-rock/) - One of twelve etchings in the series 'From Trevose Head to Tintagel', inspired by the coast of North Cornwall.
- [Pentire Point - Polzeath](https://gerrishfineart.com/product/pentire-point-polzeath/) - One of twelve etchings in the series 'From Trevose Head to Tintagel', inspired by the coast of North Cornwall.
- [Brea Hill](https://gerrishfineart.com/product/brea-hill/) - One of twelve etchings in the series 'From Trevose Head to Tintagel', inspired by the coast of North Cornwall.
- [Camel Estuary](https://gerrishfineart.com/product/camel-estuary/) - One of twelve etchings in the series 'From Trevose Head to Tintagel', inspired by the coast of North Cornwall.
- [Landscape](https://gerrishfineart.com/product/landscape-2/) - Landscape
- [The Father of Mona Lisa](https://gerrishfineart.com/product/the-father-of-mona-lisa-2/) - A clever Man-Ray readymade in which he takes the classic Leonardo self-portrait and sticks the stub of a fat lit cigar into the mouth'.
- [The Father of Mona Lisa](https://gerrishfineart.com/product/the-father-of-mona-lisa/) - A clever Man-Ray readymade in which he takes the classic Leonardo self-portrait and sticks the stub of a fat lit cigar into the mouth'.
- [Hat](https://gerrishfineart.com/product/hat-4/) - Vinyl sheet lithographed in red, yellow, blue and white, and hand-folded to form a tri-cornered hat.‘Roy Lichtenstein’s red, white and blue folded print, a tri-cornered hat that the artist thinks of as an art deco boat as well. Its three dimensional structure is related to the freestanding printed ‘Pyramid’ (cat 62) of the same year'.‘Lichtenstein

## Categories

- [Journal](https://gerrishfineart.com/category/journal/)

## Tags

- [Hockney](https://gerrishfineart.com/tag/hockney/)
- [Grimm's Fairytales](https://gerrishfineart.com/tag/grimms-fairytales/)
- [Etching](https://gerrishfineart.com/tag/etching/)

## Nationalities

- [British](https://gerrishfineart.com/?nationality_tax=british)
- [American](https://gerrishfineart.com/?nationality_tax=american)
- [European](https://gerrishfineart.com/?nationality_tax=european)
- [Asian](https://gerrishfineart.com/?nationality_tax=asian)
- [Australasian](https://gerrishfineart.com/?nationality_tax=australasian)
- [African](https://gerrishfineart.com/?nationality_tax=african)

## Exact Nationalities

- [Iraqi](https://gerrishfineart.com/?exact_nationality_tax=iraqi)
- [British](https://gerrishfineart.com/?exact_nationality_tax=british)
- [American](https://gerrishfineart.com/?exact_nationality_tax=american)
- [Canadian](https://gerrishfineart.com/?exact_nationality_tax=canadian)
- [German](https://gerrishfineart.com/?exact_nationality_tax=german)
- [French](https://gerrishfineart.com/?exact_nationality_tax=french)
- [Austrian](https://gerrishfineart.com/?exact_nationality_tax=austrian)
- [Russian](https://gerrishfineart.com/?exact_nationality_tax=russian)
- [Ukrainian](https://gerrishfineart.com/?exact_nationality_tax=ukrainian)
- [Argentine](https://gerrishfineart.com/?exact_nationality_tax=argentine)
- [Italian](https://gerrishfineart.com/?exact_nationality_tax=italian)
- [Swedish](https://gerrishfineart.com/?exact_nationality_tax=swedish)
- [Australian](https://gerrishfineart.com/?exact_nationality_tax=australian)
- [Catalan](https://gerrishfineart.com/?exact_nationality_tax=catalan)
- [Spanish](https://gerrishfineart.com/?exact_nationality_tax=spanish)
- [Dutch](https://gerrishfineart.com/?exact_nationality_tax=dutch)
- [Norwegian](https://gerrishfineart.com/?exact_nationality_tax=norwegian)
- [English](https://gerrishfineart.com/?exact_nationality_tax=english)
- [Belgian](https://gerrishfineart.com/?exact_nationality_tax=belgian)
- [Swiss](https://gerrishfineart.com/?exact_nationality_tax=swiss)
- [Japanese](https://gerrishfineart.com/?exact_nationality_tax=japanese)
- [New-Zealander](https://gerrishfineart.com/?exact_nationality_tax=new-zealander)
- [Greek](https://gerrishfineart.com/?exact_nationality_tax=greek)
- [Bulgarian](https://gerrishfineart.com/?exact_nationality_tax=bulgarian)
- [Danish](https://gerrishfineart.com/?exact_nationality_tax=danish)
- [Chinese](https://gerrishfineart.com/?exact_nationality_tax=chinese)
- [Nigerian](https://gerrishfineart.com/?exact_nationality_tax=nigerian)
- [Hungarian](https://gerrishfineart.com/?exact_nationality_tax=hungarian)
- [Irish](https://gerrishfineart.com/?exact_nationality_tax=irish)
- [European](https://gerrishfineart.com/?exact_nationality_tax=european)
- [Lithuanian](https://gerrishfineart.com/?exact_nationality_tax=lithuanian)
- [Haitian](https://gerrishfineart.com/?exact_nationality_tax=haitian)
- [Cuban](https://gerrishfineart.com/?exact_nationality_tax=cuban)
- [Chilean](https://gerrishfineart.com/?exact_nationality_tax=chilean)
- [Czech](https://gerrishfineart.com/?exact_nationality_tax=czech)
- [Guyanese](https://gerrishfineart.com/?exact_nationality_tax=guyanese)

## Mediums

- [Etching](https://gerrishfineart.com/?medium=etching)
- [Screenprint](https://gerrishfineart.com/?medium=screenprint)
- [Watercolour](https://gerrishfineart.com/?medium=watercolour)
- [Linocut](https://gerrishfineart.com/?medium=linocut)
- [Lithograph](https://gerrishfineart.com/?medium=lithograph)
- [Pochoir](https://gerrishfineart.com/?medium=pochoir)
- [Woodcut](https://gerrishfineart.com/?medium=woodcut)
- [Poster](https://gerrishfineart.com/?medium=poster)
- [Wood Engraving](https://gerrishfineart.com/?medium=wood-engraving)
- [Multiple](https://gerrishfineart.com/?medium=multiple)
- [Drypoint](https://gerrishfineart.com/?medium=drypoint)
- [Mezzotint](https://gerrishfineart.com/?medium=mezzotint)
- [Painting](https://gerrishfineart.com/?medium=painting)
- [Photo Mezzotint](https://gerrishfineart.com/?medium=photo-mezzotint)
- [Aquatint](https://gerrishfineart.com/?medium=aquatint)
- [Drawing](https://gerrishfineart.com/?medium=drawing)
- [Engraving](https://gerrishfineart.com/?medium=engraving)
- [Book](https://gerrishfineart.com/?medium=book)
- [Printmaking](https://gerrishfineart.com/?medium=printmaking)
- [Decorative Arts](https://gerrishfineart.com/?medium=decorative-arts)
- [Photography](https://gerrishfineart.com/?medium=photography)
- [Digital](https://gerrishfineart.com/?medium=digital)
- [Sculpture](https://gerrishfineart.com/?medium=sculpture)
- [Colour Etching and Aquatint](https://gerrishfineart.com/?medium=colour-etching-and-aquatint)
- [Book Multiple](https://gerrishfineart.com/?medium=book-multiple)
- [Softground etching](https://gerrishfineart.com/?medium=softground-etching)
- [etchng](https://gerrishfineart.com/?medium=etchng)
- [Collage](https://gerrishfineart.com/?medium=collage)
- [Ceramic](https://gerrishfineart.com/?medium=ceramic)
- [Furniture](https://gerrishfineart.com/?medium=furniture)

## Periods

- [20th Century](https://gerrishfineart.com/?period=20th-century)
- [19th Century](https://gerrishfineart.com/?period=19th-century)
- [21st Century](https://gerrishfineart.com/?period=21st-century)

## Birth Years

- [1938](https://gerrishfineart.com/?born_tax=1938)
- [1906](https://gerrishfineart.com/?born_tax=1906)
- [1898](https://gerrishfineart.com/?born_tax=1898)
- [1888](https://gerrishfineart.com/?born_tax=1888)
- [1891](https://gerrishfineart.com/?born_tax=1891)
- [1915](https://gerrishfineart.com/?born_tax=1915)
- [1883](https://gerrishfineart.com/?born_tax=1883)
- [1901](https://gerrishfineart.com/?born_tax=1901)
- [1965](https://gerrishfineart.com/?born_tax=1965)
- [1893](https://gerrishfineart.com/?born_tax=1893)
- [1937](https://gerrishfineart.com/?born_tax=1937)
- [1827](https://gerrishfineart.com/?born_tax=1827)
- [1933](https://gerrishfineart.com/?born_tax=1933)
- [1932](https://gerrishfineart.com/?born_tax=1932)
- [1902](https://gerrishfineart.com/?born_tax=1902)
- [1928](https://gerrishfineart.com/?born_tax=1928)
- [1978](https://gerrishfineart.com/?born_tax=1978)
- [1895](https://gerrishfineart.com/?born_tax=1895)
- [1866](https://gerrishfineart.com/?born_tax=1866)
- [1890](https://gerrishfineart.com/?born_tax=1890)
- [1908](https://gerrishfineart.com/?born_tax=1908)
- [1945](https://gerrishfineart.com/?born_tax=1945)
- [1863](https://gerrishfineart.com/?born_tax=1863)
- [1881](https://gerrishfineart.com/?born_tax=1881)
- [1923](https://gerrishfineart.com/?born_tax=1923)
- [1789](https://gerrishfineart.com/?born_tax=1789)
- [1869](https://gerrishfineart.com/?born_tax=1869)
- [1925](https://gerrishfineart.com/?born_tax=1925)
- [1872](https://gerrishfineart.com/?born_tax=1872)
- [1889](https://gerrishfineart.com/?born_tax=1889)
- [1894](https://gerrishfineart.com/?born_tax=1894)
- [1917](https://gerrishfineart.com/?born_tax=1917)
- [1805](https://gerrishfineart.com/?born_tax=1805)
- [1924](https://gerrishfineart.com/?born_tax=1924)
- [1960](https://gerrishfineart.com/?born_tax=1960)
- [1884](https://gerrishfineart.com/?born_tax=1884)
- [1899](https://gerrishfineart.com/?born_tax=1899)
- [1903](https://gerrishfineart.com/?born_tax=1903)
- [1886](https://gerrishfineart.com/?born_tax=1886)
- [1900](https://gerrishfineart.com/?born_tax=1900)
- [1935](https://gerrishfineart.com/?born_tax=1935)
- [1840](https://gerrishfineart.com/?born_tax=1840)
- [1809](https://gerrishfineart.com/?born_tax=1809)
- [1931](https://gerrishfineart.com/?born_tax=1931)
- [1833](https://gerrishfineart.com/?born_tax=1833)
- [1847](https://gerrishfineart.com/?born_tax=1847)
- [1874](https://gerrishfineart.com/?born_tax=1874)
- [1856](https://gerrishfineart.com/?born_tax=1856)
- [1867](https://gerrishfineart.com/?born_tax=1867)
- [1968](https://gerrishfineart.com/?born_tax=1968)
- [1860](https://gerrishfineart.com/?born_tax=1860)
- [1919](https://gerrishfineart.com/?born_tax=1919)
- [1882](https://gerrishfineart.com/?born_tax=1882)
- [1936](https://gerrishfineart.com/?born_tax=1936)
- [1904](https://gerrishfineart.com/?born_tax=1904)
- [1887](https://gerrishfineart.com/?born_tax=1887)
- [1911](https://gerrishfineart.com/?born_tax=1911)
- [1775](https://gerrishfineart.com/?born_tax=1775)
- [1834](https://gerrishfineart.com/?born_tax=1834)
- [1970](https://gerrishfineart.com/?born_tax=1970)
- [1934](https://gerrishfineart.com/?born_tax=1934)
- [1921](https://gerrishfineart.com/?born_tax=1921)
- [1864](https://gerrishfineart.com/?born_tax=1864)
- [1942](https://gerrishfineart.com/?born_tax=1942)
- [1946](https://gerrishfineart.com/?born_tax=1946)
- [1897](https://gerrishfineart.com/?born_tax=1897)
- [1912](https://gerrishfineart.com/?born_tax=1912)
- [1907](https://gerrishfineart.com/?born_tax=1907)
- [1799](https://gerrishfineart.com/?born_tax=1799)
- [1966](https://gerrishfineart.com/?born_tax=1966)
- [1875](https://gerrishfineart.com/?born_tax=1875)
- [1927](https://gerrishfineart.com/?born_tax=1927)
- [1930](https://gerrishfineart.com/?born_tax=1930)
- [1876](https://gerrishfineart.com/?born_tax=1876)
- [1948](https://gerrishfineart.com/?born_tax=1948)
- [1982](https://gerrishfineart.com/?born_tax=1982)
- [1922](https://gerrishfineart.com/?born_tax=1922)
- [1958](https://gerrishfineart.com/?born_tax=1958)
- [1939](https://gerrishfineart.com/?born_tax=1939)
- [1940](https://gerrishfineart.com/?born_tax=1940)
- [1947](https://gerrishfineart.com/?born_tax=1947)
- [1981](https://gerrishfineart.com/?born_tax=1981)
- [1916](https://gerrishfineart.com/?born_tax=1916)
- [1941](https://gerrishfineart.com/?born_tax=1941)
- [1929](https://gerrishfineart.com/?born_tax=1929)
- [1913](https://gerrishfineart.com/?born_tax=1913)
- [1984](https://gerrishfineart.com/?born_tax=1984)
- [1918](https://gerrishfineart.com/?born_tax=1918)
- [1980](https://gerrishfineart.com/?born_tax=1980)
- [1724](https://gerrishfineart.com/?born_tax=1724)
- [1977](https://gerrishfineart.com/?born_tax=1977)
- [1865](https://gerrishfineart.com/?born_tax=1865)
- [1776](https://gerrishfineart.com/?born_tax=1776)
- [1885](https://gerrishfineart.com/?born_tax=1885)
- [1757](https://gerrishfineart.com/?born_tax=1757)
- [1914](https://gerrishfineart.com/?born_tax=1914)
- [1920](https://gerrishfineart.com/?born_tax=1920)
- [1820](https://gerrishfineart.com/?born_tax=1820)
- [1926](https://gerrishfineart.com/?born_tax=1926)
- [1909](https://gerrishfineart.com/?born_tax=1909)
- [1964](https://gerrishfineart.com/?born_tax=1964)
- [1868](https://gerrishfineart.com/?born_tax=1868)
- [1943](https://gerrishfineart.com/?born_tax=1943)
- [1905](https://gerrishfineart.com/?born_tax=1905)
- [1896](https://gerrishfineart.com/?born_tax=1896)
- [1961](https://gerrishfineart.com/?born_tax=1961)
- [1832](https://gerrishfineart.com/?born_tax=1832)
- [1796](https://gerrishfineart.com/?born_tax=1796)
- [1951](https://gerrishfineart.com/?born_tax=1951)

## Died Years

- [1989](https://gerrishfineart.com/?died_tax=1989)
- [1976](https://gerrishfineart.com/?died_tax=1976)
- [1978](https://gerrishfineart.com/?died_tax=1978)
- [2012](https://gerrishfineart.com/?died_tax=2012)
- [1950](https://gerrishfineart.com/?died_tax=1950)
- [1988](https://gerrishfineart.com/?died_tax=1988)
- [1979](https://gerrishfineart.com/?died_tax=1979)
- [1910](https://gerrishfineart.com/?died_tax=1910)
- [2013](https://gerrishfineart.com/?died_tax=2013)
- [2004](https://gerrishfineart.com/?died_tax=2004)
- [1981](https://gerrishfineart.com/?died_tax=1981)
- [2018](https://gerrishfineart.com/?died_tax=2018)
- [1961](https://gerrishfineart.com/?died_tax=1961)
- [1972](https://gerrishfineart.com/?died_tax=1972)
- [1974](https://gerrishfineart.com/?died_tax=1974)
- [1944](https://gerrishfineart.com/?died_tax=1944)
- [1954](https://gerrishfineart.com/?died_tax=1954)
- [1984](https://gerrishfineart.com/?died_tax=1984)
- [1951](https://gerrishfineart.com/?died_tax=1951)
- [1962](https://gerrishfineart.com/?died_tax=1962)
- [1997](https://gerrishfineart.com/?died_tax=1997)
- [1854](https://gerrishfineart.com/?died_tax=1854)
- [1983](https://gerrishfineart.com/?died_tax=1983)
- [1992](https://gerrishfineart.com/?died_tax=1992)
- [1986](https://gerrishfineart.com/?died_tax=1986)
- [1991](https://gerrishfineart.com/?died_tax=1991)
- [1977](https://gerrishfineart.com/?died_tax=1977)
- [1946](https://gerrishfineart.com/?died_tax=1946)
- [1982](https://gerrishfineart.com/?died_tax=1982)
- [1949](https://gerrishfineart.com/?died_tax=1949)
- [1881](https://gerrishfineart.com/?died_tax=1881)
- [2005](https://gerrishfineart.com/?died_tax=2005)
- [1998](https://gerrishfineart.com/?died_tax=1998)
- [1963](https://gerrishfineart.com/?died_tax=1963)
- [1994](https://gerrishfineart.com/?died_tax=1994)
- [1968](https://gerrishfineart.com/?died_tax=1968)
- [1967](https://gerrishfineart.com/?died_tax=1967)
- [1942](https://gerrishfineart.com/?died_tax=1942)
- [1916](https://gerrishfineart.com/?died_tax=1916)
- [1896](https://gerrishfineart.com/?died_tax=1896)
- [1898](https://gerrishfineart.com/?died_tax=1898)
- [2017](https://gerrishfineart.com/?died_tax=2017)
- [1926](https://gerrishfineart.com/?died_tax=1926)
- [1941](https://gerrishfineart.com/?died_tax=1941)
- [1925](https://gerrishfineart.com/?died_tax=1925)
- [1953](https://gerrishfineart.com/?died_tax=1953)
- [1921](https://gerrishfineart.com/?died_tax=1921)
- [2016](https://gerrishfineart.com/?died_tax=2016)
- [1956](https://gerrishfineart.com/?died_tax=1956)
- [1959](https://gerrishfineart.com/?died_tax=1959)
- [1980](https://gerrishfineart.com/?died_tax=1980)
- [1851](https://gerrishfineart.com/?died_tax=1851)
- [1987](https://gerrishfineart.com/?died_tax=1987)
- [1903](https://gerrishfineart.com/?died_tax=1903)
- [1958](https://gerrishfineart.com/?died_tax=1958)
- [1966](https://gerrishfineart.com/?died_tax=1966)
- [1975](https://gerrishfineart.com/?died_tax=1975)
- [2003](https://gerrishfineart.com/?died_tax=2003)
- [1971](https://gerrishfineart.com/?died_tax=1971)
- [1957](https://gerrishfineart.com/?died_tax=1957)
- [1883](https://gerrishfineart.com/?died_tax=1883)
- [1985](https://gerrishfineart.com/?died_tax=1985)
- [2008](https://gerrishfineart.com/?died_tax=2008)
- [1996](https://gerrishfineart.com/?died_tax=1996)
- [1955](https://gerrishfineart.com/?died_tax=1955)
- [1993](https://gerrishfineart.com/?died_tax=1993)
- [1915](https://gerrishfineart.com/?died_tax=1915)
- [1940](https://gerrishfineart.com/?died_tax=1940)
- [1938](https://gerrishfineart.com/?died_tax=1938)
- [2011](https://gerrishfineart.com/?died_tax=2011)
- [1990](https://gerrishfineart.com/?died_tax=1990)
- [1995](https://gerrishfineart.com/?died_tax=1995)
- [2014](https://gerrishfineart.com/?died_tax=2014)
- [1999](https://gerrishfineart.com/?died_tax=1999)
- [1970](https://gerrishfineart.com/?died_tax=1970)
- [2006](https://gerrishfineart.com/?died_tax=2006)
- [1948](https://gerrishfineart.com/?died_tax=1948)
- [1806](https://gerrishfineart.com/?died_tax=1806)
- [2019](https://gerrishfineart.com/?died_tax=2019)
- [1945](https://gerrishfineart.com/?died_tax=1945)
- [1837](https://gerrishfineart.com/?died_tax=1837)
- [1969](https://gerrishfineart.com/?died_tax=1969)
- [1827](https://gerrishfineart.com/?died_tax=1827)
- [2020](https://gerrishfineart.com/?died_tax=2020)
- [1973](https://gerrishfineart.com/?died_tax=1973)
- [1917](https://gerrishfineart.com/?died_tax=1917)
- [1884](https://gerrishfineart.com/?died_tax=1884)
- [2000](https://gerrishfineart.com/?died_tax=2000)
- [2002](https://gerrishfineart.com/?died_tax=2002)
- [2015](https://gerrishfineart.com/?died_tax=2015)
- [1947](https://gerrishfineart.com/?died_tax=1947)
- [2024](https://gerrishfineart.com/?died_tax=2024)
- [2010](https://gerrishfineart.com/?died_tax=2010)
- [2007](https://gerrishfineart.com/?died_tax=2007)
- [2022](https://gerrishfineart.com/?died_tax=2022)
- [2009](https://gerrishfineart.com/?died_tax=2009)
- [1964](https://gerrishfineart.com/?died_tax=1964)
- [2025](https://gerrishfineart.com/?died_tax=2025)
- [1855](https://gerrishfineart.com/?died_tax=1855)

## Sections

- [Catalogues](https://gerrishfineart.com/?exhibition_tax=catalogues)
- [Fair](https://gerrishfineart.com/?exhibition_tax=fair)
- [Online Exhibition](https://gerrishfineart.com/?exhibition_tax=online-exhibition)
- [Museum Exhibition](https://gerrishfineart.com/?exhibition_tax=museum-exhibition)
- [Gallery Exhibition](https://gerrishfineart.com/?exhibition_tax=gallery-exhibition)

## Product categories

- [Abstract](https://gerrishfineart.com/product-category/abstract/)
- [Printmaking](https://gerrishfineart.com/product-category/printmaking/)
- [Etching](https://gerrishfineart.com/product-category/printmaking/etching/)
- [Book Multiple](https://gerrishfineart.com/product-category/book-multiple/)
- [Multiple](https://gerrishfineart.com/product-category/multiple/)
- [Decorative Arts](https://gerrishfineart.com/product-category/decorative-arts/)
- [Photography](https://gerrishfineart.com/product-category/photography/)
- [Drawing](https://gerrishfineart.com/product-category/drawing/)
- [Watercolour](https://gerrishfineart.com/product-category/watercolour/)
- [Screenprint](https://gerrishfineart.com/product-category/screenprint/)
- [Poster](https://gerrishfineart.com/product-category/poster/)
- [Lithograph](https://gerrishfineart.com/product-category/lithograph/)
- [Woodcut](https://gerrishfineart.com/product-category/woodcut/)
- [Wood Engraving](https://gerrishfineart.com/product-category/wood-engraving/)
- [Painting](https://gerrishfineart.com/product-category/painting/)
- [Book](https://gerrishfineart.com/product-category/book/)
- [Engraving](https://gerrishfineart.com/product-category/engraving/)
- [Photo mezzotint](https://gerrishfineart.com/product-category/photo-mezzotint/)
- [Drypoint](https://gerrishfineart.com/product-category/drypoint/)
- [Aquatint](https://gerrishfineart.com/product-category/aquatint/)
- [Linocut](https://gerrishfineart.com/product-category/linocut/)
- [Pochoir](https://gerrishfineart.com/product-category/pochoir/)
- [Mezzotint](https://gerrishfineart.com/product-category/mezzotint/)
- [Digital](https://gerrishfineart.com/product-category/digital/)
- [Sculpture](https://gerrishfineart.com/product-category/sculpture/)
- [Colour Etching and Aquatint](https://gerrishfineart.com/product-category/colour-etching-and-aquatint/)
- [Softground etching](https://gerrishfineart.com/product-category/softground-etching/)
- [etchng](https://gerrishfineart.com/product-category/etchng/)
- [Collage](https://gerrishfineart.com/product-category/collage/)
- [Ceramic](https://gerrishfineart.com/product-category/ceramic/)
- [Furniture](https://gerrishfineart.com/product-category/furniture/)

## Product tags

- [Etching](https://gerrishfineart.com/product-tag/etching/)
- [Lithograph](https://gerrishfineart.com/product-tag/lithograph/)
- [Multiple](https://gerrishfineart.com/product-tag/multiple/)
- [Debossed Print](https://gerrishfineart.com/product-tag/debossed-print/)
- [Screenprint](https://gerrishfineart.com/product-tag/screenprint/)
- [Offset Lithograph](https://gerrishfineart.com/product-tag/offset-lithograph/)
- [Screenprint & Lithograph](https://gerrishfineart.com/product-tag/screenprint-lithograph/)
- [Photo Etching](https://gerrishfineart.com/product-tag/photo-etching/)
- [Etching (Photogravure)](https://gerrishfineart.com/product-tag/etching-photogravure/)
- [Woodcut](https://gerrishfineart.com/product-tag/woodcut/)
- [Photogravure](https://gerrishfineart.com/product-tag/photogravure/)
- [Etching & Aquatint](https://gerrishfineart.com/product-tag/etching-aquatint/)
- [Etching & Screenprint](https://gerrishfineart.com/product-tag/etching-screenprint/)
- [Etching, Aquatint & Silkscreen](https://gerrishfineart.com/product-tag/etching-aquatint-silkscreen/)
- [Etching, Aquatint & Screenprint](https://gerrishfineart.com/product-tag/etching-aquatint-screenprint/)
- [Colour Etching](https://gerrishfineart.com/product-tag/colour-etching/)
- [Linocut](https://gerrishfineart.com/product-tag/linocut/)
- [UV Print on Aluminium](https://gerrishfineart.com/product-tag/uv-print-on-aluminium/)
- [Softgroung Etching](https://gerrishfineart.com/product-tag/softgroung-etching/)
- [Softground Etching & Drypoint](https://gerrishfineart.com/product-tag/softground-etching-drypoint/)
- [Drypoint](https://gerrishfineart.com/product-tag/drypoint/)
- [Etching & Drypoint](https://gerrishfineart.com/product-tag/etching-drypoint/)
- [Heliogravure](https://gerrishfineart.com/product-tag/heliogravure/)
- [Engraving in Colours](https://gerrishfineart.com/product-tag/engraving-in-colours/)
- [Etching, Aquatint & Drypoint](https://gerrishfineart.com/product-tag/etching-aquatint-drypoint/)
- [Etching & Softground](https://gerrishfineart.com/product-tag/etching-softground/)
- [Hand-Coloured Etching](https://gerrishfineart.com/product-tag/hand-coloured-etching/)
- [Etching, Drypoint & Heliogravure](https://gerrishfineart.com/product-tag/etching-drypoint-heliogravure/)
- [Softground Etching](https://gerrishfineart.com/product-tag/softground-etching/)
- [Etching in Brown Ink](https://gerrishfineart.com/product-tag/etching-in-brown-ink/)
- [Screen Relief & Stencil](https://gerrishfineart.com/product-tag/screen-relief-stencil/)
- [Drawing](https://gerrishfineart.com/product-tag/drawing/)
- [Hand-Coloured Etching & Aquatint](https://gerrishfineart.com/product-tag/hand-coloured-etching-aquatint/)
- [Complete set of 5 Etchings](https://gerrishfineart.com/product-tag/complete-set-of-5-etchings/)
- [Crayon & Pencil Assemblage](https://gerrishfineart.com/product-tag/crayon-pencil-assemblage/)
- [Crayon & Pastel on Folded Paper with Ties](https://gerrishfineart.com/product-tag/crayon-pastel-on-folded-paper-with-ties/)
- [Pencil, Watercolour & Ties](https://gerrishfineart.com/product-tag/pencil-watercolour-ties/)
- [5 lithographs](https://gerrishfineart.com/product-tag/5-lithographs/)
- [Etching & Engraving](https://gerrishfineart.com/product-tag/etching-engraving/)
- [Giclée Print](https://gerrishfineart.com/product-tag/giclee-print/)
- [Screenprint in Blue and Black with Vacuum formed Polystyrene](https://gerrishfineart.com/product-tag/screenprint-in-blue-and-black-with-vacuum-formed-polystyrene/)
- [Soft-Ground Etching, Aquatint, Screenprint & Photo-Lithography](https://gerrishfineart.com/product-tag/soft-ground-etching-aquatint-screenprint-photo-lithography/)
- [Soft-Ground Etching, Aquatint, Mezzotint & Photo-Lithography,](https://gerrishfineart.com/product-tag/soft-ground-etching-aquatint-mezzotint-photo-lithography/)
- [Screenprint & Collage](https://gerrishfineart.com/product-tag/screenprint-collage/)
- [Wood Engraving](https://gerrishfineart.com/product-tag/wood-engraving/)
- [Engraving](https://gerrishfineart.com/product-tag/engraving/)
- [Digital Print](https://gerrishfineart.com/product-tag/digital-print/)
- [Screenprint on Wallpaper](https://gerrishfineart.com/product-tag/screenprint-on-wallpaper/)
- [Laminated Giclée Print](https://gerrishfineart.com/product-tag/laminated-giclee-print/)
- [Offset Lithographic Poster](https://gerrishfineart.com/product-tag/offset-lithographic-poster/)
- [Poster](https://gerrishfineart.com/product-tag/poster/)
- [Boxed Set Of 12 'Vitrone’ vacuum formed rigid vinyl sheets](https://gerrishfineart.com/product-tag/boxed-set-of-12-vitrone-vacuum-formed-rigid-vinyl-sheets/)
- [Unbound Book With 36 Screenprinted Inner Pages](https://gerrishfineart.com/product-tag/unbound-book-with-36-screenprinted-inner-pages/)
- [Portfolio Of Ten Etchings](https://gerrishfineart.com/product-tag/portfolio-of-ten-etchings/)
- [Portfolio Of 8 Etchings](https://gerrishfineart.com/product-tag/portfolio-of-8-etchings/)
- [10 Coloured Electronic Transfers](https://gerrishfineart.com/product-tag/10-coloured-electronic-transfers/)
- [Ukiyo-e Japanese style woodcut](https://gerrishfineart.com/product-tag/ukiyo-e-japanese-style-woodcut/)
- [Photo Etching & Aquatint](https://gerrishfineart.com/product-tag/photo-etching-aquatint/)
- [Aquatint & Drypoint](https://gerrishfineart.com/product-tag/aquatint-drypoint/)
- [Sugarlift Aquatint](https://gerrishfineart.com/product-tag/sugarlift-aquatint/)
- [Watercolour](https://gerrishfineart.com/product-tag/watercolour/)
- [Line Engraving](https://gerrishfineart.com/product-tag/line-engraving/)
- [Pochoir](https://gerrishfineart.com/product-tag/pochoir/)
- [Lithograph from Linocut](https://gerrishfineart.com/product-tag/lithograph-from-linocut/)
- [Drypoint Etching](https://gerrishfineart.com/product-tag/drypoint-etching/)
- [Pencil and Watercolour](https://gerrishfineart.com/product-tag/pencil-and-watercolour/)
- [Pencil and Wash](https://gerrishfineart.com/product-tag/pencil-and-wash/)
- [Colour Woodcut](https://gerrishfineart.com/product-tag/colour-woodcut/)
- [Copper Engraving](https://gerrishfineart.com/product-tag/copper-engraving/)
- [Mezzotint](https://gerrishfineart.com/product-tag/mezzotint/)
- [Oil on Canvas](https://gerrishfineart.com/product-tag/oil-on-canvas/)
- [Oil on Canvas laid on Board](https://gerrishfineart.com/product-tag/oil-on-canvas-laid-on-board/)
- [Oil on Canvas on Board](https://gerrishfineart.com/product-tag/oil-on-canvas-on-board/)
- [Pen & Ink Drawing](https://gerrishfineart.com/product-tag/pen-ink-drawing/)
- [Pencil Drawing](https://gerrishfineart.com/product-tag/pencil-drawing/)
- [Ink Drawing](https://gerrishfineart.com/product-tag/ink-drawing/)
- [Pencil & Ink](https://gerrishfineart.com/product-tag/pencil-ink/)
- [9 Copper Plates](https://gerrishfineart.com/product-tag/9-copper-plates/)
- [Pencil & Crayon](https://gerrishfineart.com/product-tag/pencil-crayon/)
- [Ink & Wash](https://gerrishfineart.com/product-tag/ink-wash/)
- [Pencil](https://gerrishfineart.com/product-tag/pencil/)
- [Pencil & Watercolour](https://gerrishfineart.com/product-tag/pencil-watercolour/)
- [Crayon Drawing](https://gerrishfineart.com/product-tag/crayon-drawing/)
- [Book of 44 Pencil Drawings](https://gerrishfineart.com/product-tag/book-of-44-pencil-drawings/)
- [Colour Laser Print](https://gerrishfineart.com/product-tag/colour-laser-print/)
- [Tea Service in Bone China](https://gerrishfineart.com/product-tag/tea-service-in-bone-china/)
- [Etching, softground etching & aquatint](https://gerrishfineart.com/product-tag/etching-softground-etching-aquatint/)
- [Softground Etching & Aquatint](https://gerrishfineart.com/product-tag/softground-etching-aquatint/)
- [Hardground, Softground & Aquatint](https://gerrishfineart.com/product-tag/hardground-softground-aquatint/)
- [Hardground & Aquatint](https://gerrishfineart.com/product-tag/hardground-aquatint/)
- [Photo Mezzotint](https://gerrishfineart.com/product-tag/photo-mezzotint/)
- [Photolithograph on Paper Bag](https://gerrishfineart.com/product-tag/photolithograph-on-paper-bag/)
- [A Set of 8 Drypoints In a Portfolio](https://gerrishfineart.com/product-tag/a-set-of-8-drypoints-in-a-portfolio/)
- [Drypoint & Sandground](https://gerrishfineart.com/product-tag/drypoint-sandground/)
- [Offset](https://gerrishfineart.com/product-tag/offset/)
- [Aquatint](https://gerrishfineart.com/product-tag/aquatint/)
- [Mezzotint with Touches of Drypoint](https://gerrishfineart.com/product-tag/mezzotint-with-touches-of-drypoint/)
- [Mezzotint with Etching](https://gerrishfineart.com/product-tag/mezzotint-with-etching/)
- [Book with 40 Colour Lithographs](https://gerrishfineart.com/product-tag/book-with-40-colour-lithographs/)
- [Pen & Ink & Watercolour](https://gerrishfineart.com/product-tag/pen-ink-watercolour/)
- [Pencil, Ink & Watercolour](https://gerrishfineart.com/product-tag/pencil-ink-watercolour/)
- [Pencil, Chalk & Watercolour](https://gerrishfineart.com/product-tag/pencil-chalk-watercolour/)
- [Hand-Coloured Wood Engraving](https://gerrishfineart.com/product-tag/hand-coloured-wood-engraving/)
- [Hand-Coloured Wood Engraving With Pencil Additions by the Artist](https://gerrishfineart.com/product-tag/hand-coloured-wood-engraving-with-pencil-additions-by-the-artist/)
- [Pen and Brown Ink](https://gerrishfineart.com/product-tag/pen-and-brown-ink/)
- [Screenprint on Plastic](https://gerrishfineart.com/product-tag/screenprint-on-plastic/)
- [Screenprint, Lithograph & Collage](https://gerrishfineart.com/product-tag/screenprint-lithograph-collage/)
- [Lithograph & Collage](https://gerrishfineart.com/product-tag/lithograph-collage/)
- [Embossed Woodblock](https://gerrishfineart.com/product-tag/embossed-woodblock/)
- [Jahresobjekt in Ceramic](https://gerrishfineart.com/product-tag/jahresobjekt-in-ceramic/)
- [Set of 6 Wedgwood Plates](https://gerrishfineart.com/product-tag/set-of-6-wedgwood-plates/)
- [Photolithograph](https://gerrishfineart.com/product-tag/photolithograph/)
- [Set of six wedgwood plates](https://gerrishfineart.com/product-tag/set-of-six-wedgwood-plates/)
- [Screen-Printed Fabric](https://gerrishfineart.com/product-tag/screen-printed-fabric/)
- [Mug](https://gerrishfineart.com/product-tag/mug/)
- [China](https://gerrishfineart.com/product-tag/china/)
- [Portfolio of Lithographs](https://gerrishfineart.com/product-tag/portfolio-of-lithographs/)
- [Origninal Copper Plate](https://gerrishfineart.com/product-tag/origninal-copper-plate/)
- [Soft-Ground Etching](https://gerrishfineart.com/product-tag/soft-ground-etching/)
- [Pen and Ink Drawing](https://gerrishfineart.com/product-tag/pen-and-ink-drawing/)
- [Colour etching, drypoint, and softground](https://gerrishfineart.com/product-tag/colour-etching-drypoint-and-softground/)
- [Oil on Board](https://gerrishfineart.com/product-tag/oil-on-board/)
- [Watercolour on Postcard](https://gerrishfineart.com/product-tag/watercolour-on-postcard/)
- [Woodblock](https://gerrishfineart.com/product-tag/woodblock/)
- [Gouache](https://gerrishfineart.com/product-tag/gouache/)
- [Pen and Black Ink](https://gerrishfineart.com/product-tag/pen-and-black-ink/)
- [Pen, Ink & Coloured Crayon](https://gerrishfineart.com/product-tag/pen-ink-coloured-crayon/)
- [Pen & Ink](https://gerrishfineart.com/product-tag/pen-ink/)
- [Drawing & Watercolour](https://gerrishfineart.com/product-tag/drawing-watercolour/)
- [Watercolour & Ink on Paper](https://gerrishfineart.com/product-tag/watercolour-ink-on-paper/)
- [Etching & Mezzotint](https://gerrishfineart.com/product-tag/etching-mezzotint/)
- [Etching, Aquatint & Mezzotint](https://gerrishfineart.com/product-tag/etching-aquatint-mezzotint/)
- [Etching, Mezzotint & Drypoint](https://gerrishfineart.com/product-tag/etching-mezzotint-drypoint/)
- [Mezzotint on Steel](https://gerrishfineart.com/product-tag/mezzotint-on-steel/)
- [Unique Screenprint](https://gerrishfineart.com/product-tag/unique-screenprint/)
- [Screenprint on Cotton and Cellulose Dress](https://gerrishfineart.com/product-tag/screenprint-on-cotton-and-cellulose-dress/)
- [Woodcut in Four Colours](https://gerrishfineart.com/product-tag/woodcut-in-four-colours/)
- [Graphite, Chalk & Pastel on Brown Paper](https://gerrishfineart.com/product-tag/graphite-chalk-pastel-on-brown-paper/)
- [Pastel Drawing and three Drawings of the River Thames, Pastels on Brown Paper](https://gerrishfineart.com/product-tag/pastel-drawing-and-three-drawings-of-the-river-thames-pastels-on-brown-paper/)
- [Original Subway Poster](https://gerrishfineart.com/product-tag/original-subway-poster/)
- [Photo Etching, Aquatint & Engraving](https://gerrishfineart.com/product-tag/photo-etching-aquatint-engraving/)
- [Book](https://gerrishfineart.com/product-tag/book/)
- [Aquatint & Screenprint](https://gerrishfineart.com/product-tag/aquatint-screenprint/)
- [Screenprint & Etching](https://gerrishfineart.com/product-tag/screenprint-etching/)
- [Cyanotype](https://gerrishfineart.com/product-tag/cyanotype/)
- [Book Multiple](https://gerrishfineart.com/product-tag/book-multiple/)
- [Lithographic Poster](https://gerrishfineart.com/product-tag/lithographic-poster/)
- [Mylar & Heavy Paper Multiple](https://gerrishfineart.com/product-tag/mylar-heavy-paper-multiple/)
- [Etching touched with Engraving](https://gerrishfineart.com/product-tag/etching-touched-with-engraving/)
- [Record/Sound Recording](https://gerrishfineart.com/product-tag/record-sound-recording/)
- [16 Screenprints on Acetate](https://gerrishfineart.com/product-tag/16-screenprints-on-acetate/)
- [Sheet of Stamps](https://gerrishfineart.com/product-tag/sheet-of-stamps/)
- [Paper Disk](https://gerrishfineart.com/product-tag/paper-disk/)
- [Complete Set of 14 Screenprints](https://gerrishfineart.com/product-tag/complete-set-of-14-screenprints/)
- [Charcoal Drawing](https://gerrishfineart.com/product-tag/charcoal-drawing/)
- [Graphite & Watercolour](https://gerrishfineart.com/product-tag/graphite-watercolour/)
- [2 books in slipcase containing 9 engravings](https://gerrishfineart.com/product-tag/2-books-in-slipcase-containing-9-engravings/)
- [Etching with the original Copper Plate](https://gerrishfineart.com/product-tag/etching-with-the-original-copper-plate/)
- [Painting](https://gerrishfineart.com/product-tag/painting/)
- [Hand-coloured Linocut](https://gerrishfineart.com/product-tag/hand-coloured-linocut/)
- [Engraving, Soft-ground Etching & Scorper](https://gerrishfineart.com/product-tag/engraving-soft-ground-etching-scorper/)
- [Hardground](https://gerrishfineart.com/product-tag/hardground/)
- [Vitrone' vacuum formed rigid vinyl sheet](https://gerrishfineart.com/product-tag/vitrone-vacuum-formed-rigid-vinyl-sheet/)
- [Coloured Electronic Transfer](https://gerrishfineart.com/product-tag/coloured-electronic-transfer/)
- [Portfolio Of 6 Linocuts](https://gerrishfineart.com/product-tag/portfolio-of-6-linocuts/)
- [Unbound Book With 24 Screenprinted Inner Pages](https://gerrishfineart.com/product-tag/unbound-book-with-24-screenprinted-inner-pages/)
- [Portfolio of 10 Etchings with Title Page](https://gerrishfineart.com/product-tag/portfolio-of-10-etchings-with-title-page/)
- [Portfolio of Six Screenprints with Title Page](https://gerrishfineart.com/product-tag/portfolio-of-six-screenprints-with-title-page/)
- [Acrylic on Canvas](https://gerrishfineart.com/product-tag/acrylic-on-canvas/)
- [Oil & Sgraffito on Canvas](https://gerrishfineart.com/product-tag/oil-sgraffito-on-canvas/)
- [Offset Print On Oil Cloth](https://gerrishfineart.com/product-tag/offset-print-on-oil-cloth/)
- [Pastel on Paper](https://gerrishfineart.com/product-tag/pastel-on-paper/)
- [Watercolour & Pencil on Silk](https://gerrishfineart.com/product-tag/watercolour-pencil-on-silk/)
- [Watercolour & Ink on Silk](https://gerrishfineart.com/product-tag/watercolour-ink-on-silk/)
- [Ceramic multiple](https://gerrishfineart.com/product-tag/ceramic-multiple/)
- [Screenprint on Scarf](https://gerrishfineart.com/product-tag/screenprint-on-scarf/)
- [Colour Etching and Aquatint](https://gerrishfineart.com/product-tag/colour-etching-and-aquatint/)
- [Colour Etching, Aquatint and Lavis](https://gerrishfineart.com/product-tag/colour-etching-aquatint-and-lavis/)
- [Roussel Medium Print](https://gerrishfineart.com/product-tag/roussel-medium-print/)
- [Portfolio of three photo mezzotints](https://gerrishfineart.com/product-tag/portfolio-of-three-photo-mezzotints/)
- [Original felt-tip drawing](https://gerrishfineart.com/product-tag/original-felt-tip-drawing/)
- [50 screenprints in Portfolio Box](https://gerrishfineart.com/product-tag/50-screenprints-in-portfolio-box/)
- [Polyethylene Jacket](https://gerrishfineart.com/product-tag/polyethylene-jacket/)
- [Pen, Ink and Gouache](https://gerrishfineart.com/product-tag/pen-ink-and-gouache/)
- [Etching & Pastel](https://gerrishfineart.com/product-tag/etching-pastel/)
- [Pencil, Crayon & Coloured Chalks](https://gerrishfineart.com/product-tag/pencil-crayon-coloured-chalks/)
- [Pastel on an etched base](https://gerrishfineart.com/product-tag/pastel-on-an-etched-base/)
- [Etching with hand-colouring in Chalk](https://gerrishfineart.com/product-tag/etching-with-hand-colouring-in-chalk/)
- [Linocut in blue ink](https://gerrishfineart.com/product-tag/linocut-in-blue-ink/)
- [Book with 21 Line Engravings](https://gerrishfineart.com/product-tag/book-with-21-line-engravings/)
- [Etching and Drypoint](https://gerrishfineart.com/product-tag/etching-and-drypoint/)
- [Mezzotint & Drypoint](https://gerrishfineart.com/product-tag/mezzotint-drypoint/)
- [Mezzotint with Etching & Touches of Drypoint](https://gerrishfineart.com/product-tag/mezzotint-with-etching-touches-of-drypoint/)
- [Portfolio of 9 Wood Engravings](https://gerrishfineart.com/product-tag/portfolio-of-9-wood-engravings/)
- [Portfolio of 7 Wood Engravings](https://gerrishfineart.com/product-tag/portfolio-of-7-wood-engravings/)
- [Photograph](https://gerrishfineart.com/product-tag/photograph/)
- [Etching, Drypoint and Aquatint](https://gerrishfineart.com/product-tag/etching-drypoint-and-aquatint/)
- [Hand-coloured Drypoint](https://gerrishfineart.com/product-tag/hand-coloured-drypoint/)
- [Hand-coloured Etching & Drypoint](https://gerrishfineart.com/product-tag/hand-coloured-etching-drypoint/)
- [Soft-ground etching and aquatint from one copper plate (drawn by the artist in 1979) printed in black, with hand colouring in black ink](https://gerrishfineart.com/product-tag/soft-ground-etching-and-aquatint-from-one-copper-plate-drawn-by-the-artist-in-1979-printed-in-black-with-hand-colouring-in-black-ink/)
- [Folio of Prints](https://gerrishfineart.com/product-tag/folio-of-prints/)
- [Aquatint, Etching & Drypoint](https://gerrishfineart.com/product-tag/aquatint-etching-drypoint/)
- [Original etching and line engraving](https://gerrishfineart.com/product-tag/original-etching-and-line-engraving/)
- [Etching and aquatint, with embossing, metallic foil die-stamping and collage](https://gerrishfineart.com/product-tag/etching-and-aquatint-with-embossing-metallic-foil-die-stamping-and-collage/)
- [Copper Plate Engraving](https://gerrishfineart.com/product-tag/copper-plate-engraving/)
- [Albumen print from a collodion-on-glass negative on original paper mount](https://gerrishfineart.com/product-tag/albumen-print-from-a-collodion-on-glass-negative-on-original-paper-mount/)
- [Laminated Giclée print on aluminium composite, screen printed with glitter.](https://gerrishfineart.com/product-tag/laminated-giclee-print-on-aluminium-composite-screen-printed-with-glitter/)
- [Albumen print from two collodion-on-glass negatives on original paper mount](https://gerrishfineart.com/product-tag/albumen-print-from-two-collodion-on-glass-negatives-on-original-paper-mount/)
- [Bronze](https://gerrishfineart.com/product-tag/bronze/)
- [Aluminium and String](https://gerrishfineart.com/product-tag/aluminium-and-string/)
- [Oil on panel](https://gerrishfineart.com/product-tag/oil-on-panel/)
- [Oil and Collage on Board](https://gerrishfineart.com/product-tag/oil-and-collage-on-board/)
- [Pencil, chalk and watercolour](https://gerrishfineart.com/product-tag/pencil-chalk-and-watercolour/)
- [Pen and Ink and Gouche](https://gerrishfineart.com/product-tag/pen-and-ink-and-gouche/)
- [Painted banner](https://gerrishfineart.com/product-tag/painted-banner/)
- [etching, hand-touched in pencil](https://gerrishfineart.com/product-tag/etching-hand-touched-in-pencil/)
- [Colour aquatint](https://gerrishfineart.com/product-tag/colour-aquatint/)
- [colour etching and softground](https://gerrishfineart.com/product-tag/colour-etching-and-softground/)
- [Soft-ground Etching and Aquatint](https://gerrishfineart.com/product-tag/soft-ground-etching-and-aquatint/)
- [colour etching, aquatint, and softground](https://gerrishfineart.com/product-tag/colour-etching-aquatint-and-softground/)
- [colour aquatint and softground](https://gerrishfineart.com/product-tag/colour-aquatint-and-softground/)
- [colour drypoint and aquatint](https://gerrishfineart.com/product-tag/colour-drypoint-and-aquatint/)
- [Book, with 16 screenprints on acetate](https://gerrishfineart.com/product-tag/book-with-16-screenprints-on-acetate/)
- [pencil, pen, and ink](https://gerrishfineart.com/product-tag/pencil-pen-and-ink/)
- [Etching on zinc](https://gerrishfineart.com/product-tag/etching-on-zinc/)
- [Tea/Coffee Set in bone china](https://gerrishfineart.com/product-tag/tea-coffee-set-in-bone-china/)
- [Etching and Mezzotint](https://gerrishfineart.com/product-tag/etching-and-mezzotint/)
- [Transfer Lithograph](https://gerrishfineart.com/product-tag/transfer-lithograph/)
- [Mezzotint and etching](https://gerrishfineart.com/product-tag/mezzotint-and-etching/)
- [Watercolour on paper](https://gerrishfineart.com/product-tag/watercolour-on-paper/)
- [Softground Etching or heliogravure](https://gerrishfineart.com/product-tag/softground-etching-or-heliogravure/)
- [Hand-coloured softground etching](https://gerrishfineart.com/product-tag/hand-coloured-softground-etching/)
- [Etching & Softground Etching](https://gerrishfineart.com/product-tag/etching-softground-etching/)
- [16 colour silkscreen print](https://gerrishfineart.com/product-tag/16-colour-silkscreen-print/)
- [Etching and Aquatint](https://gerrishfineart.com/product-tag/etching-and-aquatint/)
- [Colour lithograph](https://gerrishfineart.com/product-tag/colour-lithograph/)
- [Watercolour over pencil, body colour, scratching out and gum arabic](https://gerrishfineart.com/product-tag/watercolour-over-pencil-body-colour-scratching-out-and-gum-arabic/)
- [Lithograph, ink and watercolour](https://gerrishfineart.com/product-tag/lithograph-ink-and-watercolour/)
- [Tin glazed stoneware with manganese rim](https://gerrishfineart.com/product-tag/tin-glazed-stoneware-with-manganese-rim/)
- [Chalk and watercolour on paper](https://gerrishfineart.com/product-tag/chalk-and-watercolour-on-paper/)
- [Casein and oil on canvas](https://gerrishfineart.com/product-tag/casein-and-oil-on-canvas/)
- [Acrylic polymer on canvas](https://gerrishfineart.com/product-tag/acrylic-polymer-on-canvas/)
- [Ink on paper](https://gerrishfineart.com/product-tag/ink-on-paper/)
- [Ink and watercolour with collaged gouache shapes](https://gerrishfineart.com/product-tag/ink-and-watercolour-with-collaged-gouache-shapes/)
- [Acrylic on panel](https://gerrishfineart.com/product-tag/acrylic-on-panel/)
- [Rolled lead](https://gerrishfineart.com/product-tag/rolled-lead/)
- [Ink, watercolour and collage](https://gerrishfineart.com/product-tag/ink-watercolour-and-collage/)
- [Screenprint with flocking](https://gerrishfineart.com/product-tag/screenprint-with-flocking/)
- [Etching, aquatint, engraving, and drypoint](https://gerrishfineart.com/product-tag/etching-aquatint-engraving-and-drypoint/)
- [Lithograph on steel mirror](https://gerrishfineart.com/product-tag/lithograph-on-steel-mirror/)
- [Screenprint and embossing](https://gerrishfineart.com/product-tag/screenprint-and-embossing/)
- [Lithograph and screenprint with collage additions](https://gerrishfineart.com/product-tag/lithograph-and-screenprint-with-collage-additions/)
- [Lithograph and collotype](https://gerrishfineart.com/product-tag/lithograph-and-collotype/)
- [Lithograph & Aquatint](https://gerrishfineart.com/product-tag/lithograph-aquatint/)
- [Screenprint on three sheets](https://gerrishfineart.com/product-tag/screenprint-on-three-sheets/)
- [Screenprint and stencil](https://gerrishfineart.com/product-tag/screenprint-and-stencil/)
- [Linocut printed in black](https://gerrishfineart.com/product-tag/linocut-printed-in-black/)
- [White earthenware ceramic plate with coloured engobe and glaze](https://gerrishfineart.com/product-tag/white-earthenware-ceramic-plate-with-coloured-engobe-and-glaze/)
- [Partially glazed and painted white earthenware plate with oxidised decoration](https://gerrishfineart.com/product-tag/partially-glazed-and-painted-white-earthenware-plate-with-oxidised-decoration/)
- [Red earthenware plaque, painted in black](https://gerrishfineart.com/product-tag/red-earthenware-plaque-painted-in-black/)
- [Stoneware bowl with pale blue/green pitted glaze with blue and brown flecks](https://gerrishfineart.com/product-tag/stoneware-bowl-with-pale-blue-green-pitted-glaze-with-blue-and-brown-flecks/)
- [Tin glaze tableware with manganese rims](https://gerrishfineart.com/product-tag/tin-glaze-tableware-with-manganese-rims/)
- [Perncil and charcoal on paper](https://gerrishfineart.com/product-tag/perncil-and-charcoal-on-paper/)
- [Unglazed ceramic](https://gerrishfineart.com/product-tag/unglazed-ceramic/)
- [Stoneware with brown glaze](https://gerrishfineart.com/product-tag/stoneware-with-brown-glaze/)
- [Stoneware with spiral made from unmixed clays](https://gerrishfineart.com/product-tag/stoneware-with-spiral-made-from-unmixed-clays/)
- [Oil and mixed media](https://gerrishfineart.com/product-tag/oil-and-mixed-media/)
- [Pen and ink and graphite](https://gerrishfineart.com/product-tag/pen-and-ink-and-graphite/)
- [Pen and ink drawing, with some white highlights](https://gerrishfineart.com/product-tag/pen-and-ink-drawing-with-some-white-highlights/)
- [Pen and Ink, pencil and wash.](https://gerrishfineart.com/product-tag/pen-and-ink-pencil-and-wash/)
- [Pen and ink with brown wash.](https://gerrishfineart.com/product-tag/pen-and-ink-with-brown-wash/)
- [Painting on Canvas](https://gerrishfineart.com/product-tag/painting-on-canvas/)
- [Hand-coloured aquatint](https://gerrishfineart.com/product-tag/hand-coloured-aquatint/)
- [Mixed media](https://gerrishfineart.com/product-tag/mixed-media/)
- [Lift-ground etching with aquatint printed in colours, extensively hand-coloured in acrylic](https://gerrishfineart.com/product-tag/lift-ground-etching-with-aquatint-printed-in-colours-extensively-hand-coloured-in-acrylic/)
- [Wood](https://gerrishfineart.com/product-tag/wood/)
- [Pair of wooden chairs](https://gerrishfineart.com/product-tag/pair-of-wooden-chairs/)
- [Digital pigment print](https://gerrishfineart.com/product-tag/digital-pigment-print/)
- [lollipop stick and envelope](https://gerrishfineart.com/product-tag/lollipop-stick-and-envelope/)
- [100% silk twill](https://gerrishfineart.com/product-tag/100-silk-twill/)
- [Hand-coloured Woodcut](https://gerrishfineart.com/product-tag/hand-coloured-woodcut/)
- [Silver gelatin print](https://gerrishfineart.com/product-tag/silver-gelatin-print/)
- [Pencil and coloured pencil](https://gerrishfineart.com/product-tag/pencil-and-coloured-pencil/)
- [Offset Litho on card](https://gerrishfineart.com/product-tag/offset-litho-on-card/)
- [Pen and Ink, wash and chalk](https://gerrishfineart.com/product-tag/pen-and-ink-wash-and-chalk/)
- [Casette in custom-designed box](https://gerrishfineart.com/product-tag/casette-in-custom-designed-box/)
- [Mixed media and collage on panel](https://gerrishfineart.com/product-tag/mixed-media-and-collage-on-panel/)
- [Mixed media on panel](https://gerrishfineart.com/product-tag/mixed-media-on-panel/)
- [Steel Engraving](https://gerrishfineart.com/product-tag/steel-engraving/)
- [Casein on Canvas](https://gerrishfineart.com/product-tag/casein-on-canvas/)
- [Printed and sprayed panel](https://gerrishfineart.com/product-tag/printed-and-sprayed-panel/)
- [Gouache, watercolour and ink](https://gerrishfineart.com/product-tag/gouache-watercolour-and-ink/)
- [Ink on cardboard](https://gerrishfineart.com/product-tag/ink-on-cardboard/)
- [Painting on Board](https://gerrishfineart.com/product-tag/painting-on-board/)
- [Onyx](https://gerrishfineart.com/product-tag/onyx/)
- [Kilkenny Marble](https://gerrishfineart.com/product-tag/kilkenny-marble/)
- [Anagenite (Quartz)](https://gerrishfineart.com/product-tag/anagenite-quartz/)
- [Pencil and Gouache](https://gerrishfineart.com/product-tag/pencil-and-gouache/)
- [Softground etching, aquatint and drypoint.](https://gerrishfineart.com/product-tag/softground-etching-aquatint-and-drypoint/)
- [softground etching and aquatint](https://gerrishfineart.com/product-tag/softground-etching-and-aquatint/)
- [Color etching and aquatint](https://gerrishfineart.com/product-tag/color-etching-and-aquatint/)
- [Acrylic on paper](https://gerrishfineart.com/product-tag/acrylic-on-paper/)
- [Line engraving on steel](https://gerrishfineart.com/product-tag/line-engraving-on-steel/)
- [Line engraving on copper](https://gerrishfineart.com/product-tag/line-engraving-on-copper/)
- [Chromolithograph](https://gerrishfineart.com/product-tag/chromolithograph/)
- [Mezzotint on copper](https://gerrishfineart.com/product-tag/mezzotint-on-copper/)
- [Complete set of twenty copper engravings](https://gerrishfineart.com/product-tag/complete-set-of-twenty-copper-engravings/)
- [Catalogue](https://gerrishfineart.com/product-tag/catalogue/)
- [Complete set of 99 engravings](https://gerrishfineart.com/product-tag/complete-set-of-99-engravings/)
- [Complete set of 12 copper engravings + 11 etchings](https://gerrishfineart.com/product-tag/complete-set-of-12-copper-engravings-11-etchings/)
- [Complete set of 40 line engravings, 52 rare proofs and 31 etchings](https://gerrishfineart.com/product-tag/complete-set-of-40-line-engravings-52-rare-proofs-and-31-etchings/)
- [Hand-touched Engraving](https://gerrishfineart.com/product-tag/hand-touched-engraving/)